From small-scale thermal properties to large-scale forestry, territorial, and carbon cycle issues, wood has latent propensities not well addressed in the current discourse on wood construction. Through a range of design research formats-from material testing to in-situ documentation to speculative urban projects- this book articulates and illustrates future architectural and ecological potentials of wood.

How are the far-away, invisible landscapes where materials come from related to the highly visible, urban landscapes where those same materials are installed? Reciprocal Landscapes: Stories of Material Movements traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and the urban site where the material ended up – together, exploring themes of unequal ecological exchange, labor, and material flows. Each chapter follows a single material’s movement: guano from Peru that landed in Central Park in the 1860s, granite from Maine that paved Broadway in the 1890s, structural steel from Pittsburgh that restructured Riverside Park in the 1930s, London plane street trees grown on Rikers Island by incarcerated workers that were planted on Seventh Avenue north of Central Park in the 1950s, and the popular tropical hardwood, ipe, from northern Brazil installed in the High Line in the 2000s. Reciprocal Landscapes: Stories of Material Movements considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.

Despite population trends toward urbanization, the forest continues to have a strong appeal to the human imagination, and the human preference for forest over many other types of terrain is well documented. This book re-imagines architecture and urbanism by allowing the forest to be a prominent consideration in the language of design, thus recognizing the forest as essential rather than just incidental to human well-being. In Architecture and the Forest Aesthetic, forest is a large-scale urban construct that is far more extensive and nuanced than trees and shrubbery. The forest aesthetic opens designers to the forest as a model for an urban architecture of permeable floors, protective canopies, connected food chains, beneficial decomposition, and resilient ecologies. Much can be learned about these features of the forest from the natural sciences; however, when they are given due consideration technically and metaphorically in the design of urban habitat, the places in which humans live become living forests. What is present here in Architecture and the Forest Aesthetic is both a review of many ingenious ways in which the forest aesthetic has already been expressed in design and urbanism, and an encouragement to further use the forest aesthetic in design language and design outcomes. Case study projects featured include the Chilotan building craft of Southern Chile, the yaki sugi of Japan, the Biltmore Forest in the Southeastern United States, the Australian capital city Canberra, Bosco Verticale in Milan, Italy, the Beijing Olympic Forest Park in China, and more.

Sustainable urban planning and urban renewal are major challenges of the 21st century. In this context, Urbanism and Town Planning proposes a geohistorical approach to urban construction. The city and its neighborhoods are studied through their materials and general layout, which sometimes reveal a logic of economic profitability, prestige and social equity, and sometimes a more innovative approach from an environmental perspective. Across these elements, unbuilt spaces (distinctive streets and squares) and built spaces (commercial and residential areas, both individual and collective) form a three-dimensional grid of “voids” and “solids”, characteristic of urban landscapes and lifestyles. Supported by numerous original examples, this book is a comprehensive summary of the most tangible elements of urban planning and development; elements that must be put into context in order to think concretely about the development of the cities of the future.

Advances in the materials and the digitalization of architecture bring about new methods in design and construction. Whereas traditional timber construction consists of pre-cut and pre-assembled timber sections, modern timber buildings today consist of elaborate wood-based materials. Owing to their flexibility and good properties in terms of building physics and ecology, these wood-based materials are ideal for computer-aided building component production. Fifteen case examples from research, teaching, and practical applications provide inspiring insights into the potential of formable wood-based materials and digital design: Woven Wood, Wood Foam, Living Wood and Organic Joints, Timber Joints for Robotic Building Processes, Efficiencies of Wood, Designing with Tree Form.

Global Urbanism is an experimental examination of how urban scholars and activists make sense of, and act upon, the foundational relationship between the ‘global’ and the ‘urban’. What does it mean to say that we live in a global-urban moment, and what are its implications? Refusing all-encompassing answers, the book grounds this question, exploring the plurality of understandings, definitions, and ways of researching global urbanism through the lenses of varied contributors from different parts of the world. The contributors explore what global urbanism means to them, in their context, from the ground and the struggles upon which they are working and living. The book argues for an incremental, fragile and in-the-making emancipatory urban thinking. The contributions provide the resources to help make sense of what global urbanism is in its varieties, what’s at stake in it, how to research it, and what needs to change for more progressive urban futures. It provides a heterodox set of approaches and theorisations to probe and provoke rather than aiming to draw a line under a complex, changing and profoundly contested set of global-urban processes. Global Urbanism is primarily intended for scholars and graduate students in geography, sociology, planning, anthropology and the field of urban studies, for whom it will provide an invaluable and up-to-date guide to current thinking across the range of disciplines and practices which converge in the study of urbanism. Chapter 36 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution 4.0 license available at http://www.taylorfrancis.com/books/e/9780429259593

This original and innovative book examines a period in which the development of London was perhaps at its most intense, for in the opening decades of the nineteenth century a concerted attempt was made to transform the metropolis into a modern European capital. This study of London landscapes will be of relevance to a broad range of researchers, academics and those with a lively interest in architectural, social, economic and cultural history.

"As a typical element of traditional Chinese architecture, wood was extensively used in urban design, building groups and single buildings in the past. Nowadays, modern timber architecture is emerging all over the world. As an environment-friendly, natural and simple material, timber gains popularity in architectural design again. The book introduces different types of wood, each illustrated with specific cases, which are analysed through real-scene photos, detailed drawings and informative text. Through this well-organised book, readers will get a comprehensive understanding about the application of wood in architectural design" -- Publicaciones Arquitectura y Arte.

A comprehensive new survey tracing the global history of urbanism and urban design from the industrial revolution to the present. Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world's population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called "urbanism." He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities. This erudite and insightful book addresses the modernization of the traditional city, including mass transit and sanitary sewer systems, building legislation, and model tenement and regional planning approaches. It also examines the urban design concepts of groups such as CIAM (International Congresses of Modern Architecture) and Team 10, and their adherents and critics, including those of the Congress for the New Urbanism, as well as efforts toward ecological urbanism. Highlighting built as well as unbuilt projects, Mumford offers a sweeping guide to the history of designers' efforts to shape cities.