A complete textbook and reference book that summarises the main aspects of wood utilisation for the student and the timber producer. The book concentrates on native species, although common non indigenous woods are also covered.

Australian Rainforest Woods describes 141 of the most significant Australian rainforest trees and their wood. The introductory sections draw the reader into an understanding of the botanical, evolutionary, environmental, historical and international significance of this beautiful but finite Australian resource. The main section examines the species and their wood with photographs, botanical descriptions and a summary of the characteristics of the wood. A section on wood identification includes fundamental information on tree growth and wood structure, as well as images of the basic characteristics. With more than 900 colour images, this is the most comprehensive guide ever written on Australian rainforest woods, both for the amateur and the professional wood enthusiast. It is the first time that macrophotographs of the wood have been shown in association with a physical description of wood characteristics, which will aid identification. This technique was developed by Jean-Claude Cerre, France, and his macrophotographs are included in the book.

Australian Forest Woods describes about 130 of the most significant Australian forest trees and their wood. The introductory sections introduce the reader to the uniqueness and usefulness of forest trees. The book examines the forest tree species and their wood with photographs, botanical descriptions and a summary of the characteristics of the wood. A section on wood identification includes fundamental information on tree growth and wood structure. With over 900 images, this is the most comprehensive guide ever written on Australian forest woods, both for the amateur and the professional wood enthusiast. Macrophotographs of the wood are shown in association with a physical description of wood characteristics, which will aid identification. This technique was developed by Jean-Claude Cerre, France, and his macrophotographs are included in the book.

'A rich inner life is not just the preserve of the arts. The joys, fears and profound self-discoveries of creativity - through making or building anything that wasn't there before, any imaginative exploration or attempt to invent - I believe to be the birthright of every person on this earth. If you live your life with curiosity and intention - or would like to - this book is for you.' Charlotte Wood, from the Preface to The Luminous Solution In this essential, illuminating book, award-winning writer Charlotte Wood shares the insights she has gained over a career paying close attention to her own mind, to the world around her and to the way she and others work. Drawing on research and decades of observant conversation and immersive reading, Charlotte shares what artists can teach the rest of us about inspiration and hard work, how to pursue truth in art and life, and to find courage during the difficult times: facing down what we fear and keeping going when things seem hopeless.

#1 International Bestseller Shortlisted for the 2020 Australian Prime Minister's Literary Award * Shortlisted for the Stella Prize 2020 * Longlisted for the 2020 Miles Franklin Award “The Big Chill with a dash of Big Little Lies . . . Knife-sharp and deeply alive.” —The Guardian (London) “An insightful, poignant, and fiercely honest novel about female friendship and female aging.” —Sigrid Nunez, National Book Award–winning author of The Friend “Friendship, ambition, love, sexual politics and death: it’s all here in one sharp, funny, heartbreaking, and gorgeously written package. I loved it.” —Paula Hawkins, author of The Girl on the Train Three women in their seventies reunite for one last, life-changing weekend in the beach house of their late friend. Four older women have a lifelong friendship of the best kind: loving, practical, frank, and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they’ve remained close all these years, the grieving women gather at Sylvie’s old beach house—not for festivities this time, but to clean it out before it is sold. Can they survive together without her? Without Sylvie to maintain the group’s delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests, and too much wine collide in a storm that brings long-buried hurts to the surface—and threatens to sweep away their friendship for good. The Weekend explores growing old and growing up, and what happens when we’re forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

"Women the world over are brought up to hope, even expect, to find the man of their dreams, marry and live happily ever after. When Stephanie Woods meets a sweet, sophisticated man who owns land and businesses, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man? When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation. She also finds she is not alone; that the world is full of smart, sassy women who have suffered the attentions of liars, cheats, narcissists, fantasists and phonies, men with dangerously adept abilities to deceive. In this brilliantly acute and broad-ranging book, Wood, an award-winning writer and journalist, has written a riveting, important account of contemporary love, and the resilience of those who have witnessed its darkest sides." --Back cover.

And as the waves take her apart, piece by piece, she watches the message of the lighthouse spelling itself out on the surface of the water. Its message is composed in the alphabet of light and dark. Flash, eclipse, flash, eclipse. If we see only the light, we are blinded; only the dark and we will never find our way. A tiny coin found inside a Cloudy Bay oyster, a postcard of a white-haired child leaning against a beached dinghy and a coconut peeled and carved once upon a time on the Batavian coast. These trinkets, found in a sea chest, and the fragmented memories of her grandfather's tall tales are all Essie Lewis has left of her family history. After her grandfather's death, Essie returns to Bruny Island, Tasmania and to the lighthouse where her great-great-grandfather kept watch for nearly 40 years. Beneath the lighthouse, she begins to write the stories of her ancestors. But the island is also home to Pete Shelverton, a sculptor who hunts feral cats to make his own peace with the past. And as Essie writes, she finds that Pete is a part of the history she can never escape. 'Absorbing, subtle, impressive writing.' Debra Adelaide 'Wood's writing is sinewy, physical and elemental.' Liam Davison riting.' Debra Adelaide 'Its lyrical probing of several dimensions of Australian/Tasmanian experience make it a fitting recipient for this award. Wood's achievement in her sustained evocation of the bleak Bruny Island landscape and the surrounding seascape is tremendously potent and effective.' Stella Clarke 'The author has that special quality which just jumps off the page. The voice is strong and the sense of place so powerful.' James Bradley 'Wood's writing is sinewy, physical and elemental. She is very good when it comes to the melding of family mythology, storytelling, and colonial history into something which serves a range of purposes. A novel about history rather than a historical novel.' Liam Davison