This second supplement to The Hymnal 1982 is an eclectic collection of two hundred hymns and spiritual songs, including a large selection of service music and devotional pieces. It is a valuable resource for worship, parish functions, and home use. The sturdy paperback pew edition contains all necessary accompaniments. There are additional hymns for Advent, Holy Week, Baptism, Ordinations, and Funerals as well as for healing, mission, unity, and peace. There are a dozen bilingual hymns and another dozen from Lift Every Voice and Sing II. The service music section contains twenty-nine new canticle settings including six Glorias, two Te Deums, A Song of Wisdom and A Song of Pilgrimage from Supplemental Liturgical Materials. There are two sets of Gospel Acclamations based on hymn tunes for the seasons of Easter and Epiphany. In addition there are twenty-nine selections of other liturgical and devotional music that includes table graces, rounds, acclamations, and selections of Music from Taize.

For much of Christian history, pastors not only served as theologians and preachers, but also as poets and hymn writers. They ministered through their preaching and their poetry, their sermons and their songs—laboring to see God’s truth planted not only in people’s minds, but helping it find its way into their hearts and even onto their lips. They viewed such labors as an artistic and devotional tool of catechesis, one that has largely gone missing over the last few generations. But in this new collection of hymns and poems, Justin Wainscott recaptures that rich legacy of pastor-poets, providing God’s people with theology that stirs and sings. Whether his poetry pertains to matters of common grace or saving grace, the mundane or the majestic, he gives readers an opportunity to lose themselves in wonder, love, and praise. And a book like this one couldn’t come at a better time. In this age of distracted reading marked mainly by skimming and scanning, our souls need the kind of slow, deep reading that poetry rewards.

This popular collection of 280 musical pieces from both the African American and Gospel traditions has been compiled under the supervision of the Office of Black Ministries of the Episcopal Church. It includes service music and several psalm settings in addition to the Negro spirituals, Gospel songs, and hymns.

This is an indispensable companion to the pew edition of Wonder, Love, and Praise. Written specifically for the musician, clergy person, worship planner, and accompanist, this volume contains all the music from the pew edition plus interesting background information on each selection. It also includes performance and teaching suggestions, ideas for liturgical use, additional instrumental parts, and a layout designed for ease in accompanying.

Every Sunday, thousands of Christians lift their voices in song and their spirits in worship using the acclaimed Chalice Hymnal-join them and sing from a brilliant blend of 620 easy-to-sing traditional and contemporary hymns.

This is the companion volume to My Heart Sings Out, a collection of hymns, songs, and service music chosen for their particular usefulness in liturgy that is designed intentionally to include children. Intergenerational participation in the liturgy is essential for growing churches. In addition to all of the music from the singer's edition, the Teacher's Guide includes: Brief essays on choosing music and texts appropriate for children; teaching music to children; the importance of a cantor as music leader; and planning worship using the "multiple intelligences" theory to better engage both children and adults. Suggestions for performance, including additional rhythmic and instrumental parts, ideas for use of multiple voice parts, and ways to make performance simpler or more complex depending on resources. Scriptural and lectionary material, including teaching ideas about understanding the story or theme of the day. Guidelines for planning children's chapel services, and for organizing musical content in church school classes and other special learning events. Musical concerns when teaching, including a breakdown of teaching methods for each piece: points of difficulty, patterns of rhythm or melody, etc. to make the music readily accessible to children and adults. Extensive indexes that list the types of accompanying instrumentation, that categorize selections by age level, that list which selections have harmony parts, that match scripture to texts, plus a liturgical index and a topical index.

These hymns have been simplified for use by anyone with at least three years training in piano. In addition, guitar chords accessible to amateur players have been included for many of the selections, and there are suggestions for using familiar tunes found here with other hymns texts. These accompaniments are also a useful resource for teaching beginning piano students who are not ready for the full accompaniments in The Hymnal 1982.

In the time-honored tradition of church musicians who compose music for local use, Robert A. Hawthorne created these beautiful new settings of the psalms for his congregation in Oregon. They proved so singable, so sensitively rendered, and so liturgically appropriate that many who heard them felt this music should be more widely available. The Portland Psalter: Book One, brings the first part of Hawthorne's psalter to the larger church. It contains settings for all psalms appointed for the Sunday Eucharist according to the Book of Common Prayer lectionary and the Revised Common Lectionary. Book Two contains the balance of psalm settings for the church year together with pastoral offices and ordination rites and the Easter Vigil.

"After false starts in teaching and social work, Melda Hayley finds her mission in fostering the damaged children of her fellow black settlers in a deeply racist Britain in the 1950s." "But though Melda finds daily uplift in her work, her inner life starts to come apart. Her brother Arnie has married a white woman and his defection from the family and the distress Melda witnesses amongst the children she fosters causes her repressed memories to surface and her own 'buried wounds to weep'." "Melda confronts the cruelties she has suffered as an 'outside child' at the hands of her stepmother. But though the past drives Melda towards breakdown, she finds strengths there too, especially in the memories of the loving, supporting women of the 'yards' of rural Guyana. Then there is Pa who, in his new material security in the USA, discovers a gentle caring side and teaches his children to sing 'in praise of love and children."