Following the success of Handheld Press's 2019 best-selling anthology Women's Weird, we will be publishing a second anthology of classic Weird short fiction by women authors. Women's Weird 2 will contain thirteen remarkably chilling stories originally published from 1891 to 1937, by women authors from the USA, Canada, the UK, India and Australia. Featured stories will include:Lettice Galbraith's 'The Blue Room' (1897)Barbara Baynton's 'A Dreamer' (1902)Katherine Mansfield's 'The House' (1912)Bithia Mary Croker's 'The Red Bungalow' (1919)Marjorie Bowen's 'Florence Flannery' (1924)L M Montgomery's 'The House Party at Smoky Island' (1934)Stella Gibbons' 'The Roaring Tower' (1937)Melissa Edmundson's introduction will explore how the evolving Weird tradition was interpreted using colonial settings, and focus on how Weird fitted naturally into the careers of writers like Montgomery (Anne of Green Gables) and Gibbons (Cold Comfort Farm) who were not normally considered exponents of supernatural fiction.

A ground-breaking collection of the best Weird short stories by women from the late nineteenth and early twentieth centuries.

Launched in 1923, the pulp magazine Weird Tales quickly became one of the most important outlets for horror and fantasy fiction and is often associated with writers like H. P. Lovecraft, Clark Ashton Smith, and Robert Bloch, all of whose work appeared in its pages. But often overlooked is the fact that much of Weird Tales' content was by women writers, some of whom numbered among the magazine's most popular contributors. This volume includes thirteen fantastic tales originally published between 1925 and 1949, written by four of Weird Tales' most prolific female contributors: Greye La Spina, Everil Worrell, Mary Elizabeth Counselman and Eli Colter. Ranging from science fiction to fantasy to horror, these classic tales of mad scientists, deadly curses, ghosts, vampires, and the risen dead remain as thrilling and sensational as when first published.

'Limburg describes movingly her own struggles as a new mother and the pressure of society's expectations...Through such delicately intertwined experiences, Limburg quietly shouts for change.' Times Literary Supplement It seemed to me that many of the moments when my autism had caused problems, or at least marked me out as different, were those moments when I had come up against some unspoken law about how a girl or a woman should be, and failed to meet it. An autism diagnosis in midlife enabled Joanne Limburg to finally make sense of why her emotional expression, social discomfort and presentation had always marked her as an outsider. Eager to discover other women who had been misunderstood in their time, she writes a series of wide-ranging letters to four 'weird sisters' from history, addressing topics including autistic parenting, social isolation, feminism, the movement for disability rights and the appalling punishments that have been meted out over centuries to those deemed to fall short of the norm. This heartfelt, deeply compassionate and wholly original work humanises women who have so often been dismissed for their differences, and will be celebrated by 'weird sisters' everywhere.

Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales. Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.

From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

There’s more to me than just being awk-weird. I own my own flower shop, have some great friends, and I have my eye on adopting the most adorable kitten. But sadly, hot guys don’t tend to be blown away by my trivia-spouting, dorky self. So when a Thor-lookalike who happens to be a professional hockey player hits on me at my bestie’s wedding rehearsal party... You better believe I climbed that tree like a cat. And the fact that it happened not once, not twice, but three times? Yeah, that’s pretty much a once-in-a-lifetime experience for a woman like me. There’s zero chance I’ll end up ever seeing him again...right? Until the pregnancy test comes up positive. What happens next? Oh my God, I wish I knew... Each book in the Ice Knights series is STANDALONE: * Parental Guidance * Awk-Weird * Loud Mouth

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

British Weird is a new anthology of classic Weird short fiction by British writers, first published between the 1890s and the 1930s.

It is too often accepted that during the 19th and early 20th centuries it was the male writers who developed and pushed the boundaries of the weird tale, with women writers following in their wake--but this is far from the truth. This new anthology follows the instrumental contributions made by women writers to the weird tale, and revives the lost authors of the early pulp magazines along with the often overlooked work of more familiar authors. See the darker side of The Secret Garden author Frances Hodgson Burnett and the sensitively-drawn nightmares of Marie Corelli and Violet Quirk. Hear the captivating voices of Weird Tales magazine contributors Sophie Wenzel Ellis, Greye La Spina, and Margaret St Clair, and bow down to the sensational, surreal, and challenging writers who broke down the barriers of the day. Featuring material never before republished, from the abyssal depths of the British Library vaults.