A healthful, dramatically simplified book on cooking techniques for preparinglow cholesterol, low calorie seafood, with over 500 recipes.

"With haunting photographs and piercing descriptions, Women of the Shadows, depicts the secluded women of southern Italy and their passionate, painful, heart-rending existence. Cornelisen, who lived among these women in the mountainous villages of Lucania after World War II, reveals their struggles during a time when most of their men had to leave for the factories of the industrial north, while they remained behind to work the fields. With an extraordinary understanding of their interior lives, Cornelisen brings these women out of the shadows to tell their heroic stories."--Back cover

Winner, Next Generation Indie Book Awards - Women's Nonfiction Best Book of 2020, National Law Journal The inspiring and previously untold history of the women considered—but not selected—for the US Supreme Court In 1981, Sandra Day O’Connor became the first female justice on the United States Supreme Court after centuries of male appointments, a watershed moment in the long struggle for gender equality. Yet few know about the remarkable women considered in the decades before her triumph. Shortlisted tells the overlooked stories of nine extraordinary women—a cohort large enough to seat the entire Supreme Court—who appeared on presidential lists dating back to the 1930s. Florence Allen, the first female judge on the highest court in Ohio, was named repeatedly in those early years. Eight more followed, including Amalya Kearse, a federal appellate judge who was the first African American woman viewed as a potential Supreme Court nominee. Award-winning scholars Renee Knake Jefferson and Hannah Brenner Johnson cleverly weave together long-forgotten materials from presidential libraries and private archives to reveal the professional and personal lives of these accomplished women. In addition to filling a notable historical gap, the book exposes the tragedy of the shortlist. Listing and bypassing qualified female candidates creates a false appearance of diversity that preserves the status quo, a fate all too familiar for women, especially minorities. Shortlisted offers a roadmap to combat enduring bias and discrimination. It is a must-read for those seeking positions of power as well as for the powerful who select them in the legal profession and beyond.

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women to express themselves. But not so within the social sphere of the séance--a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and most important, influence as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead. The Fox sisters inspired some of the era’s best-known political activists and set off a transatlantic séance craze. While in the throes of a trance, Emma Hardinge Britten delivered powerful speeches to crowds of thousands. Victoria Woodhull claimed guidance from the spirit world as she took on the millionaires of Wall Street before becoming America’s first female presidential candidate. And Georgina Weldon narrowly escaped the asylum before becoming a celebrity campaigner against archaic lunacy laws. Drawing on diaries, letters, and rarely seen memoirs and texts, Emily Midorikawa illuminates a radical history of female influence that has been confined to the dark until now.

Fiction. LGBT Studies. Native American Studies. "An absorbing, often fascinating world is created.not only is it an exploration of racism, it is often a powerful and moving testament to feminism" The New York Times Book Review."

An anniversary edition of the first full study of Mexican American women in the twentieth century, with new preface

Women in the Shadows discusses the biographies of five brilliant and talented women born in the Austro-Hungarian Empire: Mileva Einstein-Maric, Margarete Jeanne Trakl, Lise Meitner, Milena Jesenská, and Margarete Schütte-Lihotzky. Charles S. Chiu creates «a narrative against forgetting, as a small step out of darkness» by writing about these women's accomplishments, which were overshadowed by those of the famous men in their lives. Edith Borchardt's translation brings this narrative to a wider audience. Women in the Shadows will interest scientists and scholars in the humanities as well as the general reader. The women portrayed represent various fields - mathematics, physics, music and literature, journalism, and architecture - making Women in the Shadows suitable for courses on the history of science, German and Austrian studies, as well as women's studies.

Designated the ?Queen of Lesbian Pulp” for her series of landmark novels beginning in 1957, Ann Bannon defined lesbian fiction for the pre-Stonewall generation. Following the release of Cleis Press's new editions of Beebo Brinker and Odd Girl Out, Women in the Shadows finds Laura in love among the lesbian bohemia of Greenwich Village. This edition features a new introduction by the author. ?Sex. Sleaze. Depravity. Oh, the twisted passions of the twilight world of lesbian pulp fiction.” ? Chicago Free Press ?Shameless tales of wanton dyke lust are finally unveiled!” ? Out magazine

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Wayang kulit, or shadow puppetry, connects a mythic past to the present through public ritual performance and is one of most important performance traditions in Bali. The dalang, or puppeteer, is revered in Balinese society as a teacher and spiritual leader. Recently, women have begun to study and perform in this traditionally male role, an innovation that has triggered resistance and controversy. In Women in the Shadows, Jennifer Goodlander draws on her own experience training as a dalang as well as interviews with early women dalang and leading artists to upend the usual assessments of such gender role shifts. She argues that rather than assuming that women performers are necessarily mounting a challenge to tradition, “tradition” in Bali must be understood as a system of power that is inextricably linked to gender hierarchy. She examines the very idea of “tradition” and how it forms both an ideological and social foundation in Balinese culture. Ultimately, Goodlander offers a richer, more complicated understanding of both tradition and gender in Balinese society. Following in the footsteps of other eminent reflexive ethnographies, Women in the Shadows will be of value to anyone interested in performance studies, Southeast Asian culture, or ethnographic methods.