The memoirs presented in Women of the Catacombs offer a rare close-up account of the underground Orthodox community and its priests during some of the most difficult years in Russian history. The catacomb church in the Soviet Union came into existence in the 1920s and played a significant part in Russian national life for nearly fifty years. Adherents to the Orthodox faith often referred to the catacomb church as the "light shining in the dark." Women of the Catacombs provides a first-hand portrait of lived religion in its social, familial, and cultural setting during this tragic period. Until now, scholars have had only brief, scattered fragments of information about Russia's illegal church organization that claimed to protect the purity of the Orthodox tradition. Vera Iakovlevna Vasilevskaia and Elena Semenovna Men, who joined the church as young women, offer evidence on how Russian Orthodoxy remained a viable, alternative presence in Soviet society, when all political, educational, and cultural institutions attempted to indoctrinate Soviet citizens with an atheistic perspective. Wallace L. Daniel's translation not only sheds light on Russia's religious and political history, but also shows how two educated women maintained their personal integrity in times when prevailing political and social headwinds moved in an opposite direction.

The memoirs presented in Women of the Catacombs offer a rare close-up account of the underground Orthodox community and its priests during some of the most difficult years in Russian history. The catacomb church in the Soviet Union came into existence in the 1920s and played a significant part in Russian national life for nearly fifty years. Adherents to the Orthodox faith often referred to the catacomb church as the "light shining in the dark." Women of the Catacombs provides a first-hand portrait of lived religion in its social, familial, and cultural setting during this tragic period. Until now, scholars have had only brief, scattered fragments of information about Russia's illegal church organization that claimed to protect the purity of the Orthodox tradition. Vera Iakovlevna Vasilevskaia and Elena Semenovna Men, who joined the church as young women, offer evidence on how Russian Orthodoxy remained a viable, alternative presence in Soviet society, when all political, educational, and cultural institutions attempted to indoctrinate Soviet citizens with an atheistic perspective. Wallace L. Daniel's translation not only sheds light on Russia's religious and political history, but also shows how two educated women maintained their personal integrity in times when prevailing political and social headwinds moved in an opposite direction.

The bone gatherers found in the annals and legends of the early Roman Catholic Church were women who collected the bodies of martyred saints to give them a proper burial. They have come down to us as deeply resonant symbols of grief: from the women who anointed Jesus's crucified body in the gospels to the Pietà, we are accustomed to thinking of women as natural mourners, caring for the body in all its fragility and expressing our deepest sorrow. But to think of women bone gatherers merely as mourners of the dead is to limit their capacity to stand for something more significant. In fact, Denzey argues that the bone gatherers are the mythic counterparts of historical women of substance and means-women who, like their pagan sisters, devoted their lives and financial resources to the things that mattered most to them: their families, their marriages, and their religion. We find their sometimes splendid burial chambers in the catacombs of Rome, but until Denzey began her research for The Bone Gatherers, the monuments left to memorialize these women and their contributions to the Church went largely unexamined. The Bone Gatherers introduces us to once-powerful women who had, until recently, been lost to history—from the sorrowing mothers and ghastly brides of pagan Rome to the child martyrs and women sponsors who shaped early Christianity. It was often only in death that ancient women became visible—through the buildings, burial sites, and art constructed in their memory—and Denzey uses this archaeological evidence, along with ancient texts, to resurrect the lives of several fourth-century women. Surprisingly, she finds that representations of aristocratic Roman Christian women show a shift in the value and significance of womanhood over the fourth century: once esteemed as powerful leaders or patrons, women came to be revered (in an increasingly male-dominated church) only as virgins or martyrs—figureheads for sexual purity. These depictions belie a power struggle between the sexes within early Christianity, waged via the Church's creation and manipulation of collective memory and subtly shifting perceptions of women and femaleness in the process of Christianization. The Bone Gatherers is at once a primer on how to "read" ancient art and the story of a struggle that has had long-lasting implications for the role of women in the Church.

The distinctions and similarities among Roman, Jewish, and Christian burials can provide evidence of social networks, family life, and, perhaps, religious sensibilities. Is the Roman development from columbaria to catacombs the result of evolving religious identities or simply a matter of a change in burial fashions? Do the material remains from Jewish burials evidence an adherence to ancient customs, or the adaptation of rituals from surrounding cultures? What Greco-Roman funerary images were taken over and "baptized" as Christian ones? The answers to these and other questions require that the material culture be viewed, whenever possible, in situ, through multiple disciplinary lenses and in light of ancient texts. Roman historians (John Bodel, Richard Saller, Andrew Wallace-Hadrill), archaeologists (Susan Stevens, Amy Hirschfeld), scholars of rabbinic period Judaism (Deborah Green), Christian history (Robin M. Jensen), and the New Testament (David Balch, Laurie Brink, O.P., Margaret M. Mitchell, Carolyn Osiek, R.S.C.J.) engaged in a research trip to Rome and Tunisia to investigate imperial period burials first hand. Commemorting the Dead is the result of a three year scholarly conversation on their findings.

This lucidly written biography of Aleksandr Men examines the familial and social context from which Men developed as a Russian Orthodox priest. Wallace Daniel presents a different picture of Russia and the Orthodox Church than the stereotypes found in much of the popular literature. Men offered an alternative to the prescribed ways of thinking imposed by the state and the church. Growing up during the darkest, most oppressive years in the history of the former Soviet Union, he became a parish priest who eschewed fear, who followed Christ's command "to love thy neighbor as thyself," and who attracted large, diverse groups of people in Russian society. How he accomplished those tasks and with what ultimate results are the main themes of this story. Conflict and controversy marked every stage of Men's priesthood. His parish in the vicinity of Moscow attracted the attention of the KGB, especially as it became a haven for members of the intelligentsia. He endured repeated attacks from ultraconservative, anti-Semitic circles inside the Orthodox Church. Fr. Men represented the spiritual vision of an open, non-authoritarian Christianity, and his lectures were extremely popular. He was murdered on September 9, 1990. For years, his work was unavailable in most church bookstores in Russia, and his teachings were excoriated by some both within and outside the church. But his books continue to offer hope to many throughout the world—they have sold millions of copies and are testimony to his continuing relevance and enduring significance. This important biography will appeal to scholars and general readers interested in religion, politics, and global affairs.

Tracing two thousand years of female leadership, influence, and participation, Elizabeth Gillan Muir examines the various positions women have filled in the church. From the earliest female apostle, and the little known stories of the two Marys – the Virgin Mary and Mary Magdalene – to the enlightened duties espoused by the nun, the abbess, and the anchorite, and the persecutions of female "witches," Muir uncovers the rich and often tumultuous relationship between women and Christianity. Offering broad coverage of both the Catholic and Protestant traditions and extending geographically well beyond North America, A Women’s History of the Christian Church presents a chronological account of how women developed new sects and new churches, such as the Quakers and Christian Science. The book includes a timeline of women in Christian history, over 25 black-and-white illustrations, a glossary, and a list of primary and secondary sources to complement the content in each chapter.

Cripina and Her Sisters explores visual imagery found on burial artifacts of prominent early Christian women. It carefully situates the tomb art within the cultural context of customary Roman commemorations of the dead and provides an in-depth review of women‘s history in the first four centuries of Christianity. From this, a fascinating picture emerges of women‘s authority in the early church--a picture either not readily available or recognized, or even sadly distorted in the written history.

Stereotypes persist to this day, argues Anne Summers in this updated version of her classic book which, in the 40 years since it was first published, has sold well over 100,000 copies and been set on countless school and university syllabuses. Who are today's damned whores? And why do women themselves still want to be God's Police?

What secrets lie deep beneath the surface? A deafening explosion rocks a historic Oklahoma City hotel, sending archaeologist Faye Longchamp-Mantooth crashing to the marble floor of the lobby. She's unhurt but shaken—after all, any time something blows up in Oklahoma City, the first word on everyone's lips is the same: bomb. Faye is in town for a conference celebrating indigenous arts, but is soon distracted by the aftermath of the explosion, which cracks open the old hotel's floor to reveal subterranean chambers that had housed Chinese immigrants a century before. Faye is fascinated by the tunnels, which are a time capsule back to the early 20th century—but when the bodies of three children are discovered deep beneath the city, her sense of discovery turns to one of dread...