Although they account for only ten percent of all murders, those attributed to women seem especially likely to captivate the public. This absorbing book examines why that is true and how some women, literally, get away with murder. Combining compelling storytelling with insightful observations, the book invites readers to take a close look at ten high-profile killings committed by American women. The work exposes the forces that underlie the public's fascination with female killers and determine why these women so often become instant celebrities. Cases are paired by motive—love, money, revenge, self-defense, and psychopathology. Through them, the authors examine the appeal of women who commit murders and show how perceptions of their crimes are shaped. The book details both the crimes and the criminals as it explores how pop culture treats stereotypes of female murderers in film and print. True crime aficionados will be fascinated by the minute descriptions of what happened and why, while pop culture enthusiasts will appreciate the lens of societal norms through which these cases are examined.

Women, Murder and Justice examines from a feminist perspective, the legal treatment of women who kill their partners in England. Through an exploration of Crown Prosecution Service files, an in-depth comparative examination of the circumstances in which women and men kill is provided. The book highlights gender differences in the act of murder, the criminal justice system's negotiation of these differences, and the development of feminist strategies to alter the legal structure for women who kill.

The bestselling author of The Hot House once again combines the facts, the real people, and the location itself into this true story, a wide-ranging portrait of the interplay of race, sex, and justice in the American South, made all the more real because it takes place in the same small Alabama town that was the fictional "Maycomb" in Harper Lee's To Kill a Mockingbird. Optioned for film by MGM. Photos.

Women who kill rupture our assumptions about what a woman is. This book explores different socio-cultural understandings of women who commit, or are accused, of murder. A wide range of cases are discussed in order to highlight the ways in which such women have been perceived, and how such cases reflect important social and cultural shifts.

In the vein of the astonishing and eye-opening bestsellers I'll Be Gone in the Dark and The Line Becomes a River, this stunning work of investigative journalism follows a series of unsolved disappearances and murders of Indigenous women in rural British Columbia.

Recounts the events surrounding the dramatic post-Civil War trial of a young African American sawmill hand who was accused of ax murdering a white woman on her Virginia farmyard and who implicated three other women in the crime.

PULITZER PRIZE FINALIST • The gripping true story of a murder on an Indian reservation, and the unforgettable Arikara woman who becomes obsessed with solving it—an urgent work of literary journalism. “I don’t know a more complicated, original protagonist in literature than Lissa Yellow Bird, or a more dogged reporter in American journalism than Sierra Crane Murdoch.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days In development as a Paramount+ original series WINNER OF THE OREGON BOOK AWARD • NOMINATED FOR THE EDGAR® AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Publishers Weekly When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him. Yellow Bird traces Lissa’s steps as she obsessively hunts for clues to Clarke’s disappearance. She navigates two worlds—that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma. Yellow Bird is an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and—when it serves her cause—manipulative. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing.

The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man. In When Men Murder Women, Dobash and Dobash - two seasoned researchers and longtime collaborators in the study of violence against women - reveal what they learned from a three-year study that included 866 homicide case files and 200 in-depth interviews with murderers in prison. They focus on intimate partner murder, sexual murder, and the murder of older women, and compare each of these three types with those in which men murder other men. Each type is examined in depth and detail in a separate section that begins with an overview of relevant research, and is followed by a comprehensive examination of the murder event and the lifecourse of the perpetrators. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women. The result is this essential text for students, professionals, policy makers, and researchers studying violence, gender, and crime.

A fascinating profile of female homicide offenders emerges from this analysis of the characteristics of women murderers in six cities in the United States, including the circumstances of the murders, the role of the victims, the role of the perpetrators, and their fates in court.