The history of the first women to serve in the Marine Corps is a fascinating record of the dedication and drive of American women during World War I. The purpose of this monograph is to tell the story of the small band of women who answered the Corps' call for volunteers in 1918 with patriotism and enthusiasm. A former Director of Women Marines, Colonel Jeanette I. Sustad, USHC (Ret.) originated the project of compiling data for a history of women Marines who served in World War I. In 1971, she asked various members of the Women Marines Association to interview surviving veterans throughout the country. A questionnaire designed to guide the interviewers as well as background information on the service of women Marines in the 1918-1919 period was developed by Lieutenant Colonel Pat Meid, USMCR. Lieutenant Colonel Meid, who authored the official history, Marine Corps Women's Reserve in World War II, originally published in 1964, accumulated considerable material on the earlier group of women Marines during her research. This was all made available to the author of this monograph. The interviews conducted during 1971-1972, 29 in number, form a valuable archive of personal experiences of these pioneer women Marines. They have been used to supplement the official records which are sparse and elusive. Muster rolls of the time were checked exhaustively in compiling a roster of women who served, but it proved impossible to discover all the names making up the 305 women who were enlisted as Marine .Corps Reserve (F). Much information was gleaned from contemporary magazine and newspaper articles, particularly from Leatherneck, Marine Corps Gazette, The Marine Magazine, Recruiter's Bulletin, and the New York and Washington daily newspapers. A small but useful collection of Women Marine memorabilia, including photographs, letters, and clippings, was donated by various individuals as a result of publicity about the project.

On Saturday, November 14, 1944, radio listeners heard an enthusiastic broadcast announcer describe something they had never heard before: Women singing the "Marines' Hymn" instead of the traditional all-male United States Marine Band. The singers were actually members of its sister organization, The Marine Corps Women's Reserve Band of Camp Lejeune, North Carolina. Today, few remember these all-female military bands because only a small number of their performances were broadcast or pressed to vinyl. But, as Jill Sullivan argues in Bands of Sisters: U.S. Women's Military Bands during World War II, these gaps in the historical record can hardly be treated as the measure of their success. The novelty of these bands—initially employed by the U.S. military to support bond drives—drew enough spectators for the bands to be placed on tour, raising money for the war and boosting morale. The women, once discharged at the war's end, refused to fade into post-war domesticity. Instead, the strong bond fostered by youthful enthusiasm and the rare opportunity to serve in the military while making professional caliber music would come to last some 60 years. Based on interviews with over 70 surviving band members, Bands of Sisters tells the tale of this remarkable period in the history of American women. Sullivan covers the history of these ensembles, tracing accounts such as the female music teachers who would leave their positions to become professional musicians—no easy matter for female instrumentalists of the pre-war era. Sullivan further traces how some band members would later be among the first post-war music therapists based on their experience working with medical personnel in hospitals to treat injured soldiers. The opportunities presented by military service inevitably promoted new perspectives on what women could accomplish outside of the home, resulting in a lifetime of lasting relationships that would inspire future generations of musicians.

 From silents of the early American motion picture era through 21st century films, this book offers a decade-by-decade examination of portrayals of women in the military. The full range of genres is explored, along with films created by today's military women about their experiences. Laws regarding women in the service are analyzed, along with discussion of the challenges they have faced in the push for full participation and of the changing societal attitudes through the years.

This study for the U.S. Marine Corps reviews the history of the integration of women into the U.S. military and explores the role of cohesion, the gender integration of foreign militaries and domestic police and fire departments, and potential costs.

“An amazingly detailed account of the American Expeditionary Force at Belleau Wood in 1918” from the authors of Tanks in Hell (Books Monthly). “Retreat, hell! We just got here!” The words of Capt. Lloyd Williams at Belleau Wood in June 1918 entered United States Marine Corps legend, and the Marine brigade’s actions there—along with the censor’s failure to take out the name of the brigade in the battle reports—made the Corps famous. The Marines went to war as part of the American Expeditionary Force, bitterly resented by the Army and Gen. Pershing. The Army tried to use them solely as labor troops and replacements, but the German spring offensive of 1918 forced the issue. The French begged Pershing to commit his partially trained men, and two untested American divisions, supported by British and French units, were thrown into the path of five German divisions. Three horrific weeks later, the Marines held the entirety of Belleau Wood. The Marines then fought in the almost-forgotten Blanc Mont Ridge Offensive in October, as well as in every well-known AEF action until the end of the war. This book looks at all the operations of the Marine Corps in World War I, covers the activities of both ground and air units, and considers the units that supported the Marine brigade. It examines how, during the war years, the Marine Corps changed from a small organization of naval security detachments to an elite land combat force. “The goal of revealing the thoughts and actions of individual soldiers in battle is achieved admirably here.” —The Journal of America’s Military Past

Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call as the army was faced with insubordination and desertion in the ranks while the provisional government prepared for a new offensive. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I that systematically employed women in the military, marking the first time that a government run by men had organized women for combat. And although they were originally envisioned as propaganda—promoting patriotism and citizenship to inspire the thousands of males who had been deserting or refusing to fight—Russian women also proved themselves more than capable in combat. Describing the formation, provisioning, and training of the units, Stoff sheds light on their social and educational backgrounds, while recounting a number of amazing individual stories. She tells how Maria Bochkareva, commander of the First Russian Women's Battalion of Death, and her unit met its baptism of fire in combat and how Bochkareva later traveled to the U.S. and met President Wilson. Within these pages, we also meet Maria Bocharnikova, who served with the First Petrograd Women's Battalion that defended the Winter Palace during the Bolshevik Revolution and whose detailed account of her experience dispels much of the misinformation concerning that storied event. Stoff also chronicles the exploits of the Second Moscow Women's Battalion of Death, Third Kuban Women's Shock Battalion, and the First Women's Naval Detachment, all within the context of Russian society, the Revolution, and the war itself. Enhancing and informing this presentation are more than two dozen historic photos. Stoff's remarkable account rescues from oblivion an important but still little-known aspect of Russia's experience in World War I. It also provides new insights into gender roles during a pivotal period of Russia's development and, more broadly speaking, resonates with the current debates over the role of women in warfare.

Revives the overlooked stories of pioneering women aviators, who are also featured in the forthcoming documentary film Coming Home: Fight for a Legacy During World War II, all branches of the military had women's auxiliaries. Only the Women Airforce Service Pilots (WASP) program, however, was made up entirely of women who undertook dangerous missions more commonly associated with and desired by men. Within military hierarchies, the World War II pilot was perceived as the most dashing and desirable of servicemen. "Flyboys" were the daring elite of the United States military. More than the WACs (Army), WAVES (Navy), SPARS (Coast Guard), or Women Marines, the WASPs directly challenged these assumptions of male supremacy in wartime culture. WASPs flew the fastest fighter planes and heaviest bombers; they test-piloted experimental models and worked in the development of weapons systems. Yet the WASPs were the only women's auxiliary within the armed services of World War II that was not militarized. In Clipped Wings, Molly Merryman draws upon military documents—many of which weren’t declassified until the 1990s—congressional records, and interviews with the women who served as WASPs during World War II to trace the history of the over one thousand pilots who served their country as the first women to fly military planes. She examines the social pressures that culminated in their disbandment in 1944—even though a wartime need for their services still existed—and documents their struggles and eventual success, in 1977, to gain military status and receive veterans’ benefits. In the preface to this reissued edition, Merryman reflects on the changes in women’s aviation in the past twenty years, as NASA’s new Artemis program promises to land the first female astronaut on the moon and African American and lesbian women are among the newest pilot recruits. Updating the story of the WASPs, Merryman reveals that even in the past few years there have been more battles for them to fight and more national recognition for them to receive. At its heart, the story of the Women Airforce Service Pilots is not about war or planes; it is a story about persistence and extraordinary achievement. These accomplished women pilots did more than break the barriers of flight; they established a model for equality.

A Marine Corps combat veteran with twenty years of service describes her professional battle against gender bias in the Marines and the lessons it holds for other arenas. Marine Corps Lieutenant Colonel Kate Germano arrived at Parris Island convinced that if she expected more of the female recruits just coming into Corps, she could raise historically low standards for female performance and make women better Marines. One year after she took command of the Fourth Recruit Training Battalion, shooting qualifications of the women under her command equaled those of men, injuries had decreased, and unit morale had noticeably improved. Then the Marines fired her. This is the story of Germano's struggle to achieve equality of performance and opportunity for female Marines against an entrenched male-dominated status quo. Germano charges that the men above her in the chain of command were too invested in perpetuating the subordinate role of women in the Corps to allow her to prove that the female Marine can be equal to her male counterpart. She notes that the Marine Corps continues to be the only service where men and women train separately in boot camp or basic training. Meanwhile, in the U.S. Army, women have already become Army Rangers and applied to be infantry officers. Germano addresses the Marine Corps' $35-million gender-integration study, which shows that all-male squads perform at a higher level than mixed male-female squads. This study flies in the face of the results she demonstrated with the all-female Fourth Battalion and raises questions about the Marine Corps' willingness to let women succeed. At a time when women are fighting sexism in many sectors of society, Germano's story has wide-ranging implications and lessons not just for the military but for corporate America, the labor force, education, and government.

Just out of high school in 1977, her personal life already a mess, Tracy Crow thought the Marines might straighten her out. And sure enough, in the Corps she became a respected public affairs officer and military journalist—one day covering tank maneuvers or beach assaults, the next interviewing the secretary of the navy. But success didn’t come without a price. When Crow pledged herself to God, Corps, and Country, women Marines were still a rarity, and gender inequality and harassment were rampant. Determined to prove she belonged, Crow always put her career first—even when, after two miscarriages and a stillborn child, her marriage to another Marine officer began to deteriorate. And when her affair with a prominent general was exposed—and both were threatened with court-martial—Crow was forced to re-evaluate her loyalty to the Marines, her career, and her family. Eyes Right is Crow’s story. A clear-eyed self-portrait of a troubled teen bootstrapping her way out of a world of alcoholism and domestic violence, it is also a rare inside look at the Marines from a woman’s perspective. Her memoir, which includes two Pushcart Prize–nominated essays, evokes the challenges of being a woman and a Marine with immediacy and clarity, and in the process reveals how much Crow’s generation did for today’s military women, and at what cost.