Towards the end of the 1830s, large numbers of British working men and women rallied round the People's Charter in order to improve their living conditions through universal suffrage. Women's wide-ranging support of Chartism encompassed everything from extensive lecturing tours to domestic servicing of politically active menfolk. In this first full-length study of women's involvement in Chartism, the author demonstrates that, in their struggle, which lasted for more than a decade, Chartist men and women enforced in their own ranks standards of respectable man- and womanhood that were to shape working-class gender relations well into this century.

Can imaginative literature change the political and social history of a class or nation? In The Chartist Imaginary: Literary Form in Working-Class Political Theory and Practice, Margaret Loose turns to the Chartist Movement?Britain's first mass working-class movement, dating from the 1830s to the 1840s?and argues that, based on literature by members of the movement, the answer to that question is a resounding ?yes.” Chartist writing awakened workers' awareness of discord between professed ideals and reality; exercised their conceptual powers (literary and social); and sharpened their appetite for more knowledge, intellectual power, dignity, and agency in the present to fashion a utopian future. Igniting such self-respecting, politically transfigurative energy was a unique kind of agency Loose calls ?the Chartist imaginary.” In examining the Chartist movement, Loose balances the nervous projections of canonical Victorian writers against a consideration of the ways that laborers represented Chartism's aims and tactics. The Chartist Imaginary offers close readings of poems and fiction by Chartist figures from Ernest Jones and Thomas Cooper to W. J. Linton, Thomas Martin Wheeler, and Gerald Massey. It also draws on extensive archival research to examine, for the first time, working-class female Chartist poets Mary Hutton, E. L. E., and Elizabeth La Mont. Focusing on the literary form of these works, Loose strongly argues for the political power of the aesthetic in working-class literature.

This book brings together Dorothy Thompson's most important essays on English social history, written over the last 25 years, many previously unpublished. Thompson analyzes the Chartist movement, not simply as a political programme, however significant, but as the mass phenomenon which offers the focus for an "elucidation of the concept of class". Thompson is also concerned with Queen Victoria: how did a woman holding the highest office in the land affect British women and was it a factor in the non-republican stance of radical politics of the time? The essays are complemented by an introduction in which Dorothy Thompson reflects on the politics of the period in which she wrote them, on her own political involvements and on the relationship of her work as a historian to that of her husband, E.P. Thompson. The book should make a useful introductory text for students of history. It includes Thompson's essays on women's activism in early radical politics and 19th century popular politics. The book should also attract a wide general readership.

First published in 1992, this book is an historical introduction to a wide range of women’s movements from the late eighteenth-century to the date of its publication. It describes economic, social and political ideas which have inspired women to organize, not only in Europe and North America, but also in the Third World. Sheila Rowbotham outlines a long history of women’s challenges to the gender bias in political and economical concepts. She shows women laying claim to rights and citizenship, while contesting male definitions of their scope, and seeking to enlarge the meaning of economy through action around consumption and production, environmental protests and welfare projects.

First paperback edition of one of E. P. Thompson's best and most deeply felt works.

This is the first collection of essays on Chartism by leading social historian Dorothy Thompson, whose work radically transformed the way in which Chartism is understood. Reclaiming Chartism as a fully-blown working-class movement, Thompson intertwines her penetrating analyses of class with ground-breaking research uncovering the role played by women in the movement. Throughout her essays, Thompson strikes a delicate balance between down-to-the-ground accounts of local uprisings, snappy portraits of high-profile Chartist figures as well as rank-and-file men and women, and more theoretical, polemical interventions. Of particular historical and political significance is the previously unpublished substantial essay co-authored by Dorothy and Edward Thompson, a superb piece of local historical research by two social historians then on the brink of notable careers.

Chartism was the first time ever that British workers fixed their eyes on the seizure of political power: in 1839, 1842 and again in 1848. In this struggle, they conducted a class war that at different times involved general strikes, battles with the state, mass demonstrations and even armed insurrection. They forged weapons, illegally drilled their forces, and armed themselves in preparation for seizing the reins of government. Such were the early revolutionary traditions of the British working class, deliberately buried beneath a mountain of falsehoods and distortions. This book sees Chartism as an essential part of our history from which we must draw the key lessons for today.

The essays in this collection span the whole range of nineteenth- and twentieth-century British social history. There are contributions on Chartism, feminism and the emancipation of women, rural resistance, the treatment of lunatics, and immigration and immigrant communities. The Duty of Discontent is indeed a rich and valuable collection of essays, which will please all those who take an interest in modern British social history.

"Chartism was a Victorian era working class movement for political reform in Britain between 1838 and 1848. It takes its name from the People's Charter of 1838. The term "Chartism" is the umbrella name for numerous loosely coordinated local groups, often named "Working Men's Association," articulating grievances in many cities from 1837. Its peak activity came in 1839, 1842 and 1848. It began among skilled artisans in small shops, such as shoemakers, printers, and tailors. The movement was more aggressive in areas with many distressed handloom workers, such as in Lancashire and the Midlands. It began as a petition movement which tried to mobilize "moral force", but soon attracted men who advocated strikes, General strikes and physical violence, such as Feargus O'Connor and known as "physical force" chartists."--Wikipedia