An entertaining romp through Australian history that celebrates the badass sheroes we were never taught about in school and who deserve to be printed on our money, goddamn it! It's been said that 'well-behaved women seldom make history', but the handful of white boys who wrote our history books conveniently left most of them out. Whoops! To rectify this situation, Eliza Reilly is setting out to revive the forgotten stories of the badass Sheilas of Australian history. Chain yourself to pub counters with the determined Merle Thornton, fight for Indigenous rights alongside Faith Bandler, and lure forlorn sailors with swimmer-slash-mermaid Annette Kellerman. Deceive cranky soldiers with bushranger Mary Ann Bugg, infiltrate Nazi strongholds on the back of Nancy Wake's bike - and much, much more. Cracking with satirical wit and whole-hearted admiration, Sheilas is a cheeky, funny, inspirational celebration of the tough-titted ladies who hiked up their petticoats and fly-kicked down the doors of opportunity for modern Australia. This is a specially formatted fixed-layout ebook that retains the look and feel of the print book. Praise for Sheilas: 'A welcome and witty contribution towards redressing the balance - a must-read.' - Noni Hazlehurst 'If Kathy Lette and Monty Python had a love child, that freak would be Eliza Reilly. Lush, loose and liberated from academic orthodoxy, Reilly has the labia majoras to ask the simple but earth-quaking question: what were the women doing? As it happens: Plenty! Sheilas is a glorious romp through the Australian history you didn't learn at school. Funny and fearless, this is the book you'll want your daughters to read and your sons to worship.' - Clare Wright 'Eliza highlights an array of awesome, innovative, determined and defiant Australian women with meticulous research and a wicked sense of humour. This is the history book I've been hanging out for.' - Jane Kennedy

An important milestone in the development of legal practice in Australia. The first of its kind, Women and the Law in Australia provides practical advice on dealing with issues in the practice of law that are of specific importance to women. It is intended not just to highlight the problems that women experience with the legal system as defendants, complainants, victims, witnesses and practitioners but also to identify pragmatic steps for solicitors, barristers and policy-makers. The text is a compilation of contributions, with all contributors experts in their area of law, who come from legal practice, academia or government; it explores the cultural and legal context of each topic.

The sensational lives and exploits of twenty audacious, brash and scandalous women, now in an all-new format. NOtORIOUS AUStRALIAN WOMEN celebrates the lives of some of Australia's most fearless, brash and scandalous women. there's tilly Devine, who went from streetwalker in London to wealthy Sydney madam and standover merchant; Mary Bryant, the highway robber and First Fleeter who escaped by rowing from Port Jackson to timor with her two children; Lola Montez, the Irish-born grande horizontale, who destroyed King Ludwig I of Bavaria; Ellen tremaye and Marion Edwards, women who challenged the gender order and became men; and Helena Rubinstein, who rewrote her humble Polish background and became one of the most successful and astute businesswomen in the world. From bushrangers, courtesans and cross-dressers, to writers, designers and a radical or two, what these splendid rebels have in common is a determination to take their destinies into their own hands.

Women of Flowers pays tribute to the female colonial artists who drew and painted the indigenous wildflowers and plants of Australia. The publication focuses on the rich holdings of albums, sketchbooks and paintings in the Pictures Collection of the National Library of Australia, as well as works from other major collecting institutions. Each chapter presents a short biography of an artist, followed by a 'portfolio' section of images, in a similar layout to the previous successful title Brush with Birds. Artists include: Marianne Collinson Campbell; Ellis Rowan; Dorothy English Paty; Ida McComish; Louisa Ann Meredith.

Shout-outs to 50 awesome Australian women with easy-to-read biographies of their incredible achievements. From Cathy Freeman to Turia Pitt, Edith Cowan to Julia Gillard, Mum Shirl to Vali Myers, plus rally car drivers, molecular biologists and more, this book is a celebration of women in all fields, from all walks of life, and from Australia's past and present.

A fascinating trip into colonial history, the result of collaboration between family historians, genealogists and social historians

This collection of essays focuses on the history and politics of the Women's Liberation Movement and Women's Studies, in Australia and around the world.

A collection of writings on women and Aboriginal identity from 15 senior Indigenous academics and community leaders. The collection engages with questions such as: What makes Aboriginal women strong? Why are grandmothers so important (even ones never met)? How is the connection to country different for Aboriginal people compared to non-Aboriginal people’s love of nature or sense of belonging to an area? What is Aboriginal spirituality?

This book investigates the experience of Japanese women who have immigrated to Australia through marriage to a local partner. Based on long-term participant observations gathered with a Japanese ethnic association in Sydney, and on in-depth interviews with the association’s members, it examines the ways in which the women remould themselves in Australia by constructing gendered selves that reflect their unique migratory circumstances through cross-border marriage. In turn, the book argues that the women tend to embrace expressions of Japanese femininity that they once viewed negatively, and that this is due to their lack of social skills and access to the cultural capital of mainstream Australian society. Re-molding the self through conventional Japanese notions of gender ironically provides them with a convincing identity: that of minority migrant women. Nevertheless, by analyzing these women’s engagement with a Japanese ethnic association in a suburb of Sydney, the book also reveals a nuanced sense of ambivalence; a tension between the women’s Japanese community and their lives in Australia. Accordingly, the book provides a fresh perspective on interdisciplinary issues of gender and migration in a globalized world, and engages with a wide range of academic disciplines including: sociology of migration; sociology of culture; cultural anthropology; cultural studies; Japanese studies; Asian studies; gender studies; family studies; migration studies and qualitative methodologies.

Between 1788 and 1868, approximately 25,000 women were transported to Australia. For nearly 200 years, there has been a chorus of outrage at their vulgarity, their depravity and their promiscuity. Babette Smith takes the reader beyond this traditional casting of convict women, looking for evidence of their humanity and individuality. Certainly some were desperate, overwhelmed by a relentless chain of criminal convictions, drunkenness and despair. But others were heroic, defiant. Smith offers fresh insights: the women's use of sound and voice to harass officials, for example; the extent of their deliberate resistance against authority. This resistance, she argues, has contributed significantly to broader Australian culture. The women's stories begin when their fates are decided by the British Crown. We are introduced to women who stole, set fires, rioted, committed insurance fraud, murdered; mothers of six and 12-year-old girls; women who refused to show deference to the Court, instead giving mock curtsies, 'jumping and capering about'. 'A sailor', wrote ship's surgeon Peter Cunningham, was 'more an object of pity than wrath. To see twenty wicked fingers beckoning to him, and twenty wicked eyes winking at him, at one and the same time, no wonder his virtue should sometimes experience a fall!'. Among the hysterical accounts of bad behaviour aboard female convict ships written by concerned reverends, surgeons and others are scenes that show female camaraderie, fun and intrepid spirit. Washing clothes became 'a grand water party'; caught in a storm, women came up on deck to help their fellow convicts haul water; women sang and danced before bed, putting on concerts for each other, 'dressed out in their gayest plumage'. This camaraderie continued in Australia. In Tasmania's overcrowded Cascades factory, the superintendent complained about women 'corrupting each other' in nightly conversation laced with 'obscenity'. Another interpretation is that women sought the comfort of sharing their woes with one another, telling 'war stories' of life on assignment and generally enjoying each other's company in language that was everyday for them. Defiant Voices tells the story of the Crown trying and failing to make its prisoners subservient to a harsh penal system. Convict women challenged the authorities by living in perpetual disobedience, which was often flagrant, sometimes sexual and always loud. They were not all 'the most abandoned prostitutes', but their sexual mores were certainly different from the observers who labelled them. From factory rioters to individuals like Ann Wilson, whose response-'That will not hurt me'-provoked a magistrate to pile punishment after punishment onto her, the women of Defiant Voices fought like tigers and drove men to breaking point with their collective voices, the lewd songs and 'disorderly shouting' resounding from the page.