In 1906 teenage bride Julia Tuell arrived at Lame Deer, Montana, on the Northern Cheyenne Indian Reservation with her schoolmaster husband. Seven years later the Tuells moved to the Rosebud Indian Reservation in South Dakota, and lived among the Sioux (pr

The Mystic Warriors of the Plains offers readers an extraordinarily detailed view of the daily activities of the peoples of the North American plains, including the Sioux, Cheyenne, Pawnee, Nez Perce, Comanche, and many others. Used by Kevin Costner as a resource text for the motion picture Dances with Wolves, this is an extraordinarily in-depth examination of the day-to-day lives of the North American plains Indians, with over one thousand illustrations and thirty-two four-color plates. Covering everything from social customs, personal qualities, and government to types of weaponry, achievement marks, and the training of Indian boys, The Mystic Warriors of the Plains is a comprehensive encyclopedia of Plains Indian lore that will delight and inform everyone interested in understanding the native peoples of the Plains. "Magnificently and accurately ... conveys both the tragic ironies and splendors of the rich plains civilization." —Newsweek "Fascinating detail that gives a better idea of the plains people than mere description can do...."—Navajo Times

The Apsáalooke people, also known as the Crow, are noted for their bravery and artistry, twin pillars of a centuries-old culture rooted in the landscape of the Northern Plains. This book, published in conjunction with a multi-site exhibition jointly organized by the Field Museum and the Neubauer Collegium at the University of Chicago, offers a rich narrative of the Apsáalooke paste with a keen eye on issues that concern present-day Apsáalooke identity. Apsáalooke Women and Warriors features contributions by contemporary Apsáalooke artists, intellectuals, and writers. Together, they constitute a major statement on the cosmologies, iconographies, and lifeways of the Apsáalooke people past, present--and, above all--future.

Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.

The Comanches were fierce warriors who lived on the Southern Plains. The Southern Plains extend down from the state of Nebraska into the north part of Texas. The chief object of this 1915 volume is to shed light not just on the particular garments of Plains Indians, but on their material culture as a whole.

For thousands of years, Plains Indians and their ancestors have occupied the vast region that stretches from the Mississippi river to the Rocky Mountains and from the Canadian plains to the Gulf of Mexico. Today, peoples such as the Blackfoot and Sioux still live in groups bound by language and shared rituals. From about 1800, one of the most important units beyond the extended family was the 'warrior society' - a social, political and ritual group that engaged in warfare and organised ceremonial life. The societies played a prominent role in battles, offering members the opportunity to gain honours through individual acts of bravery such stealing horses, capturing women, and taking scalps during war raids. These societies, however, have a rich ritual life that was marked by a strong sense of spirituality. In their ceremonies society members made use of objects such as pipes, rattles, and headdresses, as these were significant to their shared ideas of ritual and honour. Through a selection of unique objects from the British Museum's collection, this beautifully illustrated little book explores the world of the warriors of the North American Plains. Here are exceptional examples of feather headdresses, shields, moccasins, painted hides, scalps, pipes, tomahawks, and traditional and contemporary costumes. Many of these items may seem initially familiar from popular culture, but their deeper ritual significance is revealed by the author. A perennially popular subject, this book will appeal to young and old alike.

Brave Hearts: Indian Women of the Plains tells the story of Plains Indian women through a series of fascinating vignettes. They are a remarkable group of women – some famous, some obscure. Some were hunters, some were warriors and, in a rare case, one was a chief; some lived extraordinary lives, while others lived more quietly in their lodges. Some were born into traditional families and knew their place in society while others were bi-racial who struggled to find their place in a world conflicted between Indian and white. Some never knew anything but the old, nomadic way of life while others lived-on to suffer through the reservation years. Others were born on the reservation but did their best in difficult times to keep to the old ways. Some never left the reservation while others ventured out into the larger world. All, in their own way, were Plains Indian women.

Describes the religious organizations and the ceremonies that characterized each of the 35 Indian nations.

Originally published: North Haven: Archon Books, 1995.

Tells of the transformative period in the early 16th century when the Spaniards introduced horses to the Great Plains, and how horses became, and remain, a key part of the Plains Indians' culture.