Explores both constants and changes in representations of warlike and violent women in German culture over the past six centuries.

Studies representations of women and death by women to see whether and how they differ from patriarchal versions.

For their heroism and success against the enemy, two of the women's regiments were honored by designation as "Guard" regiments. At least thirty women were decorated with the gold star of Hero of the Soviet Union, their nation's highest award.

A millionaire is murdered and Inspector Felse, after sifting through the few shreds of evidence, finally arrests Kitty Norris, his teenaged son Dominic's first love. A young man's infatuation soon becomes something far more dangerous, though, as Dominic takes on Kitty's cause--in direct opposition to his father's investigation.

It is a classical anthropological paradox that symbols of rebirth and fertility are frequently found in funerary rituals throughout the world. The original essays collected here re-examine this phenomenon through insights from China, India, New Guinea, Latin America, and Africa. The contributors, each a specialist in one of these areas, have worked in close collaboration to produce a genuinely innovative theoretical approach to the study of the symbolism surrounding death, an outline of which is provided in an important introduction by the editors. The major concern of the volume is the way in which funerary rituals dramatically transform the image of life as a dialectic flux involving exchange and transaction, marriage and procreation, into an image of a still, transcendental order in which oppositions such as those between self and other, wife-giver and wife-taker, Brahmin and untouchable, birth and therefore death have been abolished. This transformation often involves a general devaluation of biology, and, particularly, of sexuality, which is contrasted with a more spiritual and controlled source of life. The role of women, who are frequently associated with biological processes, mourning and death pollution, is often predominant in funerary rituals, and in examining this book makes a further contribution to the understanding of the symbolism of gender. The death rituals and the symbolism of rebirth are also analysed in the context of the political processes of the different societies considered, and it is argued that social order and political organisation may be legitimated through an exploitation of the emotions and biology.

Lieutenant Eve Dallas never wavers in her search for justice. But in this gripping novel in the #1 New York Times bestselling In Death series, she’ll learn that matters of the heart are never black and white. The first victim was found lying on a sidewalk in the rain. The second was murdered in her own apartment building. Police Lieutenant Eve Dallas had no problem finding connections between the two crimes. Both victims were beautiful and highly successful women. Their glamorous lives and loves were the talk of the city. And their intimate relations with men of great power and wealth provided Eve with a long list of suspects—including her own lover, Roarke. As a woman, Eve was compelled to trust the man who shared her bed. But as a cop, it was her job to follow every lead...to investigate every scandalous rumor...to explore every secret passion, no matter how dark. Or how dangerous.

Death beyond Disavowal utilizes “difference” as theorized by women of color feminists to analyze works of cultural production by people of color as expressing a powerful antidote to the erasures of contemporary neoliberalism. According to Grace Kyungwon Hong, neoliberalism is first and foremost a structure of disavowal enacted as a reaction to the successes of the movements for decolonization, desegregation, and liberation of the post–World War II era. It emphasizes the selective and uneven affirmation and incorporation of subjects and ideas that were formerly categorically marginalized, particularly through invitation into reproductive respectability. It does so in order to suggest that racial, gendered, and sexualized violence and inequity are conditions of the past, rather than the foundations of contemporary neoliberalism’s exacerbation of premature death. Neoliberal ideologies hold out the promise of protection from premature death in exchange for complicity with this pretense. In Audre Lorde’s Sister Outsider, Cherríe Moraga’s The Last Generation and Waiting in the Wings, Oscar Zeta Acosta’s The Revolt of the Cockroach People, Ana Castillo’s So Far from God, Gayl Jones’s Corregidora, Isaac Julien’s Looking for Langston, Inge Blackman’s B. D. Women, Rodney Evans’s Brother to Brother, and the work of the late Barbara Christian, Death beyond Disavowal finds the memories of death and precarity that neoliberal ideologies attempt to erase. Hong posits cultural production as a compelling rejoinder to neoliberalism’s violences. She situates women of color feminism, often dismissed as narrow or limited in its effect, as a potent diagnosis of and alternative to such violences. And she argues for the importance of women of color feminism to any critical engagement with contemporary neoliberalism.

The swords-and-sorcery epic of Lady Death, a warrior queen in a hellish dimension, perfect for fans of gothic fantasy and strong female lead characters. When her mother was whisked away to a hellish dimension, a courageous young woman named Hope sacrificed her humanity to become the otherworldly sorceress known as Lady Death. Through years of warfare, she conquered a realm… but failed to save her mother’s soul. Now, her mother has returned, revealed as the usurper Death Queen, and Lady Death has lost both her kingdom and her direction. Worse still, the heroine’s quest to retake her throne sees her trusted allies, Wargoth and Satasha, at each other’s throats, aligned on opposite sides of the conflict. Lady Death’s war has just gotten intensely personal… and bloody!

Though not as tall as Everest, the "Savage Mountain" is far more dangerous. Located on the border of China and Pakistan, K2 has some of the harshest climbing conditions in the world. Ninety women have scaled Everest but of the six women who reached the summit of K2, three lost their lives on the way back down the mountain and two have since died on other climbs. In Savage Summit, Jennifer Jordan shares the tragic, compelling, inspiring, and extraordinary true stories of a handful of courageous women -- mothers and daughters, wives and lovers, poets and engineers -- who defeated this formidable mountain yet ultimately perished in pursuit of their dreams.