"Detailed accounts of the lives and achievements of the 28 women who each have a crater on the Moon named in their honour"--Provided by publisher.

“This is not a novel about a woman leaving home but rather about a human being finding her way back.”—Chicago Tribune In the middle of her life, Nan decides to leave her husband at home and begin an impromptu trek across the country, carrying with her a turquoise leather journal she intends to fill. The Pull of the Moon is a novel about a woman coming to terms with issues of importance to all women. In her journal, Nan addresses the thorniness—and the allure—of marriage, the sweet ties to children, and the gifts and lessons that come from random encounters with strangers, including a handsome man appearing out of the woods and a lonely housewife sitting on her front porch steps. Most of all, Nan writes about the need for the self to stay alive. In this luminous and exquisitely written novel, Elizabeth Berg shows how sometimes you have to leave your life behind in order to find it. the pull of the moon BONUS: This edition contains an excerpt from Elizabeth Berg's Once Upon a Time, There Was You. Praise for The Pull of the Moon “Breathtaking . . . [Berg] writes with wry wit and aching lyricism, painting her characters as vividly as anyone writing today.”—The Charlotte Observer “When was the last time you thought about running away? . . . In The Pull of the Moon, Berg shares her strength, the wonderful widening of her soul so that we, too, can take the journey in the ease of our chair.”—Greensboro News & Record “Berg’s gift as a storyteller lies most powerfully in her ability to find the extraordinary in the ordinary, the remarkable in the everyday.”—The Boston Globe “Reading The Pull of the Moon is like sitting down for a long, satisfying chat with a best girlfriend. . . . [It] pleasantly encourages readers to recover a little life-embracing enthusiasm themselves.”—Orlando Sentinel

Woman of the Moon is a poetry book that speaks to the heart in the heart’s own language. Our minds often try to label earthly occurrences, but only our heart can make sense of them. That sense is not always the explanation we want to hear but that sense fills our guts with such emotion that its answer transforms the meaning of our existence. This book is filled with wild feminist prose proposing the liberation of the soul from the oppression imposed by a society driven by the ego mind. Pamela’s poetry spills love over the pages; it is a dance between stanzas that describe the need for a radical sense of self-love, a gut-adoration for life, and a deeper look at our collective relationship with the world. WOM celebrates life on this planet for the short period of time during which we are fortunate enough to be here. Our bodies might be from this Earth, but our souls are of the Moon.

Marisa gets to help make dumplings this year to celebrate the New Year. But she worries if anyone will eat her funny-looking dumplings. Set in the Hawaiian islands, this story celebrates the joyful mix of food, customs, and languages from many cultures.

A collection of traditional tales from around the world each of whose main character is female.

Her seventh and most wide ranging collection. In the 1st of 2 sections, the poems move from the amusingly elegiac to the erotic, the classical to the funny. The 2nd section is a series of 15 poems for a calendar based on lunar rather than solar divisions

A true story from one of the Women of NASA! Margaret Hamilton loved numbers as a young girl. She knew how many miles it was to the moon (and how many back). She loved studying algebra and geometry and calculus and using math to solve problems in the outside world. Soon math led her to MIT and then to helping NASA put a man on the moon! She handwrote code that would allow the spacecraft’s computer to solve any problems it might encounter. Apollo 8. Apollo 9. Apollo 10. Apollo 11. Without her code, none of those missions could have been completed. Dean Robbins and Lucy Knisley deliver a lovely portrayal of a pioneer in her field who never stopped reaching for the stars.

His last known work and the only one to be written primarily in verse, The Woman in the Moon is among Lyly’s most entertaining plays. Turning upon the construction of the female character, it has been read as highly misogynistic, and as a sixteenth-century feminist manifesto. The biblical version of the creation of woman is overturned in the first scene when the play’s supreme deity, Nature, presents her ultimate creation, Pandora (memorably played in 1928 by Katharine Hepburn), to a group of Utopian shepherds, who compete for her love. Their amatory pursuit is complicated by the seven planets, whose attributes have been bestowed by Nature on her new creation, and who decide to take revenge by subjecting Pandora to their influence. The action rapidly develops into a dazzling comedy of intrigue, resulting in both an explanation for the female disposition and the creation of an "alternative" version of the myth of the man in the moon. Newly edited from the first edition (1597), The Woman in the Moon will be of interest to all students of sixteenth-century drama. It is complemented by generous notes and commentary, as well as a full introduction and stage history.

In the lush North Carolina foothills, the Moon women have put down roots: matriarch Marvelle Moon, who’s losing her grip on the world after more than eighty years of life; her daughters, Ruth Ann and Cassandra; and Ruth Ann’s nineteen-year-old daughter, Ashley, fresh out of rehab, unmarried, and three months pregnant. Despite Ruth Ann’s best efforts to live a life that’s all her own, her family is coming together around her. Marvelle and Ashley need a place to live and Ruth Ann is unable to turn them away; and her womanizing ex-husband has been coming around again, dredging up the past. Now a flurry of outbursts, emotions, and outrages is shattering Ruth Ann’s separate peace. For here is Ashley, who has spent nineteen years running furiously away from home, now finding herself on a strange journey with her unraveling grandmother. And here is Cassandra, protected by layers of obesity and loneliness, wondering how to put magic back in her life. And Marvelle, slowly losing touch with reality, privately contemplating the story of her life and the secret that would change everything for everyone—if they only knew.... By turns fierce and tender, harrowing and heartbreaking, Moon Women resonates with emotional power, holding us captive under its beguiling spell.

Elizabeth A. Lynn stands as a groundbreaking author of fantasy and science fiction. Her stories weave richly drawn characters and complex scenes of daily life into the intricate tapestry of speculative fiction. But beyond her technical skill, Lynn has changed the landscape of fantasy writing as one of the first authors to incorporate themes of gender and gay relationships into her work. Importantly, these themes are not part of the fantastic story line but simply of the unremarkable, normal relationships around which the fantasy occurs. This collection of Lynn’s early short stories serves as a wonderful introduction to her influential work. Soaring emotions, eloquent prose, and fully realized worlds are truly a joy to become lost within. That explains why the namesake short story “The Woman Who Loved the Moon” won Lynn one of her two World Fantasy Awards. With The Woman Who Loved the Moon and Other Stories, readers will delight in an author whose work George R. R. Martin has described as “the sort of fantasy we don’t see enough of: lyrical and literate, and a treat from the first page to the last.”