Analyzes the Victorian conception of both demonic and divine nature of women in Victorian art and literature.

Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.

All hell breaks loose in Meljean Brook's erotic, supernatural debut novel. Lilith, a demon, has spent 2,000 years tempting men and guaranteeing their eventual damnation. That is, until she meets her greatest temptation: the man whose life mission has been to kill her.

Nature's greatest feat is the smile of a pretty woman, but gentlemen, beware of the potential havoc a beautiful woman can bring to your life, and once the damage is done to your psyche, make a plan to fight back and rebuild yourself. One man's story, and a presentation of counter-measures to a bad marriage. Includes discussion of female archetypes, divine couple archetypes, Film Noir and the Good Girl Illusion, Subtle Christian Satanism, reality vs. illusion regarding other females in a male's life, including mothers, daughters, sisters. Commentary on "Christian" literature titles Boundaries, Jesus Calling, God Winks. A discussion of what to do after the devastation is done includes keeping your own confidence, personal care, exercise, and psychological redress including denial, repression, projection, rationalization, intellectualization, displacement and sublimation. Also: professional help, temporary or permanent separation, divorce, self-compassion, self-esteem, and a choice to "love anyway" and/or carrying the burden from day to day in hopes of a greater reward.

"A pioneer work in…the sexual structuring of society. This is not just another book about witchcraft." —Edmund S. Morgan, Yale University Confessing to "familiarity with the devils," Mary Johnson, a servant, was executed by Connecticut officials in 1648. A wealthy Boston widow, Ann Hibbens was hanged in 1656 for casting spells on her neighbors. The case of Ann Cole, who was "taken with very strange Fits," fueled an outbreak of witchcraft accusations in Hartford a generation before the notorious events at Salem. More than three hundred years later, the question "Why?" still haunts us. Why were these and other women likely witches—vulnerable to accusations of witchcraft and possession? Carol F. Karlsen reveals the social construction of witchcraft in seventeenth-century New England and illuminates the larger contours of gender relations in that society.

I hunt demons.I don't work for them. And I promised my mom one thing before she was murdered: Under no circumstances, would I ever go near the high demons. But I'll break that promise over and over again if it helps me avenge her death. When my only lead turns to ash in the middle of demon territory, I'm suddenly a dead witch walking. Violence in Samael's club is an automatic death sentence... unless he can use you. And it turns out that the most powerful demon in the country has a use for little ol' me. Demons are being slaughtered. His demons. And as a bounty hunter, it's up to me to find out who would dare hurt his people. I've got two weeks to find the killer, and if I fail, I'm bonded to Samael. Forever. Samael's certain that I'll be his, but I'm not the kinda girl who risks her freedom for a demon. I'm the kinda girl who won't let anyone get in the way of her vengeance- not even the Machiavellian control freak who thinks he can run my life. The problem? I've pissed the wrong people off. Now I'm the one being hunted, and someone's coming for me with everything they have. But I'm never more dangerous than when my back is up against the wall. And I'm ready to come out swinging.

This important study is the first to offer a sustained look at a variety of early modern Yiddish masterworks--and their writers and readers--paying particular attention to their treatment of supernatural themes and beings.

"It is a tremendous act of violence to begin anything." -Rainer Maria Rilke Alexandra Drakis lives in a vicious and uncertain world. After all, being the personal food supply to the sadistic vampire king is bound to present a few challenges. But no matter how much she tries not even the reigning queen of calamity can control and predict everything. Every once in awhile the universe decides it's time to test the mettle of sanguinem and vampires alike. To remind everyone of the eternal truth: creation is a leap into the unknown with the potential for untold joy or unspeakable destruction. Too bad the outcome remains unforeseen until it's far too late.