Ever since hard-drinking local Woodhaven police officer Lou Garou had a late-night bender and stumbled onto dark magic, his life has been turned upside down. Now he moonlights as WolfCop, a rage-fueled, bourbon-swilling, magnum-toting, rabid warrior for justice! WOLFCOP #1 sees everyone’s favorite alcoholic lycanthropic lawman tearing out of the big screen and onto these gorgeous pages to fight bigger, badder, and meaner monsters than anything that has threatened Woodhaven before!

Ever since hard-drinking, local Woodhaven police officer Lou Garou had a late-night bender and stumbled onto dark magic, his life has been turned upside-down. Now he moonlights as WolfCop, a rage-fueled, bourbon-swilling, magnum-toting, rabid warrior for justice! Everyone's favorite lycanthropic lawman tears out of the big screen and into this comic to fight bigger, badder and meaner monsters! WolfCop gets caught up in a bit of small-town hospitality when a bordello with dark secrets traps him with his two favorite vices - women and booze. Then when black magic leaves him alone and wolfed-out full time, WolfCop must return home, only for unfamiliar faces to have a surprise party planned for him. Not the fun kind either!

A brand new WolfCop adventure, cram-full of weird action, booze and babes, just like the cult grunge-horror movie hit! There’s been a massacre at Woodhaven Mall–but it looks like the shoppers themselves did the killing. What drove them mad? And how can WolfCop make sure it won’t happen again? Lou (WolfCop) Garou is sent to investigate. Along the way he hooks up with a sexy Extreme Wiccan by the unlikely name of Isadora Tree. Soon they are under attack by a seemingly endless stream of redneck thugs and musically enchanted zombies–and as the moon waxes, Lou grows more wolfish every day. Then things gets really weird. Ride along with Lou and Izzy on a bizarre cross-country road trip to uncover the secret of the massacre– and the musical mind control that’s behind it. It’s an arcane adventure filled with gun battles, car chases, beautiful girls, evil mullets, and all kinds of big, bad WolfCop!

Ever since hard-drinking, local Woodhaven police officer Lou Garou had a late-night bender and stumbled onto dark magic, his life has been turned upside-down. Now he moonlights as WolfCop, a rage-fueled, bourbon-swilling, magnum-toting, rabid warrior for justice!Everyone's favorite lycanthropic lawman tears out of the big screen and into this comic to fight bigger, badder and meaner monsters! WolfCop gets caught up in a bit of small-town hospitality when a bordello with dark secrets traps him with his two favorite vices - women and booze. Then when black magic leaves him alone and wolfed-out full time, WolfCop must return home, only for unfamiliar faces to have a surprise party planned for him. Not the fun kind either!

Zach Adams is one of the best detectives in the country. Nicknamed Cowboy, he’s a soft-spoken homicide detective known for his integrity and courage under fire. He serves on a federal task force that has a single mission: to hunt down Dominic Abend, a European gangster who has taken over the American underworld.After a brutal murder gives them a lead, Zach and his tough guy NYPD partner Martin Goulart are finally on Abend’s trail. But things get complicated — and very, very weird. Goulart’s on-the-job enemies are accusing him of corruption. And Zach is beginning to suspect that Abend’s evil goes beyond crime—perhaps to the edge of the supernatural. As his investigation continues in Germany, Zach finds himself lured into the impossible. In a centuries-old forest under a full moon, a beast assaults him, cursing him forever. In the aftermath, Zach is transformed into something horrible —something deadly.Now, the good cop has innocent blood on his hands. He has killed—and will kill again—in the form of a beast who can’t be controlled or stopped. Before he can free himself, he’s going to have to solve the greatest mystery of all: How can you defeat evil when the evil is inside you?

Analysis and criticism of the film. This book is the assembly of various texts that are freely available on the web, especially from Wikipedia. The next obvious question is: why buy this book? First because it is free, second because it is in eBook format, third because there are images that you cannot find on wikipedia.

Examines the cultural significance of the werewolf filmProvides the first academic monograph dedicated to developing a cultural understanding of the werewolf filmReconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop cultureIncludes over 40 individual case studies to illustrate how werewolf films can be understood as products of their cultural momentIdentifies the cinematic werewolf's most common metaphorical dimensionsHorror monsters such as the vampire, the zombie and Frankenstein's creature have long been the subjects of in-depth cultural studies, but the cinematic werewolf has often been considered little more than the 'beast within': a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over 100 years of werewolf films, from The Werewolf (1913) to Wildling (2018) via The Wolf Man (1941), The Curse of the Werewolf (1961), The Howling (1981) and WolfCop (2014). Revealing the significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times, Phases of the Moon serves as a companion and a counterpoint to existing scholarship on the werewolf in popular culture, and illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.

Video cover art is a unique and largely lost artform representing a period of unabashed creativity during the video rental boom of the 1980s to early 1990s. The art explodes with a succulent, indulgent blend of design, illustration, typography, and hilarious copywriting. Written and curated by Tom "The Dude Designs" Hodge, poster artist extraordinaire and VHS obsessive, with a foreword by Mondo's Justin Ishmael, this collection contains over 240 full-scale, complete video sleeves in the genres of action, comedy, horror, kids, sci-fi, and thriller films. It's a world of mustached, muscled men, buxom beauties, big explosions, phallic guns, and nightmare-inducing monsters. From the sublime to the ridiculous, some are incredible works of art, some are insane, and some capture the tone of the films better than the films themselves. All are amazing and inspiring works of art that captivate the imagination. It's like stepping back in time into your local video store!

An agent with the FBI’s elite K-9 unit works with her loyal search-and-rescue Labrador to sniff out a terrorist in this “tense and exciting” thriller (Leo J. Maloney, author of Arch Enemy). FBI Agent Megan Jennings and her canine partner Hawk are an effective team. With his highly trained sense of smell, Hawk can locate bodies anywhere—living or dead. When a bomb rips apart a government building in Washington D.C., they get to work saving the survivors buried beneath the rubble. But even as the duo are hailed as heroes, a bomber remains at large. As more bombs are detonated and the body count soars, Meg and Hawk attempt to find the pattern to a madman’s reign of terror. Soon the desperate manhunt leads them into the wilderness of West Virginia, where the lone wolf can turn the hunters into the hunted.

A long-out-of-print classic by a master of underground comics In the late 1980s, the idiosyncratic Chester Brown (author of the much-lauded Paying For It and Louis Riel) began writing the cult classic comic book series Yummy Fur. Within its pages, he serialized the groundbreaking Ed the Happy Clown, revealing a macabre universe of parallel dimensions. Thanks to its wholly original yet disturbing story lines, Ed set the stage for Chester Brown to become a world-renowned cartoonist. Ed the Happy Clown is a hallucinatory tale that functions simultaneously as a dark roller-coaster ride of criminal activity and a scathing condemnation of religious and political charlatanism. As the world around him devolves into madness, the eponymous Ed escapes variously from a jealous boyfriend, sewer monsters, the Royal Canadian Mounted Police, and a janitor with a Jesus complex. Brown leaves us wondering, with every twist of the plot, just how Ed will get out of this scrape. The intimate, tangled world of Ed the Happy Clown is definitively presented here, repackaged with a new foreword by the author and an extensive notes section, and, as with every Brown book, astonishingly perceptive about the zeitgeist of its time.