What is the true worth of Wittgenstein's contribution to philosophy? Opinions are strongly divided, with many resting on misreadings of his purpose. This book challenges 'theoretical' and 'therapeutic' interpretations, proposing that Wittgenstein saw clarification as the true end of philosophy, that his approach exemplifies critical philosophy.

Ludwig Wittgenstein and Martin Heidegger are arguably the two most influential philosophers of the twentieth century. Their work not only reshaped the philosophical landscape, but also left its mark on other disciplines, including political science, theology, anthropology, ecology, mathematics, cultural studies, literary theory, and architecture. Both sought to challenge the assumptions governing the traditions they inherited, to question the very terms in which philosophy’s problems had been posed, and to open up new avenues of thought for thinkers of all stripes. And despite considerable differences in style and in the traditions they inherited, the similarities between Wittgenstein and Heidegger are striking. Comparative work of these thinkers has only increased in recent decades, but no collection has yet explored the various ways in which Wittgenstein and Heidegger can be drawn into dialogue. As such, these essays stage genuine dialogues, with aspects of Wittgenstein’s elucidations answering or problematizing aspects of Heidegger’s, and vice versa. The result is a broad-ranging collection of essays that provides a series of openings and provocations that will serve as a reference point for future work that draws on the writings of these two philosophers.

Paul Horwich presents a bold new interpretation of Wittgenstein's later work. He argues that it is Wittgenstein's radically anti-theoretical metaphilosophy - and not his identification of the meaning of a word with its use - that underpins his discussions of specific issues concerning language, the mind, mathematics, knowledge, art, and religion.

Based on a conference held in June 2007 at the University of California Santa Cruz.

Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgenstein's later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible. Wittgenstein's subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared 'higher-order' value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the world's perceptible presence. Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.

First published in 1959, this classic challenge to the prevailing philosophical orthodoxy of the day, remains the most devastating attack on a conventional wisdom in philosophy to this day.

This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein’s life and work. Wittgenstein’s remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein’s philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage. Béla Szabados has a Ph.D. in philosophy from the University of Calgary and is professor of philosophy at the University of Regina. His publications include Wittgenstein Reads Weininger (2004), Wittgenstein at the Movies (2011) and Wittgenstein on Race, Gender, and Cultural Identity: Philosophy as a Personal Endeavour (2010).

Taking Wittgenstein at His Word is an experiment in reading organized around a central question: What kind of interpretation of Wittgenstein's later philosophy emerges if we adhere strictly to his claims that he is not in the business of presenting and defending philosophical theses and that his only aim is to expose persistent conceptual misunderstandings that lead to deep philosophical perplexities? Robert Fogelin draws out the therapeutic aspects of Wittgenstein's later work by closely examining his account of rule-following and how he applies the idea in the philosophy of mathematics. The first of the book's two parts focuses on rule-following, Wittgenstein's "paradox of interpretation," and his naturalistic response to this paradox, all of which are persistent and crucial features of his later philosophy. Fogelin offers a corrective to the frequent misunderstanding that the paradox of interpretation is a paradox about meaning, and he emphasizes the importance of Wittgenstein's often undervalued appeals to natural responses. The second half of the book examines how Wittgenstein applies his reflections on rule-following to the status of mathematical propositions, proofs, and objects, leading to remarkable, demystifying results. Taking Wittgenstein at His Word shows that what Wittgenstein claims to be doing and what he actually does are much closer than is often recognized. In doing so, the book underscores fundamental—but frequently underappreciated—insights about Wittgenstein's later philosophy.

At first sight, Karl Marx and Ludwig Wittgenstein may well seem to be as different from each other as it is possible for the ideas of two major intellectuals to be. Despite this standard conception, however, a small number of scholars have long suggested that there are deeper philosophical commonalities between Marx and Wittgenstein. They have argued that, once grasped, these commonalities can radically change and enrich understanding both of Marxism and of Wittgensteinian philosophy. This book develops and extends this unorthodox view, emphasising the mutual enrichment that comes from bringing Marx's and Wittgenstein's ideas into dialogue with one another. Essential reading for all scholars and philosophers interested in the Marxist philosophy and the philosophy of Wittgenstein, this book will also be of vital interest to those studying and researching in the fields of social philosophy, political philosophy, philosophy of social science and political economy.

Ludwig Wittgenstein (1889-1951) was by any reckoning one of the major modern philosophers. Raised as a Catholic in late-19th century Vienna, he later gave up practicing his religion; yet, as journal notes and many anecdotes attest, he remained deeply if ambivalently interested in religion throughout his life. Students of the philosophy of religion are familiar with his lectures on religious belief. For the rest, however, in the vast collection of commentary and criticism that has accumulated over the years, little attention has been paid to his religious interests. In consideration of how far Wittgenstein's Catholic background may have influenced his philosophical reflections on the soul, preeminent author Fergus Kerr explores aspects of Wittgenstein's personal and professional life. Kerr examines many of Wittgenstein's writings and lectures, including his last set of lectures in the mid-1940s at the University of Cambridge on philosophical psychology. Beginning with a largely biographical study of Wittgenstein, Kerr argues that Wittgenstein's philosophy was partly prompted by his strong reaction against what he regarded as an excessively rationalistic type of Catholic apologetics that he was taught in his early school years. His serious interest as a student at Cambridge in experimental psychology and in the works of Freud is documented. In the second half of the book, Kerr expounds Wittgenstein's famous "Private Language Argument"--his mockery of the idea that one could have thoughts that are in principle incommunicable. He then discusses three philosophers, John Wisdom, Stanley Cavell, and Richard Eldrige, who have developed Wittgenstein's ideas on self-understanding in ways that should interest students with a desire to rethink psychology in the context of an integrally humanist anthropology of the human person. ABOUT THE AUTHOR: Fergus Kerr, O.P., is an honorary senior lecturer in theology and religious studies at the University of Edinburgh and past head of Blackfriars Hall, University of Oxford. He is the editor of New Blackfriars and the renowned author of numerous works, including Theology after Wittgenstein, After Aquinas: Versions of Thomism, and most recently Twentieth-Century Catholic Theologians: From Neoscholasticism to Nuptial Mysticism. PRAISE FOR THE BOOK: " A] fresh and fascinating, impressively lucid study of Wittgenstein's later philosophy, and of his attitude to religion." -- Nicholas Lash, Modern Theology