In Witness to Nuremberg, the chief interpreter for the American prosecution at the Nuremberg trials after World War II offers his insights into dealing directly with Hermann Goering, a leading member of the Nazi Party, as well as the story of his own colorful, eventful life before and after the trials. At age twenty-two, Richard Sonnenfeldt was appointed chief interpreter for the American prosecution of Nazi war criminals at Nuremberg. His pretrial time spent with Hermann Goering reveals much about not only Goering, but Hitler, Goebbels, Himmler, and other high-ranking Nazis. Sonnenfeldt was the only American who talked with all the defendants. Here is his inimitable life in wonderful detail.

Autumn 1945 saw the start of the Nuremberg trials, in which high ranking representatives of the Nazi government were called to account for their war crimes. In a curious yet fascinating twist, witnesses for the prosecution and the defense were housed together in a villa on the outskirts of town. In this so-called Witness House, perpetrators and victims confronted each other in a microcosm that reflected the events of the high court. Presiding over the affair was the beautiful Countess Ingeborg Kálnoky (a woman so blond and enticing that she was described as a Jean Harlowe look-alike) who took great pride in her ability to keep the household civil and the communal dinners pleasant. A comedy of manners arose among the guests as the urge to continue battle was checked by a sudden and uncomfortable return to civilized life. The trial atmosphere extends to the small group in the villa. Agitated victims confront and avoid perpetrators and sympathizers, and high-ranking officers in the German armed forces struggle to keep their composure. This highly explosive mixture is seasoned with vivid, often humorous, anecdotes of those who had basked in the glory of the inner circles of power. Christiane Kohl focuses on the guilty, the sympathizers, the undecided, and those who always manage to make themselves fit in. The Witness House reveals the social structures that allowed a cruel and unjust regime to flourish and serves as a symbol of the blurred boundaries between accuser and accused that would come to form the basis of postwar Germany.

The Nuremberg Trial was a milestone in history, the first international tribunal for war crimes ever to occur. As such, much rested on the shoulders of the prosecutors and, in turn, on the witnesses for the prosecution. As the first witness to be called in the first and best-known Nuremberg Trial, Abwehr General Erwin Lahousen felt that burden more keenly than any who took the stand after him. His inside knowledge of the Third Reich and the intelligence he gathered over the course of his military career proved invaluable in convicting some of the most infamous war criminals in history, many of whom recognized and loudly proclaimed him a traitor as he took to the witness stand in the Nuremberg Palace of Justice on November 30, 1945. Newly declassified archival materials, such as the recently released memoirs of Madame Madeleine Bihet-Richou, and interviews with family members have shed new light on General Lahousen's role in bringing about an end to Hitler's reign of terror. These have been compiled by Harry Carl Schaub into this compelling biography.

In this gripping memoir by the chief American interpreter atthe Nuremberg trials, Richard Sonnenfeldt recounts a remarkable life. Bythe time he was 18, Sonnenfeldt had grown up in Germany, escaped toEngland, been deported to Australia as a "German enemy alien", arrived inthe U.S., and joined the U.S. army. By age 22 he had fought in the Battleof the Bulge and helped liberate the Dachau concentration camp, when he wasappointed chief interpreter for the American prosecution of Nazi warcriminals at the Nuremberg trials. During his service, he spent pretrialtime with Hermann Goering as well as other top Nazi leaders like vonRibbentrop, Rudolph Hoess, and Julius Streicher, the infamous editor of theanti-Semitic Der Sturmer. An engineer in later life, he was a principaldeveloper of color TV and computer technology and a key player in NASA'spreparation of the first moon shot.

Mission at Nuremberg is Tim Townsend’s gripping story of the American Army chaplain sent to save the souls of the Nazis incarcerated at Nuremberg, a compelling and thought-provoking tale that raises questions of faith, guilt, morality, vengeance, forgiveness, salvation, and the essence of humanity. Lutheran minister Henry Gerecke was fifty years old when he enlisted as am Army chaplain during World War II. As two of his three sons faced danger and death on the battlefield, Gerecke tended to the battered bodies and souls of wounded and dying GIs outside London. At the war’s end, when other soldiers were coming home, Gerecke was recruited for the most difficult engagement of his life: ministering to the twenty-one Nazis leaders awaiting trial at Nuremburg. Based on scrupulous research and first-hand accounts, including interviews with still-living participants and featuring sixteen pages of black-and-white photos, Mission at Nuremberg takes us inside the Nuremburg Palace of Justice, into the cells of the accused and the courtroom where they faced their crimes. As the drama leading to the court’s final judgments unfolds, Tim Townsend brings to life the developing relationship between Gerecke and Hermann Georing, Albert Speer, Wilhelm Keitel, Joachim von Ribbentrop, and other imprisoned Nazis as they awaited trial. Powerful and harrowing, Mission at Nuremberg offers a fresh look at one most horrifying times in human history, probing difficult spiritual and ethical issues that continue to hold meaning, forcing us to confront the ultimate moral question: Are some men so evil they are beyond redemption?

'Roland's compelling account is highly readable.' Nicholas Goodrick-Clarke, Professor of History, University of Exeter 'No one can deny Paul Roland is a complete master of his subject.' Colin Wilson, author of A Criminal History of Mankind Anyone wishing to understand the nature of evil can do no better than look within the pages of this book. When Hitler's 'thousand-year Reich' collapsed after twelve years of increasing repression, how were those responsible to be punished? Hitler, Himmler and Goebbels took their own lives to evade justice, but that still left Hermann Goering, Albert Speer, Hitler's one-time Deputy Fu ̈hrer Rudolf Hess and many other prominent Nazis to be brought before the Allied courts. This is the story of the Nuremberg Trials - the most important criminal hearings ever held, which established the principle that individuals will always be held responsible for their actions under international law, and which brought closure to World War II, allowing the reconstruction of Europe to begin.

The Nuremberg Trials (IMT), most notable for their aim to bring perpetrators of Nazi war crimes to justice in the wake of World War II, paved the way for global conversations about genocide, justice, and human rights that continue to this day. As Francine Hirsch reveals in this new history of the trials, a central part of the story has been ignored or forgotten: the critical role the Soviet Union played in making them happen in the first place. While there were practical reasons for this omission--until recently, critical Soviet documents about Nuremberg were buried in the former Soviet archives, and even Russian researchers had limited access--Hirsch shows that there were political reasons as well. The Soviet Union was regarded by its wartime Allies not just as a fellow victor but a rival, and it was not in the interests of the Western powers to highlight the Soviet contribution to postwar justice. Stalin's Show Trials of the 1930s had both provided a model for Nuremberg and made a mockery of it, undermining any pretense of fairness and justice. Further complicating matters was the fact that the Soviets had allied with the Nazis before being invaded by them. The Molotov-Ribbentrop Pact of 1939 hung over the courtroom, as did the fact that the everyone knew that the Soviet prosecution had presented the court with falsified evidence about the Katyn massacre of Polish officers, attempting to pin one of their own major war crimes on the Nazis. For lead American prosecutor Robert Jackson and his colleagues, focusing too much on the Soviet role in the trials threatened the overall credibility of the IMT and possibly even the collective memory of the war. Soviet Justice at Nuremberg illuminates the ironies of Stalin's henchmen presiding in moral judgment over the Nazis. In effect, the Nazis had learned mass-suppression and mass-murder techniques from the Soviets, their former allies, and now the latter were judging them for crimes they had themselves committed. Yet the Soviets had borne the brunt of the fighting--and the losses--in World War II, and this gave them undeniable authority. Moreover, Soviet jurists were the first to conceive of a legal framework for viewing war as a crime, and without that framework the IMT would have had no basis. In short, there would be no denying their place at the tribunal, nor their determination to make the most of it. Illuminating the shifting relationships between the four countries involved (the U.S., Great Britain, France, and the U.S.S.R.) Hirsch's book shows how each was not just facing off against the Nazi defendants, but against each other and offers a new history of Nuremberg.

Here is a gripping account of the major postwar trial of the Nazi hierarchy in World War II. The Nuremberg Trial brilliantly recreates the trial proceedings and offers a reasoned, often profound examination of the processes that created international law. From the whimpering of Kaltenbrunner and Ribbentrop on the stand to the icy coolness of Goering, each participant is vividly drawn. Includes twenty-four photographs of the key players as well as extensive references, sources, biographies, and an index.

The memoirs of Wolfe Frank, which lay hidden in an attic for twenty-five years, are a unique and highly moving behind-the-scenes account of what happened at Nuremberg the greatest trial in history seen through the eyes of a witness to the whole proceedings. They include important historical information never previously revealed. In an extraordinarily explicit life story, Frank includes his personal encounters, inside and outside the courtroom, with all the war criminals, particularly Hermann Goering. This, therefore, is a unique record that adds substantially to what is already publicly known about the trials and the defendants.Involved in proceedings from day one, Frank translated the first piece of evidence, interpreted the judges opening statements, and concluded the trials by announcing the sentences to the defendants (and several hundred million radio listeners) which earned him the soubriquet Voice of Doom.Prior to the war, Frank, who was of Jewish descent, was a Bavarian playboy, an engineer, a resistance worker, a smuggler (of money and Jews out of Germany) and was declared to be an enemy of the State to be shot on sight. Having escaped to Britain, he was interned at the outbreak of war but successfully campaigned for his release and eventually allowed to enlist in the British Army in which he rose to the rank of Captain. Unable to speak English prior to his arrival, by the time of the Nuremberg trials he was described as the finest interpreter in the world.A unique character of extreme contrasts Frank was a playboy, a risk taker and an opportunist. Yet he was also a man of immense courage, charm, good manners, integrity and ability. He undertook the toughest assignment imaginable at Nuremberg to a level that was satisfactory alike to the bench, the defence and the prosecution and he played a major role in materially shortening the enormously difficult procedures by an estimated three years.

In 1944, the Yiddish poet Abraham Sutzkever was airlifted to Moscow from the forest where he had spent the winter among partisan fighters. There he was encouraged by Ilya Ehrenburg, the most famous Soviet Jewish writer of his day, to write a memoir of his two years in the Vilna Ghetto. Now, seventy-five years after it appeared in Yiddish in 1946, Justin Cammy provides a full English translation of one of the earliest published memoirs of the destruction of the city known throughout the Jewish world as the Jerusalem of Lithuania. Based on his own experiences, his conversations with survivors, and his consultation with materials hidden in the ghetto and recovered after the liberation of his hometown, Sutzkever’s memoir rests at the intersection of postwar Holocaust literature and history. He grappled with the responsibility to produce a document that would indict the perpetrators and provide an account of both the horrors and the resilience of Jewish life under Nazi rule. Cammy bases his translation on the two extant versions of the full text of the memoir and includes Sutzkever’s diary notes and full testimony at the Nuremberg Trials in 1946. Fascinating reminiscences of leading Soviet Yiddish cultural figures Sutzkever encountered during his time in Moscow – Ehrenburg, Yiddish modernist poet Peretz Markish, and director of the State Yiddish Theatre Shloyme Mikhoels – reveal the constraints of the political environment in which the memoir was composed. Both shocking and moving in its intensity, From the Vilna Ghetto to Nuremberg returns readers to a moment when the scale of the Holocaust was first coming into focus, through the eyes of one survivor who attempted to make sense of daily life, resistance, and death in the ghetto. A Yiddish Book Center Translation