Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.

Meet the extraordinary Kendra Michaels in this gripping short story by the #1 bestselling duo of Iris and Roy Johansen. Kendra Michaels's astonishing powers of observation and analysis have made her a go-to for law enforcement agencies all across the country. Her other senses, hyper-developed while she was blind for the first twenty years of her life, along with her keen, sharp mind make her an unstoppable force. After having regained her sight through a revolutionary surgical procedure, she now assists in investigations nationwide. But her newest case is deeply personal: the disappearance of her mentor's fiancé. As she uncovers one unsettling secret after another, Kendra realizes that people in very high places may not want this mystery solved...

A journey of reckoning and renewal, this story of family history and future dreams is an examination of the individual imagination as a catalyst for social change Whatever the ideological slant of our information feeds, nowadays we all share a sense of binge-watching the apocalypse. Facing so much uncertainty, we need a language for thinking about the unknown not simply as a threat but also as a space of fertile possibility. George Prochnik has chosen to reflect on these urgent themes through the lens of a personal narrative: an account of his own family’s decision to leave the United States. I Dream with Open Eyes begins with an exploration of Prochnik’s ancestral past: the pilgrimage of his mother’s family, who were among the first English settlers in the New World. In the aftermath of the 2016 election, a parallel migration unfolds as Prochnik, along with his wife and their son, makes the decision to uproot their lives in New York to move to England. A deep critique of this current moment, Prochnik takes the words of nineteenth-century poet Heinrich Heine, “I dream with open eyes, and my eyes see,” as an inspiration to ask how, as a society, we might use art and literature to refract and expand our vision of the future, while simultaneously generating a new focus on present realities.

Met als voorbeelden werk van kunstenaars, schrijvers en musici wordt de invloed van de natuur- en oerkrachten uit het sjamanisme getoond

Bibliografie : p. 193-218 Survey of some projects by female African filmmakers from different countries ; the problematic encounter between Western feminism and African feminist filmmaking practice; the representation of women in African film.

NOW WITH OPEN EYES The title of this book declares a point in time when darkness and confusion ruled body and soul. The poems that fi ll the pages of this book reveal the various struggles and challenges that life requires after decisions are made. The many ups and downs that sometimes brings us happiness, sadness, or rage are sometimes determined by the roads we choose to follow in life. Eventually, we should mature to the point of sight for clarity, patience, and love for our fellow man.

All proceeds of Dying With Open Eyes will be donated to the Alzheimer's Association.

Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.