"Witchcraft Myths in American Culture is the only account of witchcraft in America that mixes the study of popular culture with the reading of traditional historical texts on the subject. From the Salem witch trials to modern day Wicca; from Buffy the Vampire Slayer to the Harry Potter phenomenon and beyond, Gibson's engaging and accessible approach provides new energy and perspective on classical and contemporary witchcraft history, portrayal, and mythos. This fresh viewpoint coupled with a careful examination of the meaning of witchcraft to the evolution of women's rights and empowerment, makes this book essential in understanding the role witchcraft has played in American social and cultural history.".

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons. The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be. The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

Since the publication of L. Frank Baum's The Wonderful Wizard of Oz in 1900, authors, filmmakers, and theatrical producers have been retelling and reinventing this uniquely American fairy tale. This volume examines six especially significant incarnations of the story: Baum's original novel, the MGM classic The Wizard of Oz (1939), Sidney Lumet's African American film musical The Wiz (1978), Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West (1995), Stephen Schwartz and Winnie Holzman's Broadway hit Wicked: A New Musical (2003), and the SyFy Channel miniseries Tin Man (2007). A close consideration of these works demonstrates how versions of Baum's tale are influenced by and help shape notions of American myth, including issues of gender, race, home, and magic, and makes clear that the Wizard of Oz narrative remains compelling and relevant today.

Presents an historical analysis of the Salem witch trials, examining the factors that may have led to the mass hysteria, including a possible occurrence of ergot poisoning, a frontier war in Maine, and local political rivalries.

"Witches are gathering." When most people hear the word "witches," they think of horror films and Halloween, but to the nearly one million Americans who practice Paganism today, witchcraft is a nature-worshipping, polytheistic, and very real religion. So Alex Mar discovers when she sets out to film a documentary and finds herself drawn deep into the world of present-day magic. Witches of America follows Mar on her immersive five-year trip into the occult, charting modern Paganism from its roots in 1950s England to its current American mecca in the San Francisco Bay Area; from a gathering of more than a thousand witches in the Illinois woods to the New Orleans branch of one of the world's most influential magical societies. Along the way she takes part in dozens of rituals and becomes involved with a wild array of characters: a government employee who founds a California priesthood dedicated to a Celtic goddess of war; American disciples of Aleister Crowley, whose elaborate ceremonies turn the Catholic mass on its head; second-wave feminist Wiccans who practice a radical separatist witchcraft; a growing "mystery cult" whose initiates trace their rites back to a blind shaman in rural Oregon. This sprawling magical community compels Mar to confront what she believes is possible-or hopes might be. With keen intelligence and wit, Mar illuminates the world of witchcraft while grappling in fresh and unexpected ways with the question underlying every faith: Why do we choose to believe in anything at all? Whether evangelical Christian, Pagan priestess, or atheist, each of us craves a system of meaning to give structure to our lives. Sometimes we just find it in unexpected places.

Salem Story engages the story of the Salem witch trials by contrasting an analysis of the surviving primary documentation with the way events of 1692 have been mythologised by our culture. Resisting the temptation to explain the Salem witch trials in the context of an inclusive theoretical framework, the book examines a variety of individual motives that converged to precipitate the witch-hunt. Of the many assumptions about the Salem witch trials, the most persistent is that they were instigated by a circle of hysterical girls. Through an analysis of what actually happened - by perusal of the primary materials with the 'close reading' approach of a literary critic - a different picture emerges, one where 'hysteria' inappropriately describes the logical, rational strategies of accusation and confession followed by the accusers, males and females alike.

America Bewitched is the first major history of witchcraft in America - from the Salem witch trials of 1692 to the present day. The infamous Salem trials are etched into the consciousness of modern America, the human toll a reminder of the dangers of intolerance and persecution. The refrain 'Remember Salem!' was invoked frequently over the ensuing centuries. As time passed, the trials became a milepost measuring the distance America had progressed from its colonial past, its victims now the righteous and their persecutors the shamed. Yet the story of witchcraft did not end as the American Enlightenment dawned - a new, long, and chilling chapter was about to begin. Witchcraft after Salem was not just a story of fire-side tales, legends, and superstitions: it continued to be a matter of life and death, souring the American dream for many. We know of more people killed as witches between 1692 and the 1950s than were executed before it. Witches were part of the story of the decimation of the Native Americans, the experience of slavery and emancipation, and the immigrant experience; they were embedded in the religious and social history of the country. Yet the history of American witchcraft between the eighteenth and the twentieth century also tells a less traumatic story, one that shows how different cultures interacted and shaped each other's languages and beliefs. This is therefore much more than the tale of one persecuted community: it opens a fascinating window on the fears, prejudices, hopes, and dreams of the American people as their country rose from colony to superpower.

"While the witchcraft mania that swept through Salem, Massachusetts, in 1692 was significant, fascination with it has tended to overshadow the historical records of other persecutions throughout early America. Colonial Virginians shared a common belief in the supernatural with their northern neighbors. The 1626 case of Joan Wright, the first woman to be accused of witchcraft in British North America, began Virginia's own witch craze. Utilizing surviving records, local historian Carson Hudson narrates these fascinating stories." --Back cover.

Apparently, slumber parties in the mid-South 1970s were plied with a strange ritual. At midnight attendees would gather before a mirror and chant “I don’t believe in the Bell Witch” three times to see if the legendary spook would appear alongside their own reflections—a practice that echoes the “Bloody Mary” pattern following the execution of Mary Queen of Scots centuries ago. But that small circuit of preteen gatherings was neither the beginning nor the end of the Bell Witch’s travels. Indeed, the legend of the haint who terrorized the Bell family of Adams, Tennessee, is one of the best-known pieces of folklore in American storytelling—featured around the globe in popular-culture references as varied as a 1930s radio skit and a 1980s song from a Danish heavy metal band. Legend has it that “Old Kate” was investigated even by the likes of future president Andrew Jackson, who was reported to have said, “I would rather fight the British ten times over than to ever face the Bell Witch again.” While dozens of books and articles have thoroughly analyzed this intriguing tale, this book breaks new ground by exploring the oral traditions associated with the poltergeist and demonstrating her regional, national, and even international sweep. Author Rick Gregory details the ways the narrative mirrors other legends with similar themes and examines the modern proliferation of the story via contemporary digital media. The Bell Witch in Myth and Memory ultimately explores what people believe and why they believe what they cannot explicitly prove—and, more particularly, why for two hundred years so many have sworn by the reality of the Bell Witch. In this highly engaging study, Rick Gregory not only sheds light on Tennessee’s vibrant oral history tradition but also provides insight into the enduring, worldwide phenomenon that is folklore.