"Comprehensive, original, scholarly, philosophically searching and meticulously prepared. Each of the book's seven major sections is prefaced by vivid historical background. . . . Copiously illustrated."--Publisher's Weekly

A thoroughly revised, greatly expanded edition of the most important documentary history of European witchcraft ever published.

"Comprehensive, original, scholarly, philosophically searching and meticulously prepared. Each of the book's seven major sections is prefaced by vivid historical background. . . . Copiously illustrated."--Publisher's Weekly

Plagues, poisons and potions highlights one of the most fascinating aspects of the history of early modern plague. In the sixteenth and seventeenth centuries outbreaks of plague in and around the ancient Duchy of Savoy led to the arrests of many people who were accused of conspiring to spread the disease. Those implicated in the conspiracies were usually poor female migrants working in the plague hospitals under the direction of educated professional male barber-surgeons. These 'conspirators' were subsequently tried for spreading plague among leading and wealthy people from urban areas so that they could rob them while the afflicted homeowners were confined to their beds. In order to understand how this phenomenon developed and was regarded at the time, this study examines the courts, the judiciary and the part played by torture in the trials, which frequently concluded with the spectacular and gruesome execution of the suspects. The author goes on to consider the socio-economic conditions of the workers and in doing so highlights an early modern form of 'class warfare'. However, what makes this phenomenon especially interesting is that in an age dominated by superstition, religious strife and witch-hunts, the conspiracies were always given a moe rational explanation and motivation – profit. Both teachers and students of early modern history will be fascinated by this enlightening study into the fears of European society, the spread of the disease and the judicial procedures of the time.

Witchcraft and magical beliefs have captivated historians and artists for millennia, and stimulated an extraordinary amount of research among scholars in a wide range of disciplines. This new collection, from the editor of the highly acclaimed 1992 set, Articles on Witchcraft, Magic, and Demonology, extends the earlier volumes by bringing together the most important articles of the past twenty years and covering the profound changes in scholarly perspective over the past two decades. Featuring thematically organized papers from a broad spectrum of publications, the volumes in this set encompass the key issues and approaches to witchcraft research in fields such as gender studies, anthropology, sociology, literature, history, psychology, and law. This new collection provides students and researchers with an invaluable resource, comprising the most important and influential discussions on this topic. A useful introductory essay written by the editor precedes each volume.

Find original research and interpretive studies of the relations between homosexuality and the visual arts. Evidence for the role of homosexuality in artistic creation has often not survived, in part because the direct expression of homosexuality has often been condemned in Western societies. Gay and Lesbian Studies in Art History presents examples of contemporary art historical research on homoeroticism and homosexuality in the visual arts (chiefly painting and sculpture) of the Western tradition from the ancient to the modern periods. Chapters explore the dynamic interrelation of sexuality and visual art and emphasize problems of historical evidence and interpretation and the need to reconstruct social and cultural realities sometimes quite different from our own.Gay and Lesbian Studies in Art History addresses contemporary art historians’interest in studying sexuality in the visual arts, examining such questions as: What are some of the present-day reasons for, and problems of, this research? How is it related to other research areas within art history and to wider public debates about the meaning, value, and propriety of works of art? While the book examines a variety of research problems and theoretical perspectives, most chapters focus on the historical interpretation of a particular work of art, artist, or visual convention. Chapters present new documentation of the importance of homosexuality in the production and reception of artworks in the Western tradition, develop models for approaching the question of how sexuality and visual creation are related, and explore researchers’experiences and obligations in working in the area of gay and lesbian studies in art history today.Contributing authors stress problems of historical evidence and reconstruction; the social and cultural construction of homosexuality; and the active role of visual conventions in shaping perceptions of homosexuals, homosexuality, and homosexual desire. They discuss both the biography of artists and the significance of individual works of art and the social reception and circulation of works of art in the context of wider religious, legal, medical, political, and economic relations. The book may revise readers’beliefs about the significance and value of a number of works of art hitherto forgotten, neglected, under-appreciated, or misinterpreted. Gay and Lesbian Studies in Art History is an enlightening and informative book for art historians, museum professionals, scholars in the field of lesbian and gay studies, and art history students and professors.