“On the High Wire is fascinating to read. You will learn about the man, his work, his passion, his tenacity and lucidity” (Marcel Marceau) In this poetic handbook, written when he was just twenty-three, the world-famous high-wire artist Philippe Petit offers a window into the world of his craft. Petit masterfully explains how preparation and self-control contributed to such feats as walking between the towers of Notre Dame and the World Trade Center. Addressing such topics as the rigging of the wire, the walker’s first steps, his salute and exercises, and the work of other renowned high-wire artists, Petit offers us a book about the ecstasy of conquering our fears and reaching for the stars.

Read & Burn is the first serious, in-depth appraisal of Wire, one of the most influential British bands to emerge during the punk era. If Wire were briefly a punk band, however, it was largely by historical accident. Despite the fact that they had complicated and transformed that category almost before they'd begun, they seem never to have quite escaped the label. Be it punk, post-punk, or art-punk, critics have clung onto the p-word in an attempt to capture the essence of Wire's innovative uniqueness. But their story - which honours punk's original yet quickly forgotten commitment to the new - is one of constant remaking and remodelling, one that stubbornly resists reduction to a single identity. As a result, the group's projects have always balanced uneasily between artistic endeavour and the need for commercial sustainability, played out against the backdrop of the musicians' perennially complex creative relationships. Tracing Wire's diverse output from 1977 up until the present, Read & Burn seeks to do justice to their highly influential and restlessly inventive body of work.

Wire objects have worked their way into virtually every human activity. Since the eighteenth century, such occupations as housekeeping, cooking, gardening, fishing, and hunting were unthinkable without them. Shopkeepers fashioned wire into display racks, and children played with wire toys. Many pieces, such as fruit bowls, platters, and baskets of all kinds served both practical and decorative functions. With its vintage photographs, pages from early catalogs, old advertisements, and more than 300 evocative full-color photographs, Wire reveals why there is such a strong revival of interest in these pieces and demonstrates how they can be integrated into our homes today.

Award-winning Detroit columnist George Cantor revisits the 1984 World Series champion Detroit Tigers with unparalleled insight into what the season meant to a reeling city filled with delirious fans. The book delves into the details of a year when fantasy became reality--the Tigers chewed up their opponents, spit them out, and catapulted to the top without looking back--and provides fans with the opportunity to relive a season in history that baseball aficionados won't soon forget.

"An oral history of HBO"s The Wire"--

This comprehensive guide to working with wire, focusing on the intricate and rewarding craft of wire weaving, will delight and inspire all levels of jewellery-maker. The 24 projects, ranging from elegant pendants to earrings, rings, brooches and bracelets, will appeal to a wide range of tastes and are grouped into beginner, intermediate and advanced sections so that confidence grows in the reader to feel able to move on a stage. Abby's experience running tutorials on this wonderful craft shines out in the clarity of the step by step instruction for each project and the invaluable tools and techniques section. To Abby, teaching is all about getting the detail right and taking out the guess work so the maker can concentrate on the end result of a beautiful piece of jewellery.

Did Omar Little die of lead poisoning? Would a decriminalization strategy like the one in Hamsterdam end the War on Drugs? What will it take to save neglected kids like Wallace and Dukie? Tapping into 'The Wire' uses the acclaimed television series as a road map for exploring connections between inner-city poverty and drug-related violence. Past Baltimore City health commissioner Peter Beilenson teams up with former Baltimore Sun reporter Patrick A. McGuire to deliver a compelling, highly readable examination of urban policy and public health issues affecting cities across the nation. Each chapter recounts scenes from episodes of the HBO series, placing the characters' challenges into the broader context of public policy. A candid interview with the show’s co-creator David Simon reveals that one of the intentions of the series is to expose gross failures of public institutions, including criminal justice, education, labor, the news media, and city government. Even if readers haven’t seen the series, the book’s detailed summaries of scenes and characters brings them up to speed and engages them in both the story and the issues. With a firm grasp on the hard truths of real-world problems, Tapping into 'The Wire' helps undo misconceptions and encourage a dialogue of understanding. -- John A. Rich, author of Wrong Place, Wrong Time: Trauma and Violence in the Lives of Young Black Men

Many television critics, legions of fans, even the president of the United States, have cited The Wire as the best television series ever. In this sophisticated examination of the HBO serial drama that aired from 2002 until 2008, Linda Williams, a leading film scholar and authority on the interplay between film, melodrama, and issues of race, suggests what exactly it is that makes The Wire so good. She argues that while the series is a powerful exploration of urban dysfunction and institutional failure, its narrative power derives from its genre. The Wire is popular melodrama, not Greek tragedy, as critics and the series creator David Simon have claimed. Entertaining, addictive, funny, and despairing all at once, it is a serial melodrama grounded in observation of Baltimore's people and institutions: of cops and criminals, schools and blue-collar labor, local government and local journalism. The Wire transforms close observation into an unparalleled melodrama by juxtaposing the good and evil of individuals with the good and evil of institutions.

The first edition of this work is considered a classic reference in the field. This new edition updates the entire work and adds 100 pages of information covering new materials and techniques such as fine pitch