Diese Buch dokumentiert die Beitrage des Kongregesses für Theolog*innen aus dem Ostseeraum „Wir haben selber gehört und erkannt“ (Joh 4,42). Wege der Schriftauslegung, der vom 14. bis 15. Mai 2018 in der Marienkirche in Lübeck durchgeführt wurde. In den Vorträgen und Impulsen der Referentinnen werden vielfältige hermeneutische Ansätze aus unterschiedlichen Kontexten zur Sprache gebracht. This book documents the contributions of the Congress for Theologians from the Baltic Sea region, „We have heard for ourselves, and we know“ (Joh 4:42). Ways of Interpreting the Scripture held from 14th to 15th May, 2018 at St. Mary´s Church in Lübeck. In the lecturtes and inputs of the speakers, a wide range of hermeneutical approaches from differnet contexts were raised.

The objective of “The Sacred Scriptures” by John Biermanski, 29th edition - “Special Edition,” also written in German, is to revoke all falsifications in today's Bibles known so far (the New Testament), and to restore the original state of the verses as far as possible. In the present work, you will find the holy and true name of the living Elohim/G-d “YAHWEH” (the Elohim/G-d of Abraham, the Elohim/G-d of Isaac and the Elohim/G-d of Jacob), of the children of Israel (Exodus 3:15), to his glory in this edition, and “The New Covenant ~ The New Testament”, “The Book of Psalms” and “The Book of Daniel”, in which all verses are written in German and English with “Appendix” in English (see the “Table of Contents”). In this part is: "THE EVANGEL ACCORDING TO MARK" until "THE ACTS OF THE APOSTLES". The author was born in 1963 in North Rhine-Westphalia and completed a traineeship for wholesale and foreign trade in a pharmaceutical wholesale company. In the course of his professional development, he used to be a freelancer but was also officially employed; he has experienced a lot rises and falls throughout his life. While studying the Scriptures, he was led by the Spirit of the only God, the Almighty and the only Holy Father in heaven, whereas, by grace, he could recognize many things that are now presented as heresies to the world. In recent years he has been active in the proclamation of the Word of God in Europe, particularly in Brazil (South America), and has enlightened many people by his message, so that they get to know the true God, His holy name and His will and only obey Him - and start to think about all this, i. e. "so that they finally decide themselves in favour of the living God, instead of against Him, and their names are not erased from the divine 'Book of Life' forever."

A new, definitive translation of Heidegger's most important work.

This textbook on how to read the Gospels well can stand on its own as a guide to reading this New Testament genre as Scripture. It is also ideally suited to serve as a supplemental text to more conventional textbooks that discuss each Gospel systematically. Most textbooks tend to introduce students to historical-critical concerns but may be less adequate for showing how the Gospel narratives, read as Scripture within the canonical framework of the entire New Testament and the whole Bible, yield material for theological reflection and moral edification. Pennington neither dismisses nor duplicates the results of current historical-critical work on the Gospels as historical sources. Rather, he offers critically aware and hermeneutically intelligent instruction in reading the Gospels in order to hear their witness to Christ in a way that supports Christian application and proclamation.

Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes us on a journey that looks at how ordinary people made music in Bach's Germany. Talle focuses in particular on the culture of keyboard playing as lived in public and private. As he ranges through a wealth of documents, instruments, diaries, account ledgers, and works of art, Talle brings a fascinating cast of characters to life. These individuals--amateur and professional performers, patrons, instrument builders, and listeners--inhabited a lost world, and Talle's deft expertise teases out the diverse roles music played in their lives and in their relationships with one another. At the same time, his nuanced re-creation of keyboard playing's social milieu illuminates the era's reception of Bach's immortal works.

"The author uses four basic categories of doctrine to help church leaders consider how and what to prioritize in doctrine and ministry, encouraging humility and grace along the way"--