Paulsen and his team of dogs endured snowstorms, frostbite, dogfights, moose attacks, sleeplessness, and hallucinations in the relentless push to go on. Map and color photographs.

A fox wonders how he should prepare for the coming winter, but what other animals advise will not work for him until another fox comes to his aid.

Covering more vertical feet of ice and mixed terrain than any guide in America, Winter Dance covers 300 routes from around Bozeman, the Absaroka-Beartooth Wilderness, to Cody. Presented in full color with 380 photos, many previously unpublished of historic first ascents, this guide traces the sport from some of the earliest, groundbreaking explorations through the continents most challenging traditional mixed climbs pioneered by the likes of Alex Lowe, Steve House, Todd Cozzens, Stan Price, Jack Tackle, Doug Chabot and more.

In the National Book Award longlist book This Side of Wild, Newbery Honor–winning author Gary Paulsen shares surprising true stories about his relationship with animals, highlighting their compassion, intellect, intuition, and sense of adventure. Gary Paulsen is an adventurer who competed in two Iditarods, survived the Minnesota wilderness, and climbed the Bighorns. None of this would have been possible without his truest companions: his animals. Sled dogs rescued him in Alaska, a sickened poodle guarded his well-being, and a horse led him across a desert. Through his interactions with dogs, horses, birds, and more, Gary has been struck with the belief that animals know more than we may fathom. His understanding and admiration of animals is well known, and in This Side of Wild, which has taken a lifetime to write, he proves the ways in which they have taught him to be a better person.

For a rugged outdoor man and his family, life in northern Minnesota is a wild experience involving wolves, deer, and the sled dogs that make their way of life possible. Includes an account of the author's first Iditarod, a dogsled race across Alaska.

In Big Apple Diaries, a heartfelt diary-style graphic memoir by Alyssa Bermudez, a young New Yorker doodles her way through middle school—until the September 11, 2001, terrorist attack leaves her wondering if she can ever be a kid again. It’s the year 2000 in New York City. For 12-year old Alyssa, a biracial Puerto Rican girl, this means all kinds of new challenges: splitting time between her dad's apartment in Manhattan and her mom's new place in Queens, navigating the ups and downs of middle school, harboring an epic crush on a new classmate, and figuring out how to be a "real" Puerto Rican. The only way to make sense of it all is to write and draw her thoughts and worries into her diary. Then life abruptly changes on September 11, 2001. After the Twin Towers fall and so many lives are lost, her concerns about gossip, crushes, and fashion feel distant and insignificant. Alyssa must find a new sense of self and purpose amidst all of the chaos, and find strength to move forward with hope. This moving graphic memoir is based on Alyssa Bermudez's own middle school diaries.

Gary Paulsen has owned dozens of unforgettable and amazing dogs, and here are his favorites--one to a chapter. Among them are Snowball, the puppy he owned as a boy in the Philippines; Ike, his mysterious hunting companion; Electric Fred and his best friend, Pig; Dirk, the grim protector; and Josh, one of the remarkable border collies working on Paulsen's ranch today. My Life in Dog Years is a book for every dog lover and every Paulsen fan--a perfect combination that shows vividly the joy and wisdom that come from growing up with man's best friend.

“Adrenaline-pumping . . . [A] polished action mystery . . . [with] dazzling Arctic sights.” —Marilyn Stasio, The New York Times Book Review Winner of the Macavity Award and the Anthony Award Murder on the Iditarod Trail is a gripping mystery set during Alaska’s world-famous Iditarod: a grueling eleven-hundred-mile dogsled race across hazardous Arctic terrain. It is an arduous sport, but not a deadly one. But suddenly the top Iditarod contestants are dying in bizarre ways: first a veteran musher smashes into a tree, then competitors begin turning up dead, with each murder more brutal than the last. State trooper Alex Jensen begins a homicide investigation, determined to track down the killer before more blood stains the pristine Alaskan snow. Meanwhile, Jessie Arnold, Alaska’s premier female musher, has a shot at winning for the first time. But as her position in the race improves, so do her chances of being the killer’s next target. As the mushers thread their way through the treacherous trails, Jessie and Jensen are drawn deep into the frozen heart of the perilous wild: where nature can kill as easily as a bullet and only the Arctic night can hear your final screams. “Engrossing . . . The howling winds, the snow, the ice, the dancing away from wolves, the crazing fatigue, the welcome heat and food, are almost palpable.” —Los Angeles Times Book Review “Excellent . . . well-paced, well-conceived, engrossing . . . moves along like a healthy, well-trained dog team.” —The Anchorage Times “A book that will give you a feel for how the Iditarod is . . . Sue Henry has a genius for characterization, plot, and setting.” —Mystery News

What does it take to become an Iditarod champion? Join mushing legend Martin Buser as he reveals his life's journey in candid and action-packed detail. Buser's story of self-discovery takes the reader with him on the adventures, misadventures, and lessons learned from his devoted relationship with canine friends. This riveting narrative shows what it means to be a real "dog man," but it also serves as a stirring tribute to the spirit of the Alaskan Husky.

The "red list" of Stephen Cushman's new volume of poetry is the endangered species register, and the book begins and ends with the bald eagle, a bird that bounded back from the verge of extinction. The volume marks the inevitability of such changes, from danger to safety, from certainty to uncertainty, from joy to sadness and back again. In a single poem that advances through wordplay and association, Cushman meditates on subjects as vast as the earth's fragile ecosystem and as small as the poet's own deflated fantasy of self-importance: "There aren't any jobs for more Jeremiahs." Simultaneously teasing the present and eulogizing what has been lost, Cushman speaks like a Shakespearean jester, freely and foolishly, but with penetrating insight.