Award-winning author and illustrator Christopher Wormell sinks his teeth into a new favorite subject-dinosaurs! Wings, Horns, & Claws is an affectionate pictorial tribute to those prehistoric animals, who grow with every turn of the page reinforcing the cognitive learning concept of size and proportion. Wormell's trademark beautiful woodcut illustrations are paired here with very detailed descriptions of his subjects. His unique vision and incredible artistry elevate this book above the crowd of volumes devoted to the Earth's coolest creatures. A great choice for kids and even adults who can't get enough of these prehistoric reptiles.

Forever fascinated with eye-popping illustrations of dinosaurs, children and parents a like will feast on Christopher Wormell's colorful interpretation of these creatures. With stunning linoleum prints, each page illustrates the basic concept of size for kids to easily grasp. In a new format this magnificent imagery is adapted for smaller hands and minds excited to explore and learn in a big way.

New York Times–Bestselling Author: A banshee and her boyfriend must stop the supply of a drug from the Netherworld before their friends are fatally hooked . . . Kaylee has one addiction: her very hot, very popular boyfriend, Nash. A banshee like Kaylee, Nash understands her like no one else. Nothing can come between them. Until something does. Demon breath. No, not the toothpaste-challenged kind. The Netherworld kind. The kind that really can kill you. Somehow the super-addictive substance has made its way to the human world. But how? Kaylee and Nash have to cut off the source and protect their friends—one of whom is already hooked. And so is someone else . . . Praise for the series “Fast-paced . . . with dollops of humor.” —Booklist “Plenty of paranormal thrills.” —Kirkus Reviews

Chinese myths were primarily a diffuse and fragmentary oral tradition, eventually preserved in writing only in a piecemeal fashion. Many classical texts are unavailable in translation, and the stories have been unknown to Western readers. Anne Birrell here introduces the general reader to a selection of narratives organized by themes and motifs that help set Chinese myths in the context of world mythology. The contents include: Origin and creation myths Myths of the flood The divine cosmos Gender in myth Metamorphoses Mythic heroes and heroines Fabled plants and animals Major sources of myth

Learn how to draw adorable manga- and anime-style illustrations, including popular chibi onesies and adorable kawaii critters, with step-by-step instructions. Open your sketch book and begin to doodle and create in your favorite anime styles with this step-by-step drawing instructional handbook for kawaii (cute) and chibi (small) people, animals, mystical creatures, food, and more. Just starting with illustrating? Drawing Chibi is the perfect guide for beginners and budding artists alike. Start with simple illustrations like an usagi (bunny), same (shark), and aisukurimu (ice cream) before moving on to fun, multi-step illustrations like the yosei (fairy), ninja, and (uber-popular) animal onesies. Each instructional series shows how to lay out the illustration, correctly size each element, then carefully draw each feature. Workbook-style pages adjoining each illustration provide a space for readers to try their hand at practicing each drawing multiple times.

The first comprehensive guide to Elizabethan ideas about the mind What is the mind? How does it relate to the body and soul? These questions were as perplexing for the Elizabethans as they are for us today—although their answers were often startlingly different. Shakespeare and his contemporaries believed the mind was governed by the humours and passions, and was susceptible to the Devil’s interference. In this insightful and wide-ranging account, Helen Hackett explores the intricacies of Elizabethan ideas about the mind. This was a period of turbulence and transition, as persistent medieval theories competed with revived classical ideas and emerging scientific developments. Drawing on a wealth of sources, Hackett sheds new light on works by Shakespeare, Marlowe, Sidney, and Spenser, demonstrating how ideas about the mind shaped new literary and theatrical forms. Looking at their conflicted attitudes to imagination, dreams, and melancholy, Hackett examines how Elizabethans perceived the mind, soul, and self, and how their ideas compare with our own.

Woodworking fun for carvers, scroll sawers, and wood burners Highly imaginative projects, perfect for either display or gifts Each project can be completed in just one weekend Full-size patterns, step-by-step photos, material/tool lists, and painting guides

The Georgics has for many years been a source of fierce controversy among scholars of Latin literature. Is the work optimistic or pessimistic, pro- or anti-Augustan? Should we read it as a eulogy or a bitter critique of Rome and her imperial ambitions? This book suggests that the ambiguity of the poem is the product of a complex and thorough-going engagement with earlier writers in the didactic tradition: Hesiod, Aratus and - above all - Lucretius. Drawing on both traditional, philological approaches to allusion, and modern theories of intertextuality, it shows how the world-views of the earlier poets are subjected to scrutiny and brought into conflict with each other. Detailed consideration of verbal parallels and of Lucretian themes, imagery and structural patterns in the Georgics forms the basis for a reading of Virgil's poem as an extended meditation on the relations between the individual and society, the gods and the natural environment.

Drawing together strands of film theory and psychology, this book offers a fresh assessment of the found footage horror subgenre. It reconceptualizes landmark films--including The Blair Witch Project (1999), Cloverfield (2008), Paranormal Activity (2009), and Man Bites Dog (1992)--as depictions of the lived experience and social legacy of psychological trauma. The author demonstrates how the frantic cinematography and ambiguous formulation of the monster evokes the shocked and disoriented cognition of the traumatized mind. Moreover, the frightening effect of trauma on society is shown to be a recurring theme across the subgenre. Close textual analysis is given to a wide range of films over several decades, including titles that have yet to receive any academic attention. Divided into four distinct sections, the book examines how found footage horror films represent the effects of historical and contemporary traumatic events on Western societies, the vicarious spread of traumatic experiences via mass media, the sublimation of domestic abuse into haunted houses, and the viewer's identification with the monster as an embodiment of perpetrator trauma.