"A gripping tale of suspense, secrets, and the unbreakable bonds of sisterhood." —Karen M. McManus, #1 New York Times bestselling author of One of Us Is Lying If you loved The Twin and One of Us Is Lying, get ready for a heart-wrenching psychological thriller about a girl who knows her twin sister better than anyone . . . or does she? Taut and atmospheric, The Window will keep you guessing until the end. Secrets have a way of getting out. . . . Anna is everything her identical twin is not. Outgoing and athletic, she is the opposite of quiet introvert Jess. The same on the outside, yet so completely different inside—it's hard to believe the girls are sisters, let alone twins. But they are. And they tell each other everything. Or so Jess thought. After Anna falls to her death while sneaking out her bedroom window, Jess's life begins to unravel. Everyone says it was an accident, but to Jess, that doesn't add up. Where was Anna going? Who was she meeting? And how long had Anna been lying to her? Jess is compelled to learn everything she can about the sister she thought she knew. At first it's a way to stay busy and find closure . . . but Jess soon discovers that her twin kept a lot of secrets. And as she digs deeper, she learns that the answers she's looking for may be truths that no one wants her to uncover. Because Anna wasn't the only one with secrets. "Layered and compelling, The Window is a fast-paced mystery anchored by a bold and intriguing protagonist, and you won’t want to put it down until you’ve uncovered every last one of its secrets!" —Caleb Roehrig, author of Last Seen Leaving "Lyrical and haunting, with plenty of twists that kept me reading long into the night.” —Kara Thomas, author of The Darkest Corners

In this text a mother and baby look through a window at a wilderness. With each page the boy grows and the scene changes, by the time he is 20 the view is of a city. He gets married and has a child and moves to the country, where father and child look through the window at the wilderness outside.

Drawing on extensive interviews with ninety-four women prisoners, Megan Sweeney examines how incarcerated women use available reading materials to come to terms with their pasts, negotiate their present experiences, and reach toward different futures. Foregrounding the voices of African American women, Sweeney analyzes how prisoners read three popular genres: narratives of victimization, urban crime fiction, and self-help books. She outlines the history of reading and education in U.S. prisons, highlighting how the increasing dehumanization of prisoners has resulted in diminished prison libraries and restricted opportunities for reading. Although penal officials have sometimes endorsed reading as a means to control prisoners, Sweeney illuminates the resourceful ways in which prisoners educate and empower themselves through reading. Given the scarcity of counseling and education in prisons, women use books to make meaning from their experiences, to gain guidance and support, to experiment with new ways of being, and to maintain connections with the world.

What do you see from your window? This #OwnVoices picture book from Brazil offers a firsthand view of what children growing up in the favelas of Rio de Janeiro see every day. A vibrant and diverse celebration of urban community living, brought to life by unique, colorful illustrations that juxtapose brick buildings with lush jungle plants.

What could be more fun than a train ride--the excitement of going places, the rhythmic sounds of the train clattering down the tracks, and the vivid window music of passing scenery. This books capture the spirit of a train ride--from sky-high bridges to deep valleys to rolling vineyards to the lights of a distant city.

An exceptional guide to window coverings featuring more than 1000 photographs and illustrations, The Window Decorating Book is both unique and compelling in covering the scope of window products available on the market today. You will be encouraged to explore and consider all of your options, including sections on specifications and fabric quantities, should you wish to do so. The Window Decorating Book not only provides an inspiring visual catalog of ways to use draperies, blinds, shades, and shutters imaginatively, but also delves into the details; providing vital information on the pros and cons of various products, and how to choose fabrics and treatments that create the right atmosphere for any room of the house.

From the Renaissance idea of the painting as an open window to the nested windows and multiple images on today's cinema, television, and computer screens: a cultural history of the metaphoric, literal, and virtual window. As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices—"windows" full of moving images, texts, and icons—how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective—Alberti's metaphorical window—has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple 'windows' coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.

Distinguished by its lyricism, depth of emotion, its metaphysical bent and the colour and wide range of reference in its imagery, The Fifth Window, opens up new vistas of language and experience. The landscape and climate of Vancouver and the BC coast imbue this collection with a spiritual and physical immediacy and energy. The area’s trees, mountains, rivers, creeks and rain inform an ecstatic vision in which the psyche and natural world meet and become one.

THE FANTASY BOOKTOK SENSATION! For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking. Elspeth needs a monster. The monster might be her. Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets. But nothing comes for free, especially magic. When Elspeth meets a mysterious highwayman on the forest road, her life takes a drastic turn. Thrust into a world of shadow and deception, she joins a dangerous quest to cure the kingdom of the dark magic infecting it. Except the highwayman just so happens to be the King’s own nephew, Captain of the Destriers…and guilty of high treason. He and Elspeth have until Solstice to gather twelve Providence Cards—the keys to the cure. But as the stakes heighten and their undeniable attraction intensifies, Elspeth is forced to face her darkest secret yet: the Nightmare is slowly, darkly, taking over her mind. And she might not be able to stop him.