"The design of the CD covers of the Munich label ECM is as unique as its music. Over the course of forty years a body of artwork has developed whose coherence rests upon the individuality and forceful ambiguity of each and every motif ...This volume presents the covers that have been created since [1996]. These covers, which are mainly photographic works, are arranged here in the form of a visual score that invites personal interpretartions and individual discoveries"--Publisher's description.

Windfall is the boldest profile of the world’s energy resources since Daniel Yergin’s The Quest, asserting that the new energy abundance—due to oil and gas resources once deemed too expensive—is transforming the geo-political order and is boosting American power. “Riveting and comprehensive...a smart, deeply researched primer on the subject.” —The New York Times Book Review As a new administration focuses on driving American energy production, O’Sullivan’s “refreshing and illuminating” (Foreign Policy) Windfall describes how new energy realities have profoundly affected the world of international relations and security. New technologies led to oversupplied oil markets and an emerging natural gas glut. This did more than drive down prices—it changed the structure of markets and altered the way many countries wield power and influence. America’s new energy prowess has global implications. It transforms politics in Russia, Europe, China, and the Middle East. O’Sullivan considers the landscape, offering insights and presenting consequences for each region’s domestic stability as energy abundance upends traditional partnerships, creating opportunities for cooperation. The advantages of this new abundance are greater than its downside for the US: it strengthens American hard and soft power. This is “a powerful argument for how America should capitalise on the ‘New Energy Abundance’” (The Financial Times) and an explanation of how new energy realities create a strategic environment to America’s advantage.

The story of several generations of a family, as seen through the wonderings and wanderings of it youngest daughter; uses dreams, stories, trips, journals, and letters to trace the power of commitments and consciousness, memory and forgetting, reality and dream, mythology and religion, and mental illness and vision. As the Arthur family gathers to hold a vigil beside the dying father, James, their voices drift in and out over 80 years and two continents to recall their individual lives, as Yvonne, the narrator, discovers her final role.

This romantic story of hope, chance, and change from the author of The Statistical Probability of Love at First Sight is one JENNY HAN says is filled with all of her "favorite things," MORGAN MATSON calls “something wonderful” and STEPHANIE PERKINS says “is rich with the intensity of real love.” Alice has never believed in luck, but that doesn’t stop her from rooting for love. After pining for her best friend Teddy for years, she jokingly gifts him a lottery ticket—attached to a note professing her love—on his birthday. Then, the unthinkable happens: he actually wins. At first, it seems like the luckiest thing on earth. But as Teddy gets swept up by his $140 million windfall and fame and fortune come between them, Alice is forced to consider whether her stroke of good fortune might have been anything but. She bought a winning lottery ticket. He collected the cash. Will they realize that true love’s the real prize? Featured in Seventeen Magazine's "What's Hot Now" “Windfall is about all of my favorite things—a girl’s first big love, her first big loss, and—her first big luck.” —JENNY HAN, New York Times bestselling author of To All the Boys I’ve Loved Before “Windfall is perfectly named; reading it, I felt like I had suddenly found something wonderful.” —MORGAN MATSON, New York Times bestselling author of The Unexpected Everything “Windfall is rich with the intensity of real love— in all its heartache and hope.” —STEPHANIE PERKINS, New York Times bestselling author of Isla and the Happily Ever After "If you’re looking for your next great read, then you’re in 'luck!'" —Justine Magazine

Highly original and theoretically wide-ranging, this book offers new insights into the origins of poetry. Working with much of the significant primary and secondary literature in psychoanalysis, particularly the theories of Julia Kristeva, the book skillfully sketches out a psychoanalytically enhanced theory of poetics through close readings of the works of Dylan Thomas. Through an intense dialogue with pivotal poems, it offers a "subjectivist" theory of poetic language, one that focuses on the interrelation between meaning and subjectivity in the dynamics of the poetic text. In this scheme, the "genesis of the speaking subject" is held to be a reenactment of old and new fantasies of origins, the reality of which is inaccessible to us—buried, as it were, "below time." Among these fantasies, the author also recognizes the psychoanalytic fantasy of origins that guides her own project.

"For the past thirty years, Mr. and Mrs. Jha's lives have been defined by cramped spaces, cut corners, gossipy neighbors, and the small dramas of stolen yoga pants and stale marriages. They thought they'd settled comfortably into their golden years, pleased with their son's acceptance into an American business school. But then Mr. Jha comes into an enormous and unexpected sum of money, and moves his wife from their housing complex in East Delhi to the super-rich side of town, where he becomes eager to fit in as a man of status"--]cProvided by publisher.