(Harp). Feelin' groovy? Sylvia Woods' spiffy collection of 40 songs from the 1960s will inspire you to put on your embroidered bell-bottoms and wear some flowers in your hair. Some of the pieces can be played by beginning harp players, but most are at advanced beginner to intermediate levels. Fingerings, lyrics and chord symbols are included. Pieces are in C or sharp keys, and can be played on either lever or pedal harp. About half of the songs do not have any lever changes within the pieces. 96 pages, spiral-bound. Includes TV and movie themes, and music by: Burt Bacharach and Hal David; Bob Dylan; Tony Hatch; Justin Hayward; Mick Jagger and Keith Richards; Gerard Marsden; John Phillips; Nino Rota; John Sebastian; Paul Simon; Jerry Jeff Walker; Brian Wilson; and more. Includes songs made popular by: The Animals; The Association; The Beach Boys; Jimmy Clanton; Petula Clark; Judy Collins; Donovan; Bob Dylan; The Fifth Dimension; Jerry and the Pacemakers; The Lovin' Spoonful; Joni Mitchell; The Moody Blues; The Nitty Gritty Dirt Band; Peter, Paul and Mary; Elvis Presley; The Rolling Stones; Simon and Garfunkel; The Turtles; Dionn Warwick; The Youngbloods; and others. Playable on lever harps and pedal harps.

Harp

(Harp). Nearly two dozen favorites, including: Evergreen * From This Moment On * Lady * Let It Be Me * Never My Love * Send in the Clowns * Sunrise, Sunset * The Prayer * The Rose * The Wind Beneath My Wings * Through the Eyes of Love * and more. Playable on lever harps and pedal harps.

(Instrumental Folio). Flutists will love this giant collection of 130 popular solos! Includes: Another One Bites the Dust * Any Dream Will Do * Bad Day * Beauty and the Beast * Breaking Free * Clocks * Edelweiss * God Bless the U.S.A. * Heart and Soul * I Will Remember You * Imagine * Na Na Hey Hey Kiss Him Goodbye * Satin Doll * United We Stand * You Raise Me Up * and dozens more!

**WINNER of the 2018 Sami Rohr Prize for Jewish Literature and the 2018 Sophie Brody Medal for achievement in Jewish literature** **2018 Natan Book Award Finalist** **Finalist for the 2017 National Jewish Book Award in Women's Studies ** The Wall Street Journal: "There is humor and heartbreak in these pages...Ms. Kurshan immerses herself in the demands of daily Talmud study and allows the words of ancient scholars to transform the patterns of her own life." The Jewish Standard:“Brilliant, beautifully written, sensitive, original." The Jerusalem Post:"A beautiful and inspiring book. Both religious and secular readers will find themselves immensely moved by [Kurshan's] personal story.” American Jewish World: “So engrossing I hardly could put it down.” At the age of twenty-seven, alone in Jerusalem in the wake of a painful divorce,Ilana Kurshan joined the world’s largest book club, learning daf yomi, Hebrew for“daily page” of the Talmud, a book of rabbinic teachings spanning about six hundredyears. Her story is a tale of heartache and humor, of love and loss, of marriageand motherhood, and of learning to put one foot in front of the other by turningpage after page. Kurshan takes us on a deeply accessible and personal guided tourof the Talmud. For people of the book—both Jewish and non-Jewish—If All theSeas Were Ink is a celebration of learning, through literature, how to fall in loveonce again.

"Conceived by the poet and artist Alec Finlay, this beautiful first volume of images of cloud formations is borne out of the numerous contributions, made by amateurs and enthusiasts alike, to a slide archive housed at the BALTIC Centre for Contemporary Art in Gateshead. Originally inspired by the Japanese poet Basho, who compares a journey he made to being drawn like a 'wind blown cloud', this book presents colour slides taken from the archive. The images come from all across the globe, reminding us that 'we all live under the same sky'."--Artist's website.

Excerpt from Wind-Harp Songs Songs of my winged-thoughts, of life, nature, love, and liberty; composed not for the public, but my own pleasure, - on the plains, in the forest, in the wake of the plow, on horseback, on the crowded street, by the bedside of death, in the storm, the silence of midnight, and when the face of the God of Morning blushed through the golden tresses of Dawn. The fire burned within, the flames sang, and the free winds fanned them to music. From the harp of fire, with the wind's touch, came these, and the writing of them was my joy and easement. I have no apology. Poetry is not to be excused. Like music it is a glory or an offence. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.