Willy Ronis curated and commentated on the iconic images featured in this beautiful volume that retraces his career and contributions to photography and photojournalism. A key figure in twentieth-century photography, Willy Ronis conveyed the poetic reality of postwar Paris and Provence in iconic black-and-white photographs. Influenced by Alfred Stieglitz and Ansel Adams, and amicable with his contemporary Magnum photographers, Ronis was the first French photographer to contribute to Life magazine. In the 1950s, MoMA curator Edward Steichen featured Ronis—along with Henri Cartier-Bresson, Robert Doisneau, and Brassaï—in the groundbreaking exhibitions The Family of Man and Five French Photographers. Throughout his life, this powerhouse of humanist photography kept meticulous records of his work, curating each era into albums, which are reproduced here for the first time. Timeless photographs of postwar France and its inhabitants are accompanied by the photographer’s original observations and comments, framing the images within their technical and historical context. Photography historian Matthieu Rivallin’s critical perspective adds nuance to the photographer’s notes, and the ensemble is a groundbreaking and definitive reference on the myriad aspects of the artists’ immense career and an essential volume for all photography aficionados.

A wonderful and humorous recreation of 120 iconic images covering over 150 years of the history of photography.

This innovative volume is the first to provide the design student, practitioner, and educator with an invaluable comprehensive reference of visual and narrative material that illustrates and evaluates the unique and important history surrounding graphic design and architecture. Graphic Design and Architecture, A 20th Century History closely examines the relationship between typography, image, symbolism, and the built environment by exploring principal themes, major technological developments, important manufacturers, and pioneering designers over the last 100 years. It is a complete resource that belongs on every designer’s bookshelf.

The first major publication on O'Sullivan in more than 30 years, this book offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon.

With her sensitive approach, her power of persuasion, and her astonishing persistence, Tina Ruisinger has succeeded in creating wonderful portraits of outstanding personalities who, having spent their lives behind the camera, are often extremely reluctant to expose themselves to the probing lens of a fellow photographer. These are artists whose works are etched in our memories but whose faces and life stories are largely unknown to most people. Tina Ruisinger photographed most of these photographers in their own private surroundings and interviewed most of them about their life and work. Complemented by the photographer's personal recollections of these encounters, the memorable words of her subjects underscore the intimacy and the intimate quality of these photographic portraits.

"Over a period of three days in 1956, a young photographer, Roger Mayne, explored Southam Street, North Kensington, and photographed the children and street life. This London back street became his stalking ground for five years, resulting in one of the great social documents of the era. In 1963 the street and the surrounding area was declared unfit for habitation. By 1969 it had been demolished. Roger Mayne recorded the newly arrived immigrants and the vitality of the street culture. The pictures represent a vanished age, in which child's play, though rumbustious, is marked by innocence. Behind the poverty lay cherished community values which vanished alongside the demolished fabric of the neighbourhood." "Colin MacInnes, whose novel Absolute Beginners described Notting Hill in that period so accurately, praised Mayne's work. His pictures appeared on numerous Penguin book-jackets during the sixties. After the birth of his own children, he continued to photograph in the privacy of his family. He was much influenced by his friends among the painters of St. Ives. For years he has photographed in the Mediterranean and in the landscape of the West Country near his home in Lyme Regis. He is admired by photographers as diverse as Bruce Weber and Don McCullin, and is regarded as one of the masters of British photography."--Jacket.

New from Magnum Photos member Harry Gruyaert, a collection of photographs of airports and people in transit. Alongside American photographers such as Saul Leiter, Joel Meyerowitz, Stephen Shore, and William Eggleston, Harry Gruyaert became one of the first European pioneers to explore the creative possibilities of color photography in the 1970s and 1980s. The previous decades had elevated black-and-white photography to the realms of art, relegating the use of color to advertising, press, and illustration. Gruyaert’s work suggested new territory for color photography: an emotive, nonnarrative, and boldly graphic way of perceiving the world. Harry Gruyaert: Last Call highlights the photographer’s signature ability to seamlessly weave texture, light, color, and architecture into a single frame with his photographs taken at airports. These photographs beautifully record these liminal, yet reliably inhabited spaces in a striking and sometimes surprising fashion.

Judge Falcone, who led the war against the Mafia in Italy, was assassinated with his wife and three bodyguards in a car-bomb explosion in May 1992 - just as he was to be given powers to investigate the organization nationally. Written the previous year, this is his account of the Mafia.