In 1808 Sir Arthur Wellesley (later the Duke of Wellington) inflicted a major defeat on Napoleon's forces at the battle of Vimiero, but promptly signed an armistice and convention (negotiated by Sir Hew Dalrymple with General Junot). The Convention permitted the evacuation of the latter's defeated army from Portugal to Bayonne - along with its equipment and its plunder. This disgraceful Convention was regarded by the people of Britain - government ministers excepted - as a betrayal of Britain's allies, Portugal and Spain. Some of the troops repatriated under this agreement fought against Sir John Moore's expeditionary force the following year, forcing his evacuation from northern Spain. Wordsworth's enormous pamphlet on the betrayal of the Iberian patriots by Britain's officer class is one of the most remarkable political documents produced by a Romantic poet. Here the text of W J B Owen's 1968 edition is republished for the bicentennial, with a critical symposium by Richard Gravil, Simon Bainbridge, David Bromwich, Timothy Michael and Patrick Vincent.

In 1808 Sir Arthur Wellesley (later the Duke of Wellington) inflicted a major defeat on Napoleon's forces at the battle of Vimiero, but promptly signed an armistice and convention (negotiated by Sir Hew Dalrymple with General Junot). The Convention permitted the evacuation of the latter's defeated army from Portugal to Bayonne - along with its equipment and its plunder. This disgraceful Convention was regarded by the people of Britain - government ministers excepted - as a betrayal of Britain's allies, Portugal and Spain. Some of the troops repatriated under this agreement fought against Sir John Moore's expeditionary force the following year, forcing his evacuation from northern Spain. Wordsworth's enormous pamphlet on the betrayal of the Iberian patriots by Britain's officer class is one of the most remarkable political documents produced by a Romantic poet. Here the text of W J B Owen's 1968 edition is republished for the bicentennial, with a critical symposium by Richard Gravil, Simon Bainbridge, David Bromwich, Timothy Michael and Patrick Vincent.

The Oxford Handbook of William Wordsworth deploys its forty-seven original essays to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. In addition to twenty-two essays wholly on Wordsworth's poetry, other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion, and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship.

DigiCat Publishing presents to you this special edition of "The Prose Works of William Wordsworth" (For the First Time Collected, With Additions from Unpublished Manuscripts. In Three Volumes) by William Wordsworth. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Volume 1 of The Prose Works of William Wordsworth, as edited by W J B Owen and Jane W Smyser. This is a print version of the new, searchable, navigable, electronic edition of this standard work. Compared with the original Clarendon edition, this one has two advantages: textual notes are more clearly separated and are columnized; and the existence of editorial commentary is indicated by marginal symbols in the text (in the ebook, of course, these symbols are hyperlinked to the commentary). While colour is used in the preview, as in the ebook, the print in the paperback is black and white. The Contents include Wordsworth's famous poetical manifesto, the 'Preface to Lyrical Ballads', his Jacobinical defence of political terror in 'A Letter to the Bishop of Llandaff; and an impassioned intervention in the peninsular wars, protesting at British betrayal of Portuguese and Spanish allies at the Convention of Cintra.

The book includes the Jacobin A Letter to the Bishop of Llandaff (1793), infused with the doctrines of Tom Paine; the liberal republican 'prose poem' The Convention of Cintra (1809), the Tory apologetics of Two Addresses to the Freeholders of Westmoreland (1818), and the welfare-state philosophy of the 1835 Postscript in which Wordsworth married the Coleridgean concept of a society leavened by its 'clerisy' to a devastating critique of laissez-faire 'political economy'. The extensive commentary provided by Owen & Smyser to these texts has been converted to footnotes for ease of use.

In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life--1770 to 1850--tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.