"Superb....[A] richly researched, passionately written book."--William E. Cain, Boston Globe Widely acknowledged as the definitive history of the era, Henry Mayer's National Book Award finalist biography of William Lloyd Garrison brings to life one of the most significant American abolitionists. Extensively researched and exquisitely nuanced, the political and social climate of Garrison's times and his achievements appear here in all their prophetic brilliance. Finalist for the National Book Award, winner of the J. Anthony Lucas Book Prize, winner of the Commonwealth Club Silver Prize for Nonfiction.

Profiles the life and work of the abolitionist and journalist who published his beliefs about antislavery.

The story of the fascinating, fraught alliance among Frederick Douglass, William Lloyd Garrison, and Maria Weston Chapman—and how its breakup led to the success of America’s most important social movement. “Fresh, provocative and engrossing.” —New York Times In the crucial early years of the Abolition movement, the Boston branch of the cause seized upon the star power of the eloquent ex-slave Frederick Douglass to make its case for slaves’ freedom. Journalist William Lloyd Garrison promoted emancipation while Garrison loyalist Maria Weston Chapman, known as “the Contessa,” raised money and managed Douglass’s speaking tour from her Boston townhouse. Conventional histories have seen Douglass’s departure for the New York wing of the Abolition party as a result of a rift between Douglass and Garrison. But, as acclaimed historian Linda Hirshman reveals, this completely misses the woman in power. Weston Chapman wrote cutting letters to Douglass, doubting his loyalty; the Bostonian abolitionists were shot through with racist prejudice, even aiming the N-word at Douglass among themselves. Through incisive, original analysis, Hirshman convinces that the inevitable breakup was in fact a successful failure. Eventually, as the most sought-after Black activist in America, Douglass was able to dangle the prize of his endorsement over the Republican Party’s candidate for president, Abraham Lincoln. Two years later the abolition of slavery—if not the abolition of racism—became immutable law.

Garrison signaled the importance of these ties to his movement with the well-known cosmopolitan motto he printed on every issue of his famous newspaper, The Liberator: "Our Country is the World--Our Countrymen are All Mankind." That motto serves as an impetus for McDaniel's study, which shows that Garrison and his movement must be placed squarely within the context of transatlantic mid-nineteenth-century reform. Through exposure to contemporary European thinkers--such as Alexis de Tocqueville, Giuseppe Mazzini, and John Stuart Mill--Garrisonian abolitionists came to understand their own movement not only as an effort to mold public opinion about slavery but also as a measure to defend democracy in an Atlantic World still dominated by aristocracy and monarchy. While convinced that democracy offered the best form of government, Garrisonians recognized that the persistence of slavery in the United States revealed problems with the political system.

"This guide lists the numerous examples of government documents, manuscripts, books, photographs, recordings and films in the collections of the Library of Congress which examine African-American life. Works by and about African-Americans on the topics of slavery, music, art, literature, the military, sports, civil rights and other pertinent subjects are discussed"--

Ladies and Gentlemen: An earnest espousal of the Anti-Slavery cause for a quarter of a century, under circumstances which have served in a special manner to identify my name and labours with it, will shield me from the charge of egotism, in assuming to be its exponent—at least for myself—on this occasion. All that I can compress within the limits of a single lecture, by way of its elucidation, it shall be my aim to accomplish. I will make a clean breast of it. You shall know all that is in my heart pertaining to Slavery, its supporters, and apologists.

America's legal consciousness was high during the era that saw the imprisonment of abolitionist editor William Lloyd Garrison, the execution of slave revolutionary Nat Turner, and the hangings of John Brown and his Harpers Ferry co-conspirators. Jeannine Marie DeLombard examines how debates over slavery in the three decades before the Civil War employed legal language to "try" the case for slavery in the court of public opinion via popular print media. Discussing autobiographies by Frederick Douglass, a scandal narrative about Sojourner Truth, an abolitionist speech by Henry David Thoreau, sentimental fiction by Harriet Beecher Stowe, and a proslavery novel by William MacCreary Burwell, DeLombard argues that American literature of the era cannot be fully understood without an appreciation for the slavery debate in the courts and in print. Combining legal, literary, and book history approaches, Slavery on Trial provides a refreshing alternative to the official perspectives offered by the nation's founding documents, legal treatises, statutes, and judicial decisions. DeLombard invites us to view the intersection of slavery and law as so many antebellum Americans did--through the lens of popular print culture.