The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson's experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders. Demonstrating how his work is both of his time and 'untimely', Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.

The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson's experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders. Demonstrating how his work is both of his time and 'untimely', Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.

The Derelict is a short story by William Hope Hodgson, first published in 1912. An elderly ship's doctor recounts a strange event that happened to him some years earlier, in the context of discussing his ideas about a fundamental life force that can manifest itself in the presence of proper materials. While sailing as a passenger, a sudden storm disables the ship. In the aftermath, a derelict vessel is discovered. Excerpt: "'Seen anything of Carnacki lately?' I asked Arkright when we met in the City. 'No,' he replied. 'He's probably off on one of his jaunts. We'll be having a card one of these days inviting us to No. 472, Cheyne Walk, and then we'll hear all about it. Queer chap that.'"

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Jessop is the only survivor of the final voyage of the Mortzestus, rescued from drowning by the crew of the passing Sangier. He begins to recount how he came to be aboard the ill-fated Mortzestus, the rumors surrounding the vessel and the unusual events that rapidly increase in both frequency and severity. He describes his confusion and uncertainty about what he believes he has seen, at times fearing for his own sanity.

Embark on a thrilling maritime adventure with "The Boats of the Glen Carrig" by William Hope Hodgson. This gripping novel takes readers on a perilous journey through treacherous waters and encounters with unimaginable horrors. As Hodgson unfurls his tale of maritime terror, questions arise: What mysteries lie hidden within the depths of the sea? And what dangers await the crew of the Glen Carrig as they navigate the unknown? Experience the suspense and excitement of Hodgson's storytelling as he leads readers through a world of nautical nightmares. Each chapter is filled with tension, terror, and spine-tingling encounters that will keep you on the edge of your seat. But beyond the horror lies a deeper truth: "The Boats of the Glen Carrig" is more than just a tale of maritime adventure—it's a meditation on the fragility of human life and the resilience of the human spirit in the face of unimaginable adversity. Prepare to be swept away by the chilling atmosphere and gripping narrative of "The Boats of the Glen Carrig." William Hope Hodgson's masterful prose will transport you to the eerie depths of the sea, where every shadow hides a new terror. Indulge in the richness of Hodgson's imagination as you journey through the pages of "The Boats of the Glen Carrig." Through his vivid descriptions and haunting imagery, you'll gain a new appreciation for the mysteries and wonders of the ocean. Are you ready to confront the horrors that lurk beneath the waves? Dive into "The Boats of the Glen Carrig" now and experience a tale of maritime terror that will haunt your dreams long after the final page is turned. Don't miss your chance to experience the thrills and chills of "The Boats of the Glen Carrig." Order your copy today and prepare to embark on a journey into the darkest depths of the sea. ```

From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"This to be Love, that your spirit to live in a natural holiness with the Beloved, and your bodies to be a sweet and natural delight that shall be never lost of a lovely mystery.... And shame to be unborn, and all things to go wholesome and proper, out of an utter greatness of understanding; and the Man to be an Hero and a Child before the Woman; and the Woman to be an Holy Light of the Spirit and an Utter Companion and in the same time a glad Possession unto the Man.... And this doth be Human Love...." "...for this to be the especial glory of Love, that it doth make unto all Sweetness and Greatness, and doth be a fire burning all Littleness; so that did all in this world to have met The Beloved, then did Wantonness be dead, and there to grow Gladness and Charity, dancing in the years."

As we move through the 21st century, the importance of science fiction to the study of English Literature is becoming increasingly apparent. The Science Fiction Handbook provides a comprehensive guide to the genre and how to study it for students new to the field. In particular, it provides detailed entries on major writers in the SF field who might be encountered on university-level English Literature courses, ranging from H.G. Wells and Philip K. Dick, to Doris Lessing and Geoff Ryman. Other features include an historical timeline, sections on key writers, critics and critical terms, and case studies of both literary and critical works. In the later sections of the book, the changing nature of the science fiction canon and its growing role in relation to the wider categories of English Literature are discussed in depth introducing the reader to the latest critical thinking on the field.

Presents a collection of stories from the "new weird" genre--a overlap of science fiction, fantasy, and horror--from some of its well-known writers, along with commentaries and a story featuring emerging authors within the genre.

"Chick Bassist is utterly savage. Lockhart's style waxes poetic as a modern Beat giving us a glimpse into Rock & Roll hell." - Laird Barron, Shirley Jackson Award-winning author of Occultation and The Croning Erin Locke, the Queen of Rock, wakes up at the crack of noon. "La Cucaracha" has infested her dream, and now echoes through her hotel room. "What the fuck is that?" Erin's voice is muffled by the thick blankets that completely cover her. Beside the lump that is Erin lies a black Ibanez bass guitar. A Heroes for Goats sticker adorns its reflective surface. Erin thrusts one arm out from beneath the blankets and fumbles for the nonexistent alarm clock. She's still slogging off fragments of her dream, that goddamn recurrent creep-out where she's a praying mantis, translucent green, perched on the crest of a burning city, devouring her still-copulating preymate. This time her meal had worn her father's face. Those dreams were the worst. Chick Bassist welcomes you into punk rock hell, the friendless disillusionment of waking up in a shitty motel room in California with half a joint and an empty six-pack, radio blaring Lou Reed, concrete ocean on all sides and a blazing inferno within.