This publication serves as a primer on the work of William Henry Fox Talbot, a true interdisciplinary innovator who drew on his knowledge of art, botany, chemistry and optics to become one of the inventors of photography in 1839. Talbot?s 'photogenic drawings' (photograms), calotypes and salted paper prints are some of the first-ever examples of images captured on paper.0This book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer's early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot's fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.00Exhibition: Carnegie Museum of Art, Pittsburgh, United States (18.11.2017 - 11.02.2018).

DigiCat Publishing presents to you this special edition of "The Pencil of Nature" by William Henry Fox Talbot. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

First Photographs is an eyewitness to the origins of modern photography. This book - the only monograph on Talbot to be supported by the curator of the Fox Talbot Museum - includes many never-before-published images of landscapes, architectural studies, and portraiture from Talbot's personal archive and selections from his detailed research notebooks made during the 1830s and 1840s, currently housed at the Fox Talbot Museum at Lacock Abbey in Chippenham, England. In addition to his technological contributions, Talbot's own photographs represent exceptional and prescient artistic achievement. Arthur Ollman, director of the Museum of Photographic Arts, San Diego, contributes an innovative analysis of both the aesthetic and social significance of Talbot's first photographic image, the "Oriel Window," through a remarkable evocation of Talbot's late-life reflection one sunny afternoon beneath his window in Lacock Abbey. Curator Carol McCusker considers how the women of the Lacock household influenced Talbot's aesthetic choices. First Photographs also includes a biography and timeline of Talbot's eventful life and revolutionary work by the preeminent Talbot scholar Michael Gray.

The father of modern photography, William Henry Fox Talbot (1800-77) developed the process by which photographic images could be reproduced, but he has yet to be sufficiently appreciated as a photographer in his own right. Over his photographic career he made more than 5,000 images which included fascinating pictures of his home Lacock Abbey, portraits of his family and friends, and still-lifes of botanical specimens, cloth and household objects. A key intellectual figure of the nineteenth century working in science, mathematics, astronomy, politics and archaeology, he is arguably the most important figure in the invention of photography. His practice established many of the medium's most familiar genres and he was devoted to the the advancement of photography, publishing the first photographically illustrated book, The Pencil of Nature, in 1844-46 to reveal the potential of the medium to a wider audience. This monograph features many of Talbot's best-known landscapes made around Lacock Abbey and some of the first negatives of the ever made, but it also includes lesser-known and previously unpublished work that reveals the extraordinary diverse scope of his work. His photographs reflect and embody the social and cultural issues of the time, but they are also fascinating, often beautiful, images that are still engaging today.

"The Pencil of Nature" is a book by William Henry Fox Talbot, famous for being the first commercially published book to be illustrated with photographs. The book was the first opportunity for the public to see what a photograph is, and it made big waves in the society of its time. It will be incredibly interesting to people studying the history of photography or anyone curious about what the first book with photographs looked like.

As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.

William Henry Fox Talbot (1800-1877) was a British pioneer in photography, yet he also embraced the wider preoccupations of the Victorian Age--a time that saw many political, social, intellectual, technical, and industrial changes. His manuscripts, now in the archive of the British Library, reveal the connections and contrasts between his photographic innovations and his investigations into optics, mathematics, botany, archaeology, and classical studies. Drawing on Talbot's fascinating letters, diaries, research notebooks, botanical specimens, and photographic prints, distinguished scholars from a range of disciplines, including historians of science, art, and photography, broaden our understanding of Talbot as a Victorian intellectual and a man of science. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art

Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.

"Focuses on Talbot's ambitions for the mystical blend of science and art ... as outlined in his classic volume 'The pencil of nature'"--Bk. jacket.