Annie & Dan were the perfect couple. But now they feel more like flatmates than soul mates & wonder where all the fun went. When Annie lands her big break in a smash-hit show that's heading for the bright lights of Broadway, she's over the moon. But with their relationship on the rocks, how will Annie & Dan survive the distance?

Jeremy Fernando's prose - or perhaps we should say, poetry - builds effortlessly on the traces of deconstructive thought, feminist insights, and transgressive English literature. Being itself only hesitantly devoted to the conventions of academic writing, Fernando manages to show that faith and loyalty, but also doubt and disloyalty, are always co-operative in what is often too hastily expressed with the simple phrase "I love you." In doing so, Fernando's writing captures the essentially beautiful aspect of the hopeful awaiting and the necessary blindness that love, as well as such a writing, engenders, as it seeks to open up to the mysteries of human existence and even of existence as such. This work then, like his others, contains wonderful admissions of affection to the work of Derrida, Cixous, Agamben, Barthes, Bataille, and various identifiable and unidentifiable others, strung together in what finally constitutes a riveting read.

What happens when two people decide to give themselves the year off... from each other? Absence makes the heart grow fonder... doesn't it? Annie and Dan were once the perfect couple. But now the not-so-newlyweds feel more like flatmates than soulmates. So where did all the fun and fireworks go? When Annie lands herself her big break on Broadway, she's over the moon. Goodbye Ireland, hello New York! So she and Dan decide to take a no-strings-attached sabbatical, with the proviso that they meet in twelve months time at the Rockefeller Centre to decide their fate. But with their relationship already on the rocks, will Annie and Dan survive the distance? Will they both turn up? Or is it too late for love? Perfect for fans of Sophie Kinsella and Marian Keyes.

Chance was my first love - my only love - my soulmate. I was sure we’d be together forever…but, on the day I discovered I was expecting his baby, before I could give him the news, he vanished without even saying goodbye. All he left was a note and a charm bracelet in a manila envelope. I was devastated, destroyed, but determined to go forward with the pregnancy even if I have to raise our child on my own. Fast-forward ten years to the anniversary of the day he left - Chance is back and he’s looking for me. He says he still loves me, that he never stopped. I know I never stopped loving him, but can I trust him not to hurt me and our son? Will You Still Love Me Tomorrow is a sweet, slightly spicy tale of second chances, soulmates and true love. #secondchance #romance #friendstolovers #uglycry

DIVDIVIn the thick of the Cold War, McCain investigates death threats against an alleged red/divDIV The citizens of Black River Falls are polite, understanding, and respectful—except when it comes to communism. Joe McCarthy has been dead for two years, but men like Richard Conners are still fighting to clear themselves of his accusations. A liberal who served faithfully under Roosevelt and Truman, only to be slandered as a red during McCarthy’s witch hunts, Conners has begun getting death threats written in blood. He hires private investigator Sam McCain to protect him, but no sooner has Sam taken the case than Conners turns up dead./divDIV The local sheriff gives McCain twenty-four hours to find his client’s killer. Although the obvious suspect is one of the local red haters, McCain isn’t positive that politics is the motive. In Black River Falls, murder is never cut and dried./divDIV/div/div

Featuring over 300 hours of new interviews with 100+ subjects, an oral history of the girl groups (such as The Ronettes, The Shirelles, The Supremes, and The Vandellas) that redefined the early 1960s The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to the top of the charts, girl groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers—and even to the present-day celebrities inspired by their lasting influence–But Will You Love Me Tomorrow: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.

Music directory with records for artists, titles, labels and year of release for 45 RPM records published between 1947 and 1982.

This comprehensive collection has sold tens of thousands of copies around the world. It contains words and guitar chords to nearly 1200 songs, arranged in a compact, easy-to-use format for locating songs and working with groups. You won't find an array of songs like this anywhere else: 'Folk Revival' favorites popularized by Baez, Seeger, Collins, Peter, Paul and Mary, Dylan, Mitchell, Taylor, Donovan, and many others. * The best-known material of contemporary folk songwriters including Near, Staines, Williamson, Rogers, Bok and many more. * Broadway show tunes, Beatles songs, Motown hits * Hymns, spirituals, and gospel standards * Songs about peace, freedom, labor and the environment * Ballads, cowboy songs, shanties and blues