In the spring of 2010, Toronto lost one of its most important queer civic heroes. Weaving together interviews and stories, Army of Lovers is a biography of Will Munro and a document of a galvanizing period when various subcultures — the queer community, the art scene, the independent music universe, the grassroots activist enclaves — came together.

By the time Will Munro died in 2010 at the age of thirty-five, he was already a legend in Toronto. He was known principally for his dance clubs, especially Vaseline, later renamed Vazaleen, which began in 2000. But to the art community, Will Munro was always an artist, and all his activities stemmed from being so. “Will Munro: History, Glamour, Magic” fully documents his activities as an artist with emphasis on his exhibitions and artworks from 1998 on. Munro brought a queer punk DIY aesthetic to his artwork, which could never be separated from his music interests. His role as a DJ and promoter is represented here by a generous selection of posters promoting his music venues. This book is a fitting tribute to Munro as a vibrant artist, community builder, and queer pedagogue.00Exhibition: Art Gallery York University, Toronto, Canada (11.1.-11.3.2014).

WINNER OF THE NOBEL PRIZE© IN LITERATURE 2013 A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected children, a guilt-ridden father, a young teacher jilted by her employer. Illumined by Munro’s unflinching insight, these lives draw us in with their quiet depth and surprise us with unexpected turns. And while most are set in her signature territory around Lake Huron, some strike even closer to home: an astonishing suite of four autobiographical tales offers an unprecedented glimpse into Munro’s own childhood. Exalted by her clarity of vision and her unparalleled gift for storytelling, Dear Life shows how strange, perilous, and extraordinary ordinary life can be.

Munro is caught in the small cruel space between loss and letting go.

For the last five decades, the Dani of the central highlands of West Papua, along with other Papuans, have struggled with the oppressive conditions of Indonesian rule. Formal education holds the promise of escape from stigmatization and violence. Dreams Made Small offers an in-depth, ethnographic look at journeys of education among young Dani men and women, asking us to think differently about education as a trajectory for transformation and belonging, and ultimately revealing how dreams of equality are shaped and reshaped in the face of multiple constraints.

A “revelatory” (The Boston Globe), “exhilarating” (The New York Times Book Review) collection of twelve stories that “[redraw] the boundaries between fiction and memoir” (O: The Oprah Magazine), from Nobel Prize–winning author Alice Munro “Munro really does know magic: how to summon the spirits and the emotions that animate our lives.”—The Washington Post Book World A BEST BOOK OF THE YEAR: The Washington Post, Slate, Rocky Mountain News, New York, The Kanas City Star A young boy, taken to Edinburgh’s Castle Rock to look across the sea to America, catches a glimpse of his father’s dream. Scottish immigrants experience love and loss on a journey that leads them to rural Ontario. Wives, mothers, fathers, and children move through uncertainty, ambivalence, and contemplation in these stories of hopes, adversity, and wonder. The View from Castle Rock reveals what is most essential in Munro’s art: her compassionate understanding of ordinary lives.

It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.

Inspired by his time living on a First Nations reserve in Northern Alberta, Tallas Munro's first collection of poetry explores bereavement, introspection, and healing.