In Brother to a Dragonfly, Will D. Campbell (1924–2013) writes about his life growing up poor in Amite County, Mississippi, during the 1930s alongside his older brother, Joe. Though they grew up in a close-knit family and cared for each other, the two went on to lead very different lives. After serving together in World War II, Will became a highly educated Baptist minister who later became a major figure in the early years of the civil rights movement, and Joe became a pharmacist who developed a substance abuse problem that ultimately took his life. Brother to a Dragonfly also serves as a historical record. Though Will's love and dedication to his brother are the primary story, interwoven throughout the narrative is the story of the Jim Crow South and the civil rights movement. Will is present through many of the most pivotal moments in history—he was one of four people who escorted black students integrating the Little Rock public schools; he was the only white person present at the founding of the SCLC; he helped CORE and SNCC Freedom Riders integrate interstate bus travel; he joined Dr. Martin Luther King Jr.'s campaign of boycotts, sit-ins, and marches in Birmingham; and he was at the Lorraine Motel the night Dr. King was assassinated. Will's accomplishments, however, never take the spotlight from his brother, and as his relationship with Joe evolves, so does Will's faith. Featuring a new foreword by Congressman John Lewis, this book brings back to print the combined lives of Will Campbell—Will the brother and Will the preacher.

The publication of the Encyclopedia of Religion in the South in 1984 signaled the rise in the scholarly interest in the study of Religion in the South. Religion has always been part of the cultural heritage of that region, but scholarly investigation had been sporadic. Since the original publication of the ERS, however, the South has changed significantly in that Christianity is no longer the primary religion observed. Other religions like Judaism, Buddhism, and Hinduism have begun to have very important voices in Southern life. This one-volume reference, the only one of its kind, takes this expansion into consideration by updating older relevant articles and by adding new ones. After more than 20 years, the only reference book in the field of the Religion in the South has been totally revised and updated. Each article has been updated and bibliography has been expanded. The ERS has also been expanded to include more than sixty new articles on Religion in the South. New articles have been added on such topics as Elvis Presley, Appalachian Music, Buddhism, Bill Clinton, Jerry Falwell, Fannie Lou Hamer, Zora Neale Hurston, Stonewall Jackson, Popular Religion, Pat Robertson, the PTL, Sports and Religion in the South, theme parks, and much more. This is an indispensable resource for anyone interested in the South, religion, or cultural history.

"These endeavors involved an expanded interest beyond civil rights for African Americans in an effort to have a comprehensive approach to all human suffering. This broadened awareness included concern for the poor whites of the South, as well as other victims, including such different groups as prisoners and women as discriminated minorities."--BOOK JACKET. "Campbell is also known for his writings, both fiction and non-fiction."--BOOK JACKET.

Conversations with Will D. Campbell is the first collection of interviews with the southern preacher, activist, and author best known for his involvement with the civil rights movement. Ranging from a 1971 discussion about religion and ending with a previously unpublished interview conducted in 2009, these twelve interviews give insight to Campbell's unique religious beliefs and highlight pivotal moments of his career. Will D. Campbell (1924-2013) was born poor in rural Mississippi and became an ordained minister when he was barely seventeen years old. After serving in the Army during World War II, Campbell ministered in a variety of positions, including a pastorate in Louisiana, as religious director at the University of Mississippi, and as a race relations consultant for the National Council of Churches. Along the way, Campbell worked with civil rights figures, Klansmen, Black Panthers, and country music icons, believing all were equal in the eyes of God. Throughout his career, Campbell drew attention for criticizing the institutional churches and supporting women's rights, gay rights, and school desegregation. From 1962 through 2012, Campbell published over fifteen books including novels, biographies, and memoirs. His first book, Race and the Renewal of the Church, introduced his theories of reconciliation and the failures of institutional churches. His best-known work, Brother to a Dragonfly, was a National Book Award finalist.

Struggle for a Better South dispels the notion that all whites in the South stood united against social change in the 1960s. Gregg Michel's compelling study of the Southern Student Organizing Committee (SSOC), the leading progressive organization created by young white activists in the South during that tumultuous decade, fills a crucial gap in the literature about New Left activism. Michel shows that the SSOC was the only activist group of the era that worked to cultivate white support for the social movement. The SSOC's members gave themselves the delicate task of reconciling their love for the South and its history - warts and all - with their modern-day commitment to equality and justice for all people.

Startled by rapid social changes at the turn of the twentieth century, citizens of Atlanta wrestled with fears about the future of race relations, the shape of gender roles, the impact of social class, and the meaning of regional identity in a New South. Gavin James Campbell demonstrates how these anxieties were played out in Atlanta's popular musical entertainment. Examining the period from 1890 to 1925, Campbell focuses on three popular musical institutions: the New York Metropolitan Opera (which visited Atlanta each year), the Colored Music Festival, and the Georgia Old-Time Fiddlers' Convention. White and black audiences charged these events with deep significance, Campbell argues, turning an evening's entertainment into a struggle between rival claimants for the New South's soul. Opera, spirituals, and fiddling became popular not just because they were entertaining, but also because audiences found them flexible enough to accommodate a variety of competing responses to the challenges of making a New South. Campbell shows how attempts to inscribe music with a single, public, fixed meaning were connected to much larger struggles over the distribution of social, political, cultural, and economic power. Attitudes about music extended beyond the concert hall to simultaneously enrich and impoverish both the region and the nation that these New Southerners struggled to create.

This collection of essays and sermons by Rodney Kennedy and Kyle Childress is focused on honoring the memory of Will Campbell--the prophet from the South who made a vocation of destroying sacred cows. The essays and sermons attempt to be true to the spirit of Will Campbell's devotion to the gospel above all else. It should not be surprising that the essays and sermons are about the business of deconstructing more sacred cows while lifting up the truth claims of the gospel.

This volume of The New Encyclopedia of Southern Culture offers a timely, authoritative, and interdisciplinary exploration of issues related to social class in the South from the colonial era to the present. With introductory essays by J. Wayne Flynt and by editors Larry J. Griffin and Peggy G. Hargis, the volume is a comprehensive, stand-alone reference to this complex subject, which underpins the history of the region and shapes its future. In 58 thematic essays and 103 topical entries, the contributors explore the effects of class on all aspects of life in the South--its role in Indian removal, the Civil War, the New Deal, and the civil rights movement, for example, and how it has been manifested in religion, sports, country and gospel music, and matters of gender. Artisans and the working class, indentured workers and steelworkers, the Freedmen's Bureau and the Knights of Labor are all examined. This volume provides a full investigation of social class in the region and situates class concerns at the center of our understanding of Southern culture.

Of Fiction and Faith features personal interviews with twelve of America's most significant writers, interviews which provide a window into the personal and literary lives of writers with special focus on their attitudes towards issues of faith.