This collection of Wilder's most famous one act plays includes, "The Long Christmas Dinner," "The Happy Journey to Trenton and Camden," "Pullman Car Hiawatha," "Queens of France," "Such Things Only Happen in Books," and "Love and How to Cure It." In these mini-masterpieces, Wilder experiments with techniques and dramatic forms he would later develop in his celebrated full-length works, "Our Town," "The Matchmaker," "The Skin of Our Teeth," and "The Alcestiad." Among these plays we encounter a first glimpse of Wilder's Stage Manager; his use of pantomime, minimal scenery, and farce; as well as his signature connection between the commonplace and the cosmic dimensions of the human experience.

A work of startling originality when it debuted in 1938, Thornton Wilder's Our Town evolved to be seen by some as a vintage slice of early 20th Century Americana, rather than being fully appreciated for its complex and eternal themes and its deceptively simple form. This unique and timely book shines a light on the play's continued impact in the 21st century and makes a case for the healing powers of Wilder's text to a world confronting multiple crises. Through extensive interviews with more than 100 artists about their own experience of the play and its impact on them professionally and personally – and including background on the play's early years and its pervasiveness in American culture – Another Day's Begun shows why this particular work remains so important, essential, and beloved. Every production of Our Town has a story to tell beyond Wilder's own. One year after the tragedy of 9/11, Paul Newman, in his final stage appearance, played the Stage Manager in Our Town on Broadway. Director David Cromer's 2008 Chicago interpretation would play in five more cities, ultimately becoming New York's longest-running Our Town ever. In 2013, incarcerated men at Sing Sing Correctional Facility brought Grover's Corners inside a maximum security prison. After the 2017 arena bombing in Manchester UK, the Royal Exchange Theatre chose Our Town as its offering to the stricken community. 80 years after it was written, more than 110 years after its actions take place, Our Town continues to assert itself as an essential play about how we must embrace and appreciate the value of life itself. Another Day's Begun explains how this American classic has the power to inspire, heal and endure in the modern day, onstage and beyond.

"An Eternal Family narrowly escape one disaster after another, from ancient times to the present. Meet George and Maggie Antrobus (married only 5,000 years); their two children, Gladys and Henry (perfect in every way!); and their maid, Sabina (the ageless vamp) as they overcome ice, flood, and war -- by the skin of their teeth."--Amazon

Our town -- The skin of our teeth -- The matchmaker -- The Alcestiad -- The drunken sisters -- The marriage we deplore -- The unerring instinct -- Scenes from The emporium -- Plays for Bleecker Street -- The seven ages of man -- Writings on theater.

Volume II of Wilder's collected plays includes "The Angel That Troubled the Waters, Our Century, The Unerring Instinct", and "The Alcestiad, or a Life in the Sun", a little-known retelling of an ancient Greek legend.

This book delineates how Thornton Wilder (1897–1975), a learned playwright and novelist, embeds himself within the classical tradition, integrating Greek and Roman motifs with a wide range of sources to produce heart-breaking masterpieces such as Our Town and comedy sensations such as Dolly Levi. Through this study of archival sources and close reading, readers will understand Wilder’s avant-garde staging and innovative time sequences not as a break with the past, but as a response to the classics. The author traces the genesis of unforgettable characters like Dolly Levi in The Matchmaker, Emily Webb in Our Town, and George Antrobus in The Skin of Our Teeth. Vergil’s expression, "Here are the tears of the world, and human matters touch the heart" haunts Wilder’s oeuvre. Understanding Vergil’s phrase as "tears for the beauty of the world," Wilder utilizes scenes depicting the beauty of the world and the sorrow when individuals recognize this too late. Wilder exhorts us to observe lovingly, alert to the wonder of the everyday. This work will appeal to actors and directors, professors and students in classics and in American literature, those fascinated by modern drama and performance studies, and non-specialists, theatre-goers, and readers in the general public.

The story is based on a fictional disaster that occurred in Peru on July 20, 1714. A rope bridge woven by the Incas on the road between Lima and Cuzco collapsed when five people were crossing it. They all fell into the river from a great height and were killed. Brother Juniper, a Franciscan friar who was about to cross the bridge himself, witnessed the tragedy. Being deeply pious, he saw in what happened a possible divine providence. Did the dead deserve to have their lives cut short in such a terrible way? The monk tries to learn as much as he can about the five victims, finding and questioning people who knew them. As a result of years of investigation, he compiles a voluminous book with all the evidence he has gathered that the beginning and end of human life are part of God's plan... The Bridge of San Luis Rey won the 1928 Pulitzer Prize for the Novel, and remains widely acclaimed as Wilder's most famous work. In 1998, the book was rated number 37 by the editorial board of the American Modern Library on the list of the 100 best 20th-century novels. Time magazine included the novel in its TIME 100 Best English-language Novels from 1923 to 2005.

In this play, which represents "Sloth" in Wilder's projected cycle on The Seven Deadly Sins, Herb Hawkins, a jovial New Jersey - New York City commuter with iron-bound habits, has called to say he is coming home late. This news sets his wife and daughter on edge, a condition heightened when a neighbor informs them that an unidentified man is hiding in the shadows of their front lawn, staring in at them. The police arrive to arrest the supposed prowler, only to find Herb, quietly observing his family through the windows of his own home. It seems that earlier that day, he received word of a surprise inheritance, left to him by a kind, lonely elderly woman. This sudden gift of a large sum of money prompts Herb to question the meaning and purpose of his own life. He returns to his place in the family with touches of humor, irony and despair.

“[Our Town] leaves us with a sense of blessing, and the unspoken but palpable command to achieve gratitude in what remains of our days on earth.” — The New Yorker Thornton Wilder’s Pulitzer Prize-winning drama of life in the mythical village of Grover’s Corners, New Hampshire—an allegorical representation of all life—is an American classic. It is the simple story of a love affair that asks timeless questions about the meaning of love, life, and death. Our Town explores the relationship between two young neighbors, George Gibbs and Emily Webb, whose childhood friendship blossoms into romance, and then culminates in marriage. When Emily loses her life during childbirth, the circle of life portrayed in each of the three acts—childhood, adulthood, and death—is fully realized. Widely considered one of the greatest American plays of all time, Our Town debuted on Broadway in 1938 and continues to be performed daily on stages around the world. This special edition includes an afterword by Wilder's nephew, Tappan Wilder, with illuminating documentary material about the playwright and his most famous drama.