C. S. Lewis, known for his imaginative and thought-provoking works, has compiled a comprehensive collection of his writings in 'The Complete Works: Fantasy & Sci-Fi Novels, Religious Studies, Poetry & Autobiography.' This anthology showcases Lewis's diverse writing styles, spanning from the fantastical realms of Narnia in his beloved fantasy novels to his scholarly explorations of religious studies, engaging poetry, and intimate autobiography. Readers will be immersed in Lewis's keen insights on faith, morality, and the human experience across a wide range of genres. His prose is rich with allegorical meanings, philosophical depth, and enchanting storytelling that captivates audiences of all ages. Lewis's unique blend of fantasy, theology, and personal reflections offers readers a unique literary experience that transcends genre boundaries. 'The Complete Works' is a must-read for those seeking to delve deeper into the brilliant mind of C. S. Lewis and explore the timeless themes that have made his writings enduring classics.

In Eugene O'Neill's Creative Struggle, Doris Alexander gives us a new kind of inside biography that begins where the others leave off. It follows O'Neill through the door into his writing room to give a blow-by-blow account of how he fought out in his plays his great life battles&—love against hate, doubt against belief, life against death&—to an ever-expanding understanding. It presents a new kind of criticism, showing how O'Neill's most intimate struggles worked their way to resolution through the drama of his plays. Alexander reveals that he was engineering his own consciousness through his plays and solving his life problems&—while the tone, imagery, and richness of the plays all came out of the nexus of memories summoned up by the urgency of the problems he faced in them. By the way of O'Neill, this study moves toward a theory of the impulse that sets off a writer's creativity, and a theory of how that impulse acts to shape a work, not only in a dramatist like O'Neill but also in the case of writers in other mediums, and even of painters and composers. The study begins with Desire Under the Elms because that play's plot was consolidated by a dream that opened up the transfixing grief that precipitated the play for O'Neill, and it ends with Days Without End when he had resolved his major emotional-philosophical struggle and created within himself the voice of his final great plays. Since the analysis brings to bear on the plays all of his conscious decisions, ideas, theories, as well as the life-and-death struggles motivating them, documenting even the final creative changes made during rehearsals, this book provides a definitive account of the nine plays analyzed in detail (Desire Under the Elms, Marco Millions, The Great God Brown, Lazarus Laughed, Strange Interlude, Dynamo, Mourning Becomes Electra, Ah, Wilderness!, and Days Without End, with additional analysis of plays written before and after.

In Wilderness Regained - The Story of the Virginia Barrier Islands, Badger turns his attention to the human presence on the islands. Although wild and remote today, the islands played a colorful and vibrant role in the history of the Eastern Shore and coastal Virginia for more than three centuries. Wilderness Regained tells the story of the many ways in which human lives touched the islands, and how, ultimately, the islands became protected as one of America's unique coastal preserves.