Every five years, various demons belonging to the Cocagne guild of werewolves compete in the Wilderman contest to be the leader of the group. Until now, the great Ysengrin has always won.Adam Wilder, a young demon, hopes to win the Wilderman trophy this year. But when escaping the fearsome Inquisition and its leader Tankred, he finds refuge in the formidable Yaga Yaga’s lair, and helps himself to the banquet prepared, including a sacred apple. To pay for his error, he must embark upon a mission to retrieve a new golden apple from the faceless monster’s castle...

From award-winning blues scholar and musician Adam Gussow, a taut, sexy first novel about the summer busking scene in Europe and a pair of wild-hearted young men who make a pitch for fame and glory, finding a girl or two along the way. Busker's Holiday is the story of McKay Chernoff, a Columbia University grad student with a harmonica in his pocket and a blues band in his background. Desolate and despairing after a disastrous romantic breakup, McKay decides to fly off to Paris and reinvent himself as a street performer. What follows is an epic summer voyage into the busking life, propelled by the mad exploits of Billy Lee Grant, a fearless young guitar shredder whose Memphis-to-Mississippi pedigree and Dylanesque surrealism make him, when he explodes into view, precisely the partner McKay has been yearning for. Burning like a latter-day Dean Moriarty, Bill goads McKay into a sun-drenched, all-night bender, stoked by wine, women, mushrooms, and trains, that careens down out of Avignon and across the French Riviera. What happens next--in Florence, Solingen, Amsterdam, Paris--is a story of purgatory, redemption, and love regained. Hope, in a word, as a modern troubadour returns from his wanderings, reborn.

The tranquility of Mars is disrupted by humans who want to conquer space, colonize the planet, and escape a doomed Earth.

The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Including a discussion of legislative powers, constitutional regulations relative to the forms of legislation and to legislative procedure.

Chemistry plays a critical role in daily life, impacting areas such as medicine and health, consumer products, energy production, the ecosystem, and many other areas. Communicating about chemistry in informal environments has the potential to raise public interest and understanding of chemistry around the world. However, the chemistry community lacks a cohesive, evidence-based guide for designing effective communication activities. This report is organized into two sections. Part A: The Evidence Base for Enhanced Communication summarizes evidence from communications, informal learning, and chemistry education on effective practices to communicate with and engage publics outside of the classroom; presents a framework for the design of chemistry communication activities; and identifies key areas for future research. Part B: Communicating Chemistry: A Framework for Sharing Science is a practical guide intended for any chemists to use in the design, implementation, and evaluation of their public communication efforts.

Reprint of the original, first published in 1873.

The 59th issue of McSweeney's National Magazine Award-winning quarterly is a back to basics collection of cutting edge literary fiction. Featuring the conclusions to Issue 57's cliffhanger stories by Booker Prize nominee Oyinkan Braithwaite, Brian Evanson, and Mona Awad. Original stories by: Julie Hecht Anjali Sachdeva Kristen Gleason Olivia Clare Rufi Thorpe Laura Lane Halle Butler Featuring letters by: Jenny Slate Brandon Hobson "A key barometer of the literary climate." -The New York Times "McSweeney's is so much more than a magazine; it's a vital part of our culture. " -Geoff Dyer, McSweeney's contributor and author of Jeff in Venice, Death in Varanasiand Otherwise Known as the Human Condition