Wild Horses And Gold is the harrowing story of a trek from Wyoming to the Klondike Gold Fields via the notorious Edmonton Trail. Of the thousands who attempted this route in 1897-98, only a few arrived in Dawson City. Elizabeth Page weaves a fascinating tale based on the private diaries of stampeders as well as in-depth interviews with Kansas Gilbert and other veterans of the Edmonton Trail. Wild Horses And Gold was the first book to detail the rigors of the Edmonton Trail, and it is one of the most accessible accounts of the Klondike Gold Rush ever written. This story is a melange of adventure, hardship, and romance.

Captivating photographs and stories of the wild horses of the west. Take an intimate look at the majestic equines who roam the public lands of the Mountain West: Wild Horses of the West provides a front row seat to a world rarely glimpsed by most people. Stories highlight specific horses known in these areas as The Old Man, One-Ear, and the Cremello Brothers whom the photographer, Jan Drake, has been following with her camera for years. More than 200 color photographs are divided into sections including Family Bands, Mares & Foals, Fighting Mustangs, Stallions & Bachelors, and Cedar Mountain Mustangs. Jan Drake is a long-time photographer based in Park City, Utah. She oversees the equestrian center at the National Ability Center (NAC) where adaptive horseback riding, trail riding, equine-assisted learning, and hippotherapy is made available to all ages and abilities. As an annual fundraiser for the NAC, Drake guides private groups on photography excursions to see wild horses of the West up close. She also volunteers regularly with the nonprofit Intermountain Wild Horse and Burros Advisors. This is her first book.

Narrative of the journey of "Kansas Gilbert" and his party, driving a herd of wild horses to the Klondike, 1897-98. Based upon Gilbert's diary and other contemporaneous sources.

“A fascinating narrative with all the grace and power embodied in the wild horses that once populated the Western range . . . [A] magnificently told saga.” —Albuquerque Journal A Los Angeles Times Best Nonfiction Book of the Year Mustang is the sweeping story of the wild horse in the culture, history, and popular imagination of the American West. It follows the wild horse across time, from its evolutionary origins on this continent to its return with the conquistadors, its bloody battles on the old frontier, its iconic status in Buffalo Bill shows and early westerns, and its plight today as it makes its last stand on the vanishing range. With the Bureau of Land Management proposing to euthanize thousands of horses and ever-encroaching development threatening the land, the mustang’s position has never been more perilous. But as Stillman reveals, the horses are still running wild despite all the obstacles, with spirit unbroken. Hailed by critics nationwide, Mustang is “brisk, smart, thorough, and surprising” (Atlantic Monthly). “Like the best nonfiction writers of our time (Jon Krakauer and Bruce Chatwin come to mind), Stillman’s prose is inviting, her voice authoritative and her vision imaginative and impressively broad.” —Los Angeles Times “Powerful . . . Stillman’s talent as a writer makes this impossible [to stop reading], to the mustang’s benefit.” —Orion “A circumspect writer passionate about her purpose can produce a significant gift for readers. Stillman’s wonderful chronicle of America’s mustangs is an excellent example.” —The Seattle Times

When the Spirit of Horse speaks to a ten-year-old girl through her dreams and calico patches magically appear as if from nowhere, the residents of Saddlecrest, Nevada have a genuine mystery on their hands. It's the story of how a girl ripped apart by divorce helps the wild mustangs torn from the range. Together they face uncertainties brought on by the decisions of others. Carrie's mom decides to uproot her from their familiar Jersey Shore home and move to the dusty deserts of Nevada. The move is as prickly to Carrie as the cactus beside her new home. But something mysterious greets her when she closes her eyes each night--like a winding path, her dreams guide her to the horses of the Calico Mountains. Are her developing psychic abilities bringing visits from horse spirits or is her troubled mind playing tricks on her? Her new friend Milla has nightmares of her own--she's the daughter of a government official known as "The Horse Killer." How can a few children make a difference to the plight of the foals snatched from their homes without warning? Like the tiny patches of cloth that adorn a calico quilt the clues draw them all together. Follow the Calico Horses as they lead us down the trail of adversity to the peaceful pastures found by helping one another.

Bob Lemmons is famous for his ability to track wild horses. He rides his horse, Warrior, picks up the trail of mustangs, then runs with them day and night until they accept his presence. Bob and Warrior must then challenge the stallion for leadership of the wild herd. A victorious Bob leads the mustangs across the wide plains and for one last spectacular run before guiding them into the corral. Bob's job is done, but he dreams of galloping with Warrior forever to where the sky and land meet. This splendid collaboration by an award-winning team captures the beauty and harshness of the frontier, a boundless arena for the struggle between freedom and survival. Based on accounts of Bob Lemmons, a formerly enslaved person, Black Cowboy, Wild Horses has been rewritten as a picture book by Julius Lester from his story "The Man Who Was a Horse" in Long Journey Home, first published by Dial in 1972.

"Wild Horse Annie" was the nickname of Velma Bronn Johnston (1912–77), who loved mustangs all her life. When she saw mustangs being rounded up and killed to make room for ranchers' livestock, she knew she had to speak up. In 1950, she began writing letters to local newspapers and politicians, defending the horses' right to roam free. Many people told Annie to hush up, but they couldn't stop her. She soon became a voice for mustangs throughout the state of Nevada, speaking on their behalf at town halls and meetings. But Annie was only one person, and she wanted to do more. So she got children to speak up, too, by having them write letters to Washington, D.C., officials to ask them to save the mustangs. Finally, with the help of her young “pencil brigade,” Annie persuaded Congress to pass nationwide laws protecting wild horses and burros on public land nationwide. Readers will find inspiration in author Tracey Fern and artist Steven Salerno's portrait of an early animal-rights advocate, who spoke up for what she believed in, and empowered a generation of children to be a voice for the voiceless.

A vivid first-person study of a notorious equine ritual—from the perspective of the wild horses who are its targets Wild horses still roam the mountains of Galicia, Spain. But each year, in a ritual dating to the 1500s called rapa das bestas, villagers herd these “beasts” together and shave their manes and tails. Shaving the Beasts is a firsthand account of how the horses experience this traumatic rite, producing a profound revelation about the durability of sociality in the face of violent domination. John Hartigan Jr. constructs an engrossing, day-by-day narrative chronicling the complex, nuanced social lives of wild horses and the impact of their traumatic ritual shearing every summer. His story generates intimate, individual portraits of these creatures while analyzing the social practices—like grazing and grooming—that are the building blocks of equine society. Shaving the Beasts culminates in a searing portrayal of the inspiring resilience these creatures display as they endure and recover from rapa das bestas. Turning away from “thick” description to “thin,” Hartigan moves toward a more observational form of study, focusing on behaviors over interpretations. This vivid approach provides new and important contributions to the study of animal behavior. Ultimately, he comes away with profound, penetrating insights into multispecies interactions and a strong alternative to humancentric ethnographic practices.

Narrative of the journey of "Kansas Gilbert" and his party, driving a herd of wild horses to the Klondike, 1897-98. Based upon Gilbert's diary and other contemporaneous sources.

After finally leaving Las Vegas and her sleazy boyfriend behind, Allison is relieved to be free of sin city at last, but she has unwittingly walked off with the key to $750,000 in stolen casino money, and a sadistic cast of characters will do anything to get it back. 50,000 first printing.