From 1897 to 1917 the red-light district of Storyville commercialized and even thrived on New Orleans's longstanding reputation for sin and sexual excess. This notorious neighborhood, located just outside of the French Quarter, hosted a diverse cast of characters who reflected the cultural milieu and complex social structure of turn-of-the-century New Orleans, a city infamous for both prostitution and interracial intimacy. In particular, Lulu White—a mixed-race prostitute and madam—created an image of herself and marketed it profitably to sell sex with light-skinned women to white men of means. In Spectacular Wickedness, Emily Epstein Landau examines the social history of this famed district within the cultural context of developing racial, sexual, and gender ideologies and practices. Storyville's founding was envisioned as a reform measure, an effort by the city's business elite to curb and contain prostitution—namely, to segregate it. In 1890, the Louisiana legislature passed the Separate Car Act, which, when challenged by New Orleans's Creoles of color, led to the landmark Plessy v. Ferguson decision in 1896, constitutionally sanctioning the enactment of "separate but equal" laws. The concurrent partitioning of both prostitutes and blacks worked only to reinforce Storyville's libidinous license and turned sex across the color line into a more lucrative commodity. By looking at prostitution through the lens of patriarchy and demonstrating how gendered racial ideologies proved crucial to the remaking of southern society in the aftermath of the Civil War, Landau reveals how Storyville's salacious and eccentric subculture played a significant role in the way New Orleans constructed itself during the New South era.

To look into the darkness of the human soul is a frightening venture. Here Mary Midgley does so, with her customary brilliance and clarity. Midgley's analysis proves that the capacity for real wickedness is an inevitable part of human nature. This is not however a blanket acceptance of evil. Out of this dark journey she returns with an offering to us: an understanding of human nature that enhances our very humanity.

The criminal legal system defines and authoritatively enacts the boundaries of permissible and impermissible behaviour, with a focus on that which is prohibited or transgressive. Wickedness and Crime: Laws of Homicide and Malice seeks to expose the ways in which criminal law communicates and sanctions particular models of wickedness. This book illuminates the intimate relationship of crime and definitions of wrongdoing. A central contention of the book is that if a criminal legal system empty of normative content is undesirable and implausible, then we must think critically about the types of models of wickedness that are communicated by criminal legal doctrine. Through historical and contemporary analysis of the legal concept of malice, Penny Crofts examines the types of models of wickedness that are established through criminal legal doctrine. The book draws upon literature, philosophy and jurisprudence to place wickedness at the centre of an account of criminal law. Arguing that the current dominant idea of wickedness communicated in criminal law lacks nuance and clarity, this book examines the implications in terms of the legal subject, social responsibility and the jurisdiction of the legal system. Through historical accounts of malice the book provides resources to enrich a contemporary jurisprudence of blaming. A fascinating contribution to the study of law, this book will interest criminal legal scholars who seek a deeper understanding of the complexity of the relationship between law and morality. The book also provides a resource for legal theorists and philosophers of wickedness, supplying a sustained example and analysis of the implications of types of models of culpability.

Each title in The Applause Libretto Library Series presents a Broadway musical with fresh packaging in a 6 x 9 trade paperback format. Each Complete Book and Lyrics is approved by the writers and attractively designed with color photo inserts from the Broadway production. All titles include introduction and foreword by renowned Broadway musical experts. Long before Dorothy dropped in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery, and misunderstood. The other is beautiful, ambitious, and very popular. The story of how these two unlikely friends end up as the Wicked Witch of the West and Glinda the Good Witch makes for the most spellbinding new musical in years.

Learn all about Dietrich Bonhoeffer, whose work as a spy in the German resistance led to imprisonment and eventual execution.

When an insect-borne plague begins to envelop the world, three sixteen-year-olds struggle to survive amongst the healthy “trues” and the infected “wickeds” in this gripping dystopian tale from the author of The Winter Place. A plague, called Wickedness, is pulsing through the world; and in its wake, it’s dividing the population into thirds: The WICKED: Already infected by the droves of Singers, the ultraviolet mosquito-like insects who carry the plague, the Wicked roam the world freely. They don’t want for much—only to maim and dismember you. But don’t worry: They always ask politely first. The TRUE: The True live in contained, isolated communities. They’re the lucky ones; they found safety from the Singers. And while the threat of the Wicked may not be eliminated, for the True, the threat has certainly been contained… The VEXED: The Vexed are the truly fortunate ones—they survived the sting of the Singers, leaving them immune. But they’re far from safe. The Vexed hold the key to a cure, and there are those who will do anything to get it. In this brilliantly realized novel, three teens—Astrid, Hank, and Natalie—start to realize that the divisions of their world aren’t as clear as they seem, and are forced to question what being wicked truly means.

The international community tries to cope with the ever increasing flow of refugees, but remains reluctant to take coercive measures against the governments directly responsible for massive abuses of human rights, still sheltering behind article 2(7) of the UN Charter, which does not "authorize the United Nations to intervene in matters which are essentially within the domestic jurisdiction of any state". Should not governments, in the light of actual events, now consider whether the price of non-intervention is too high, not only on humanitarian grounds, but also because of the escalating costs and the acute political and social problems posed by these mass exoduses? Or is the risk of power abuse for political gain too high because state sovereignty is perceived as absolute. The focus of this study is essentially a practical one.

No matter who you are, sometimes it's fun to pretend to be wicked! Dante loves playing make believe. When he's with his friends, he's the wizened wizard or regal ruler. But when he's by himself, Dante would rather be the wicked queen. Then, one day, his dress and makeup are just so perfect that he braves the outdoors, delighting in his playful evilness. Will Dante find someone to play the hero to his villain?

Lord Alistair Bevan, Viscount Farnham, has the weight of the world on his shoulders. With his father's health failing, the time has come for him to find a wife, produce an heir, and do his duty. But Alistair knows a traditional life is not for him, especially when a chance meeting with valet Joseph Logan turns his world upside down.Joe Logan came to London in search of his missing sister, Lily. But months have passed, and not only is Lily still missing, more children have disappeared as well. The trail of the missing children might be growing cold, but things are just starting to heat up between Joe and Alistair.When both Alistair and Joe seek out the help of The Brotherhood-an underground organization dedicated to helping the gay community-they are drawn into a much deeper investigation of children who have gone missing all over London. When it begins to look like people very close to Alistair's family are involved, Alistair finally has a chance to make his father proud. But will the wild and wicked love blossoming between Alistair and Joe help them find Lily, or will their affair be exposed and destroy both of them?PLEASE BE ADVISED: Steam level - very spicy! And yes, this is an m/m romance, so if that's not your thing, feel free to pass on this one.THE BROTHERHOOD series consists of: Just a Little WickednessJust a Little TemptationJust a Little DangerJust a Little Seductio