Maureen Swanson is the scourge of the neighborhood. At age nine, she already has a reputation as a hard slapper, a loud laugher, a liar, and a stay-after-schooler. The other kids call her Stinky. So sometimes when Maureen passes the crumbling (and haunted?) Messerman mansion, she imagines that she is Maureen Messerman–rich, privileged, and powerful. Then she finds a way into the forbidden, boarded-up house. In the hall are portraits of seven young women wearing elaborate gowns and haughty expressions. Maureen has something scathing to say to each one, but then she notices that the figures seem to have shifted in their frames. So she reaches out her finger to touch the paint–just to make sure–and touches . . . silk! These seven daughters of privilege are colder and meaner than Maureen ever thought to be. They are wicked, wicked ladies, and Maureen has something they want. . . .

In recent years, much has been published on women, crime and justice in English history. However, for a variety of reasons, particularly the ready availability of source material for the capital, such research has tended to have an overwhelmingly Metropolitan focus. This book aims to redress the balance for the ‘long’ eighteenth century by concentrating on women from outside the London area. Although vitally important to the wider country, the Metropolis always contained a small minority of the country’s female offenders and defendants, albeit a significantly higher percentage of the latter than its share of the national population. The capital also had a rather different criminal justice and policing system to that found in the rest of the country at this time. The book focuses on women’s experiences in provincial England as both the perpetrators of various crimes and as suspects or defendants in the country’s criminal justice system. The areas considered range from the West Country to the Scottish Border, and the offences examined include all of the major crimes, such as murder and theft, as well as some more arcane forms of deviance, including arson and coining. The factors that prompted women to offend, their likelihood of exposure when they did so, and their treatment before the courts and in the penal system are all considered in detail. In particular, the book examines the gendered differences found in female crime when compared to that of their male counterparts, and how women’s experiences of the era’s justice system differed from those of men. It also compares provincial women to those found in the Metropolis in these respects. Extensive use is made of primary sources in portraying the lives of female criminals from Kent to Cumberland, while comparison is also made with women from other parts of the British Isles and beyond, so that the respective roles of structural determinants and national ‘culture’ in crime and justice can be considered.

This collection of short, action-filled stories of the Old West’s most egregiously badly behaved female outlaws, gamblers, soiled-doves, and other wicked women by offers a glimpse into Western Women’s experience that's less sunbonnets and more six-shooters. Pulling together stories of ladies caught in the acts of mayhem, distraction, murder, and highway robbery, it will include famous names like Belle Starr and Big Nose Kate, as well as lesser known characters.

Nine-year-old Maureen is the terror of her neighborhood until the day she begins to explore an old deserted estate and encounters a leprechaun and seven strange ladies.

We're all just one step away from achieving what we want and getting what we deserve out of life. To seize control of her own life and career, Vickie Milazzo, internationally known women's mentor, New York Times bestselling author, Inc. Top 10 Entrepreneur and self-made millionaire, was willing to take a whacking from a Buddhist monk, jump out of an airplane and step out of a comfortable job into the unknown. In Wicked Success Is Inside Every Woman, Vickie shares every success secret she used to grow her career into a $16-million business. Vickie shows you how to get real about achieving wicked success. Not witches and flying broomsticks wicked—but exaggerated wicked. Reading this book, you'll feel like you're sitting with a good friend who inspires you, encourages you and pushes you to think in a more exaggerated and uncommon way. This is a buck-up book with a buck-up plan for any woman ready to take back control of her life and career and unleash the wicked success inside every woman.

Lady Sophia Barnes is on a mission to protect the employees of Madame Hartley's brothel, something much easier done dressed as a man. But she needs the help of Damien Beecham, a man who broke her heart long ago, and who still has feelings for Sophia.

Challenges the common stereotypes of African women as either victims or unrestrained resisters.

In the sixteenth century and seventeenth centuries it was women who were almost exclusively persecuted as witches. However, the witch craze has been subjected to surprisingly little feminist analysis. In Lewd Women and Wicked Witches, Marianne Hester reviews and develops revolutionary feminist thinking. Accordingly, she shows how witches can be seen as victims of the oppression of a male dominated society. Concentrating on English source material, the author shows how witch-hunts may be seen as an historically specific example of male dominance. Relying on an eroticised construct of women's inferiority, they were part of the ongoing attempt by men to maintain their power over women.

'Wicked, wayward or otherwise, Carter's classic collection is a very erudite expression of girl power' MINA HOLLAND, GUARDIAN 'One of the century's greatest writers' SUNDAY TIMES This bestselling collection of stories extols the female virtues of discontent, sexual disruptiveness and bad manners. These are subversive tales by Ama Ata Aidoo, Jane Bowles, Angela Carter, Colette, Bessie Head, Jamaica Kincaid and Katherine Mansfield among others. They all have one thing in common; the wish to restore adventuresses and revolutionaries to their rightful position as models for all women. Reflecting the wide-ranging intelligence and deliciously anarchic taste of Angela Carter, some of these stories celebrate toughness and resilience, some of them low cunning: all of them are about not being nice.

Marauders like Jesse James and the Younger gang earned Missouri the title of "Outlaw State," but the male desperadoes had nothing on their female counterparts. Belle "Queen of the Bandits" Starr and Cora Hubbard kept Missouri's sensationalist newspapers and dime novelists in business with exploits ranging from horse thefts to bank heists. Missouri native Ma Barker and her murderous sons rose to infamy during the gangster era of the 1930s while Bonnie Parker crisscrossed the state with Clyde Barrow. From savvy burlesque dancers to deadly gold diggers, historian Larry Wood chronicles the titillating stories of ten of the Show-Me State's shadiest ladies.