Traditional homicide indicators are based on male violence - and do little to predict when, or whom, women will kill. Vickie Jensen shows that gender equality plays an important role in predicting female homicide patterns. Jensen's analysis of the occurrence of women's homicide reveals that lethal violence is most likely when severe gender inequalities exist in the family group. Her conclusions establish the clear relationship between political, economic, legal, and social equality for women and the reduction of all forms of domestic violence.

Based on case studies from the US, UK and Australia, this book looks at the ways in which female killers are constructed in the media, in law and in feminist discourse almost invariably as victims rather than actors in the crimes they commit.

The “engrossing, thoroughly researched look at women who are in romantic relationships with incarcerated men”—fully updated with twenty-first-century cases (Publishers Weekly). In 1991, Sheila Isenberg’s classic study Women Who Love Men Who Kill asked the provocative question, “Why do women fall in love with convicted murderers?” Now, Isenberg returns to the same question in the age of smart phones, social media, mass shootings, and modern prison dating. The result is a compelling psychological study of prison passion in the new millennium. Isenberg conducts extensive interviews with women who seek relationships with convicted killers, as well as conversations with psychiatrists, social workers, and prison officials. She shows that many of these women know exactly what they are getting into—yet they are willing to sacrifice everything for the sake of a love without hope, promise, or consummation. This edition of Women Who Love Men Who Kill includes gripping new case studies and an absorbing look at how the digital age is revolutionizing this phenomenon. Meet the young women writing “fan fiction” featuring America’s most sadistic murderers; the killer serving consecutive life sentences for strangling his wife and smothering his toddler daughters—and the women who visit him in prison; the high-powered journalist who fell in love and risked it all for “Pharma Bro” Martin Shkreli; and many other women absorbed in online and real-life dalliances with their killer men.

When a women kills it is usually a person close to her and it is more likely that she'll receive a harsher sentence than her male counterpart.Do women kill differently? Why do they kill? Are they revenging mothers or evil witches? Do the preconceptions of the jury and press help them or harm them? To answer these questions, the editor has considered many cases, historical and modern. From Francis Knorr, the notorious baby farmer and killer who was hung in the late 1880s, to the 1920s ballroom drama of Audray Jacob who killer her fiance while dancing with him; from Jean Lee, the last woman hanged in Victoria, to the remarkable case of Erica Kontinnen who, despite years of beatings, only killed her husband when he threatened to kill another woman.

A genre-bending feminist account of four Chilean women who committed the double transgression of murder, violating not only criminal law but also the invisible laws of gender. Women Who Kill: Four Crimes Retold analyzes four homicides carried out by Chilean women over the course of the twentieth century. Drawing on her training as a lawyer, Alia Trabucco Zerán offers a nuanced close reading of their lives and crimes, foregoing sensationalism in order to dissect how all four were both perpetrators of violent acts and victims of another, more insidious kind of violence. This radical retelling challenges the archetype of the woman murderer and reveals another narrative, one as disturbing and provocative as the transgressions themselves: What makes women lash out against the restraints of gendered domesticity, and how do we—readers, viewers, the media, the art world, the political establishment—treat them when they do? Expertly intertwining true crime, critical essay, and research diary, International Booker Prize finalist Alia Trabucco Zerán (The Remainder), in a translation by Sophie Hughes, brings an overdue feminist perspective to the study of deviant women.

Walker's chilling follow-up to her now-classic groundbreaker, The BAttered Woman, is a dramatic study of women who murder their abusive partners in self-defense--and what happens to them afterward. "Provocative . . . the book makes its point".--New York Times Book Review.

A fascinating profile of female homicide offenders emerges from this analysis of the characteristics of women murderers in six cities in the United States, including the circumstances of the murders, the role of the victims, the role of the perpetrators, and their fates in court.

A compassionate look at 42 battered women who felt "locked in with danger and so desperate that they killed a man they loved"; scholarly and compelling.

The late nineteenth and early twentieth centuries were a revolutionary period in the lives of women, and the shifting perceptions of women and their role in society were equally apparent in the courtroom. Women Who Kill Men examines eighteen sensational cases of women on trial for murder from 1870 to 1958. The fascinating details of these murder trials, documented in court records and embellished newspaper coverage, mirrored the changing public image of women. Although murder was clearly outside the norm for standard female behavior, most women and their attorneys relied on gendered stereotypes and language to create their defense and sometimes to leverage their status in a patriarchal system. Those who could successfully dress and act the part of the victim were most often able to win the sympathies of the jury. Gender mattered. And though the norms shifted over time, the press, attorneys, and juries were all informed by contemporary gender stereotypes.

In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS