"Why Crime Does Not Pay" by Mrs. Sophie Van Elkan Lyons Burke. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

The Eisner and Harvey Award-nominated series continues to recount the criminal deeds of the bandits, bank robbers, serial killers, and gangsters of yesteryear while reprinting some of the most notorious pre-Code comics of all time! Our latest deluxe hardcover--including every uncensored page from Crime Does Not Pay issues #58 to #61--is packed with timeless true-crime tales by artists George Tuska, Jack Cole, Fred Guardineer, Dan Barry, Charles Biro, and others! This volume also features an enlightening new foreword by Eisner Award-winning writer Jeff Jensen (Green River Killer)! "Even in today's more jaded times, the guilt-free exuberance the creators poured into every bullet and blood spatter is infectious. This Crime pays, with hours of fun." -The Seattle Times

A revelatory account of the misdemeanor machine that unjustly brands millions of Americans as criminals. Punishment Without Crime offers an urgent new interpretation of inequality and injustice in America by examining the paradigmatic American offense: the lowly misdemeanor. Based on extensive original research, legal scholar Alexandra Natapoff reveals the inner workings of a massive petty offense system that produces over 13 million cases each year. People arrested for minor crimes are swept through courts where defendants often lack lawyers, judges process cases in mere minutes, and nearly everyone pleads guilty. This misdemeanor machine starts punishing people long before they are convicted; it punishes the innocent; and it punishes conduct that never should have been a crime. As a result, vast numbers of Americans -- most of them poor and people of color -- are stigmatized as criminals, impoverished through fines and fees, and stripped of drivers' licenses, jobs, and housing. For too long, misdemeanors have been ignored. But they are crucial to understanding our punitive criminal system and our widening economic and racial divides. A Publishers Weekly Best Book of 2018

On the streets of South Philly, Nathan "Sadat" White made a name for himself. There were accolades associated with the mention of his name. When people heard Sadat was around, they immediately knew he was to be feared, but not the kind of fear most drug dealers had. He commanded respect. Sadat was fair and deliberately deadly at the same time. How else was he to survive in the streets? In the business world, Nathan later came into his own. With the help and understanding of his brother, other close family members, a select few friends, and, of course, God's unending mercy, he is now a succeeding as a business-owner. Becoming an African-American business-owner did not come with ease. Nathan had to first overcome the stigma that followed him from his sordid criminal past - but he arrived before it was too late to turn back from death's grip. The lesson taught in this gripping life story is: CRIME DOESN'T PAY!

Awarded "Special Recognition" by the 2018 Robert F. Kennedy Book & Journalism Awards Finalist for the American Bar Association's 2018 Silver Gavel Book Award Named one of the "10 books to read after you've read Evicted" by the Milwaukee Journal Sentinel "Essential reading for anyone trying to understand the demands of social justice in America."—Bryan Stevenson, author of Just Mercy Winner of a special Robert F. Kennedy Book Award, the book that Evicted author Matthew Desmond calls "a powerful investigation into the ways the United States has addressed poverty . . . lucid and troubling" In one of the richest countries on Earth it has effectively become a crime to be poor. For example, in Ferguson, Missouri, the U.S. Department of Justice didn't just expose racially biased policing; it also exposed exorbitant fines and fees for minor crimes that mainly hit the city's poor, African American population, resulting in jail by the thousands. As Peter Edelman explains in Not a Crime to Be Poor, in fact Ferguson is everywhere: the debtors' prisons of the twenty-first century. The anti-tax revolution that began with the Reagan era led state and local governments, starved for revenues, to squeeze ordinary people, collect fines and fees to the tune of 10 million people who now owe $50 billion. Nor is the criminalization of poverty confined to money. Schoolchildren are sent to court for playground skirmishes that previously sent them to the principal's office. Women are evicted from their homes for calling the police too often to ask for protection from domestic violence. The homeless are arrested for sleeping in the park or urinating in public. A former aide to Robert F. Kennedy and senior official in the Clinton administration, Peter Edelman has devoted his life to understanding the causes of poverty. As Harvard Law professor Randall Kennedy has said, "No one has been more committed to struggles against impoverishment and its cruel consequences than Peter Edelman." And former New York Times columnist Bob Herbert writes, "If there is one essential book on the great tragedy of poverty and inequality in America, this is it."

The way we see and understand crime falls into two types of story that, in essence, have been told and retold many times throughout human history - in fiction, as in fact. Criminality is either a selfish choice, an aberration; or a forced choice, the product of social factors. These two stories continue to dominate both our views of and responses to crime. And, says Tom Gash, they are completely wrong. In seeking to dispel the myths that surround and inform our views of crime, Criminal argues that our obsession with 'big arguments' about crime's causes can lead us to mistake individual cases as proof of universal rules. How, he asks, can we suspend our knee-jerk reactions, and begin to understand crime for what it is: as a risk that can be managed and reduced.

Our latest collection—including every uncensored page from Crime Does Not Pay issues #54 to #57—is brimming with razor-sharp work by artists George Tuska, Fred Guardineer, Dan Barry, Charles Biro, and others! This volume also features a new foreword by crime and comics storytelling all-star Max Allan Collins (Road to Perdition, King of the Weeds)! * Featuring pre-Code work by Tuska, Biro, Guardineer, and others!