In the non-fictional essay Whose Time Is It Anyway?, a Christian man gives you his introspective view of the past, present, and future, and how time plays an immense role in how history is written. Author Chet Morelli encourages you to think about and ask yourself many questions as he shares his research on our human ancestors and the resulting inquiries he has discovered in the process. Such questions include, what happens when we die? and has the human race been on Earth for millions of years or just a few thousand? He not only looks into the past but also the present as he explores whether our fast-paced society may have caused our government leaders to make the wrong choices. He also takes an in-depth look into the mind of today's man. Morelli touches on the future as he contemplates the possibility of World War III and what role the three largest religions may play in deciding the important historical events of the coming years. Whose Time Is it Anyway? will help you reflect on our human experience and how time relates to the questions where have we been?, where are we now?, and where are we going? Only time will tell

On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto! An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer. American improv-comedy burst onto the scene in the 1950s with Chicago's the Compass Players (best known for the brilliant comedy duo Mike Nichols and Elaine May) and the Second City, which launched the careers of many popular comedians, including Gilda Radner, John Belushi, and Mike Myers. Chicago continues to be a mecca for young performers who travel from faraway places to study improv. At the same time, the techniques of Chicago improv have infiltrated classrooms, workshops, rehearsals, and comedy clubs across North and South America, Europe, Australia, and Japan. Improv's influence is increasingly evident in contemporary films and in interactive entertainment on the internet. Drawing on the experiences of working improvisers, Whose Improv Is It Anyway? provides a never-before-published account of developments beyond Second City's mainstream approach to the genre. This fascinating history chronicles the origins of "the Harold," a sophisticated new "long-form" style of improv developed in the '80s at ImprovOlympic and details the importance and pitfalls of ComedySports. Here also is a backstage glimpse at the Annoyance Theatre, best known on the national scene for its production of The Real Live Brady Bunch. Readers will get the scoop on the recent work of players who, feeling excluded by early improv's "white guys in ties," created such independent groups as the Free Associates and the African American troupe Oui Be Negroes. There is far more to the art of improv than may be suggested by the sketches on Saturday Night Live or the games on Whose Line Is It Anyway? This history, an insider's look at the evolution of improv-comedy in Chicago, reveals the struggles, the laughter, and the ideals of mutual support, freedom, and openness that have inspired many performers. It explores the power games, the gender inequities, and the racial tensions that can emerge in improvised performance, and it shares the techniques and strategies veteran players use to combat these problems. Improv art is revealed to be an art of compromise, a fragile negotiation between the poles of process and product. The result, as shown here, can be exciting, shimmering, magical, and not exclusively the property of any troupe or actor.

A tour-de-force guide to Zen Master Dogen’s most subtle and sophisticated philosophical premises: that being and time are inseparable. “Impermanence is time itself, being itself—yet time and being are not at all as we imagine them to be. To really understand and fully embrace this point is to live in a radically different world—a world of awakening, inclusion, and love. Zen Master Dogen frames the teaching on impermanence explicitly as a teaching about time—and all of Dogen’s profoundly poetic teachings flow from his seminal understanding of time, as expressed in Uji (Being-Time), the famous—and famously difficult—essay in his masterwork, Shobogenzo. In Uji, Dogen teaches that time itself, being itself, is luminous awakening. It is all-inclusive, all-elusive, ultimately healing, and eternal. In this book, Shinshu Roberts does full justice, as does no other book I know of, to Dogen’s words. She offers interpretation of Uji only after careful consideration and marshaling of many sources—and offers simple everyday examples to illustrate points that seem at first abstruse. If this text causes you to doubt your most cherished concepts about your life, it will have done its work.” —from the Foreword by Norman Fischer Being-Time thoroughly explores Dogen’s teaching on how we practice as Buddhas by understanding the relationship between being and time as it is—and as we perceive it to be. Using Dogen’s Shobogenzo Uji (The True Dharma Eye, Being-Time), Shinshu Roberts offers a twofold analysis of this teaching: the meaning of the text and practice with the text, giving examples how we apply Dogen’s complex teaching to our daily lives.

This collection of reflections contemplates the Divinity descending, acting within, and enlightening our day-to-day lives. This eminent Orthodox ethicist and pastor ponders questions that arise in our culture and answers them in an engaging style that is fully accessible to the average layperson.

The improv star of Whose Line Is It Anyway? puts his “unique comic vision” to work on a range of literary classics (Toronto Star). Based on the improv game First Line, Last Line, actor and comedian Colin Mochrie puts his own spin on works of classic literature. Taking the first line and last line from classic books and poems, Colin recasts these familiar stories in his own trademark offbeat style. Join in the fun as a rainy day at home becomes a zombie-killing adventure in The Cat and My Dad . . . as well as riffs on everything from A Tale of Two Cities to a classic Sherlock Holmes novel, proving that no literary masterpiece is too big, or too small, for the improvisational comedy treatment. “Colin Mochrie is a comedic and creative force to be reckoned with. Therefore, this book is a literary force to be reckoned with. If you are too lazy for reckoning, just read this book and everything will work out nicely.” —Brad Sherwood “Colin Mochrie is devastatingly handsome, perilously smart, and smells like warm maple syrup. Step inside his hilarious and complex mind, and abandon all hope.” —Aisha Tyler

A top Washington journalist recounts the dramatic political battle to pass the Civil Rights Act of 1964, the law that created modern America, on the fiftieth anniversary of its passage It was a turbulent time in America—a time of sit-ins, freedom rides, a March on Washington and a governor standing in the schoolhouse door—when John F. Kennedy sent Congress a bill to bar racial discrimination in employment, education, and public accommodations. Countless civil rights measures had died on Capitol Hill in the past. But this one was different because, as one influential senator put it, it was "an idea whose time has come." In a powerful narrative layered with revealing detail, Todd S. Purdum tells the story of the Civil Rights Act of 1964, recreating the legislative maneuvering and the larger-than-life characters who made its passage possible. From the Kennedy brothers to Lyndon Johnson, from Martin Luther King Jr. to Hubert Humphrey and Everett Dirksen, Purdum shows how these all-too-human figures managed, in just over a year, to create a bill that prompted the longest filibuster in the history of the U.S. Senate yet was ultimately adopted with overwhelming bipartisan support. He evokes the high purpose and low dealings that marked the creation of this monumental law, drawing on extensive archival research and dozens of new interviews that bring to life this signal achievement in American history. Often hailed as the most important law of the past century, the Civil Rights Act stands as a lesson for our own troubled times about what is possible when patience, bipartisanship, and decency rule the day.

Examines the ramifications of Einstein's relativity theory, exploring the mysteries of time and considering black holes, time travel, the existence of God, and the nature of the universe.

In [this book] you will learn all about the parts of grammar, but more importantly how to put them together - work words, glue words, chunks of words, helpers, and trouble-makers. [The book] will teach you to communicate with clarity and precision. As you learn the logic behind the rules of grammar, you'll find it easy to obey them. You'll become the master of: perfect progressives; gender concealers; word substitutes; working words and helping words; joiners and gluers; phrases and clauses; points of punctuation; avoiding common mistakes; how to put all your words together in the clearest, most powerful way. -Dust jacket.

Originally published in 1952, Tom Lea’s The Wonderful Country opens as mejicano pistolero Martín Bredi is returning to El Puerto (El Paso) after a fourteen-year absence. Bredi carries a gun for the Chihuahuan warlord Cipriano Castro and is on Castro’s business in Texas. Fourteen years earlier—shortly after the end of the Civil War—when he was the boy Martin Brady, he killed the man who murdered his father and fled to Mexico where he became Martín Bredi. Back in Texas Brady breaks a leg; then he falls in love with a married woman while recuperating; and, finally, to right another wrong, he kills a man. When Brady/Bredi returns to Mexico, the Castros distrust him as an American. He becomes a man without a country. The Wonderful Country clearly depicts life along the Texas-Mexico border of a century-and-a-half ago, when Texas and Mexico were being settled and tamed.