Whose Muse
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Author |
: James Cuno |
Publisher |
: Princeton University Press |
Total Pages |
: 209 |
Release |
: 2018-06-05 |
ISBN-10 |
: 9780691188683 |
ISBN-13 |
: 0691188688 |
Rating |
: 4/5 (83 Downloads) |
Synopsis Whose Muse? by : James Cuno
During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating--and surprisingly frank--roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
Author |
: Andrew Albin |
Publisher |
: Fordham University Press |
Total Pages |
: 240 |
Release |
: 2019-10-15 |
ISBN-10 |
: 9780823285594 |
ISBN-13 |
: 0823285596 |
Rating |
: 4/5 (94 Downloads) |
Synopsis Whose Middle Ages? by : Andrew Albin
Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar stories, objects, symbols, and myths. Whose Middle Ages? gives nonspecialists access to the richness of our historical knowledge while debunking damaging misconceptions about the medieval past. Myths about the medieval period are especially beloved among the globally resurgent far right, from crusading emblems on the shields borne by alt-right demonstrators to the on-screen image of a purely white European populace defended from actors of color by Internet trolls. This collection attacks these myths directly by insisting that readers encounter the relics of the Middle Ages on their own terms. Each essay uses its author’s academic research as a point of entry and takes care to explain how the author knows what she or he knows and what kinds of tools, bodies of evidence, and theoretical lenses allow scholars to write with certainty about elements of the past to a level of detail that might seem unattainable. By demystifying the methods of scholarly inquiry, Whose Middle Ages? serves as an antidote not only to the far right’s errors of fact and interpretation but also to its assault on scholarship and expertise as valid means for the acquisition of knowledge.
Author |
: Beth Macy |
Publisher |
: Little, Brown |
Total Pages |
: 496 |
Release |
: 2016-10-18 |
ISBN-10 |
: 9780316337564 |
ISBN-13 |
: 0316337560 |
Rating |
: 4/5 (64 Downloads) |
Synopsis Truevine by : Beth Macy
The true story of two African-American brothers who were kidnapped and displayed as circus freaks, and whose mother endured a 28-year struggle to get them back. The year was 1899 and the place a sweltering tobacco farm in the Jim Crow South town of Truevine, Virginia. George and Willie Muse were two little boys born to a sharecropper family. One day a white man offered them a piece of candy, setting off events that would take them around the world and change their lives forever. Captured into the circus, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York's Madison Square Garden. They were global superstars in a pre-broadcast era. But the very root of their success was in the color of their skin and in the outrageous caricatures they were forced to assume: supposed cannibals, sheep-headed freaks, even "Ambassadors from Mars." Back home, their mother never accepted that they were "gone" and spent 28 years trying to get them back. Through hundreds of interviews and decades of research, Beth Macy expertly explores a central and difficult question: Where were the brothers better off? On the world stage as stars or in poverty at home? Truevine is a compelling narrative rich in historical detail and rife with implications to race relations today.
Author |
: Edmund Spenser |
Publisher |
: CUP Archive |
Total Pages |
: 390 |
Release |
: 1920 |
ISBN-10 |
: |
ISBN-13 |
: |
Rating |
: 4/5 ( Downloads) |
Synopsis The Faerie Queene by : Edmund Spenser
Author |
: |
Publisher |
: |
Total Pages |
: 286 |
Release |
: 1783 |
ISBN-10 |
: NYPL:33433074845417 |
ISBN-13 |
: |
Rating |
: 4/5 (17 Downloads) |
Synopsis The Muse's Mirror: Being a Collection of Poems ... by :
Author |
: Sarah Parker |
Publisher |
: Routledge |
Total Pages |
: 255 |
Release |
: 2015-10-06 |
ISBN-10 |
: 9781317319986 |
ISBN-13 |
: 1317319982 |
Rating |
: 4/5 (86 Downloads) |
Synopsis The Lesbian Muse and Poetic Identity, 1889–1930 by : Sarah Parker
Throughout history the poetic muse has tended to be (a passive) female and the poet male. This dynamic caused problems for late Victorian and twentieth-century women poets; how could the muse be reclaimed and moved on from the passive role of old? Parker looks at fin-de-siècle and modernist lyric poets to investigate how they overcame these challenges and identifies three key strategies: the reconfiguring of the muse as a contemporary instead of a historical/mythological figure; the muse as a male figure; and an interchangeable poet/muse relationship, granting agency to both.
Author |
: |
Publisher |
: |
Total Pages |
: 284 |
Release |
: 1778 |
ISBN-10 |
: BL:A0022621573 |
ISBN-13 |
: |
Rating |
: 4/5 (73 Downloads) |
Synopsis The Muse's Mirrour by :
Author |
: Shannon King |
Publisher |
: NYU Press |
Total Pages |
: 267 |
Release |
: 2015-07-03 |
ISBN-10 |
: 9781479811274 |
ISBN-13 |
: 1479811270 |
Rating |
: 4/5 (74 Downloads) |
Synopsis Whose Harlem Is This, Anyway? by : Shannon King
Demonstrates how Harlemite's dynamic fight for their rights and neighborhood raised the black community's racial consciousness and established Harlem's legendary political culture. King uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. --Adapted from publisher description.
Author |
: Dennis Bingham |
Publisher |
: Rutgers University Press |
Total Pages |
: 445 |
Release |
: 2010-03-04 |
ISBN-10 |
: 9780813549309 |
ISBN-13 |
: 0813549302 |
Rating |
: 4/5 (09 Downloads) |
Synopsis Whose Lives Are They Anyway? by : Dennis Bingham
The biopic presents a profound paradox—its own conventions and historical stages of development, disintegration, investigation, parody, and revival have not gained respect in the world of film studies. That is, until now. Whose Lives Are They Anyway? boldly proves a critical point: The biopic is a genuine, dynamic genre and an important one—it narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. Through detailed analyses and critiques of nearly twenty biopics, Dennis Bingham explores what is at their core—the urge to dramatize real life and find a version of the truth within it. The genre's charge, which dates back to the salad days of the Hollywood studio era, is to introduce the biographical subject into the pantheon of cultural mythology and, above all, to show that he or she belongs there. It means to discover what we learn about our culture from the heroes who rise and the leaders who emerge from cinematic representations. Bingham also zooms in on distinctions between cinematic portrayals of men and women. Films about men have evolved from celebratory warts-and-all to investigatory to postmodern and parodic. At the same time, women in biopics have been burdened by myths of suffering, victimization, and failure from which they are only now being liberated. To explore the evolution and lifecycle changes of the biopic and develop an appreciation for subgenres contained within it, there is no better source than Whose Lives Are They Anyway?
Author |
: |
Publisher |
: |
Total Pages |
: 496 |
Release |
: 1879 |
ISBN-10 |
: NYPL:33433081740353 |
ISBN-13 |
: |
Rating |
: 4/5 (53 Downloads) |
Synopsis The Monitor by :