The late Dr. Tai Solarin was the Principle and Proprietor of the Mayflower Grammar School at Ikenne, and Public Complaints Commissioner of the former Western State of Nigeria. This play by Femi Osofisan, the distinguished Nigerian playwright, is in his honour. Isola, a rascally and irresponsible traveller, is mistaken for the dreaded Public Complaints Commissioner, Solarin, by the corrupt officials of the Local Government Council. He plays on this until the real Commissioner arrives. The classic play was first published in 1978; and this new edition includes the first Tai Solarin Memorial Lecture, delivered in 2004 by Femi Osofisan.

It is about life in a unique secondary school in Nigeria in the 1970s and 1980s. The principal, Dr. Tai Solarin, was totally dedicated to producing academically and intellectually sound students who were also trained in the practical aspects of life farming, cooking, electrical wiring, plumbing, baking, building, man owar and others. It was hard to find such students unemployable. They were trained to dream big and be high achievers. This is a personal account of one of the students who experienced this unique training.

In this "relentlessly gripping, brilliant" epic fantasy (James Islington), an ousted queen must join forces with a young warrior in order to reclaim her throne and save her people. Tau and his Queen, desperate to delay the impending attack on the capital by the indigenous people of Xidda, craft a dangerous plan. If Tau succeeds, the Queen will have the time she needs to assemble her forces and launch an all out assault on her own capital city, where her sister is being propped up as the 'true' Queen of the Omehi. If the city can be taken, if Tsiora can reclaim her throne, and if she can reunite her people then the Omehi have a chance to survive the onslaught. "This gritty series set in a South African–inspired fantasy world is an intense reading experience, and the second book is just as phenomenal as the first."—BuzzFeed News "The Fires of Vengeance is epic fantasy at its finest."—Winter Is Coming The Books of The Burning Series The Rage of Dragons The Fires of Vengeance The Lord of Demons

Onomastics is an area of scholarly interest that has grown considerably in importance in recent years. Consequently, the 27th International Congress of Onomastic Sciences, held in 2021 in Kraków, Poland, gathered scholars from all over the world, active in all subfields of onomastic enquiry, as well as those exploring the areas bordering on other disciplines of the humanities. It thus became a venue for presenting state-of-the-art research in the study of proper names, proposing novel approaches and opening new vistas for future research. The present work is the third of the three volumes of conference proceedings that are the fruit of the congress. Being the most diverse thematically, it contains contributions on the general and applied aspects of onomastics, onymy in literature and other cultural texts, and chrematonyms. It ends with two reports. The volume comprises 30 individual articles, contributed by 35 scholars. The first section, devoted to general and applied onomastics, features texts concerned with ever-interesting questions relevant to all practitioners of the discipline: the essence of properhood, the meaning of proper names, and onomastic terminology. Scholars whose papers focused on applied onomastics were interested in problems occasioned by the translation of onyms, by their pronunciation in cross-cultural contact, and by the use of exonyms, drawing for exemplification on the Hungarian, German and Czech language material respectively. Literary onomastics in its broad definition constitutes by far the largest part of the volume. Contributors to this section represent diverse literatures, including Scottish, Russian, Polish, Czech and Nigerian. The scope and internal subdivisions of literary onomastics are discussed and the activities of the Italian Society for Literary Onomastics are presented. The name Dracula is analysed in depth, and so is the Old Prussian onym Patollo. Some researchers take a step into the wider realm of culture. Their attention is attracted by the names of spirits in the beliefs adhered to in Southwest China, by the proper names in a medieval Scottish document, by the onyms that personify hunger in Italian wartime epistolography, and by toponyms in video games. The third section deals with chrematonyms as diverse as names of railway locomotives in Britain, logonyms in Slovakia and perfume names in a Slovak online shop. The naming patterns of Chinese restaurants in Czechia are studied too, as well as the names of travel agencies in Germany, Ukraine and Poland. Finally, the reader is presented with two reports. One outlines new tendencies in Nordic socio-onomastics, while the other presents the new paradigm in the publication of “Onoma”, the journal of the ICOS. The book is a must not only for onomasticians, but also for researchers in related disciplines, ranging from history, via human geography or philosophy of language, to social studies. However, professionals active in naming will find it useful as well, since it provides a much-needed supranational perspective and enables cross-cultural comparisons.

This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The struggles it describes unfolded in two cultural settings separated by geography, but bound by history in a common web of colonial relations spun by the imperatives of European modernity. In post-imperial England, as in its former colony Nigeria, the colonial experience not only hybridized the process of national self-definition, but also provided dramatists with the language, imagery and frame of reference to narrate the dynamics of internal wars over culture and national destiny happening within their own societies. The author examines the works of prominent twentieth-century Nigerian and English dramatists such as Wole Soyinka, Femi Osofisan, Davd Edgar and Caryl Churchill to argue that dramaturgies of resistance in the contexts of both Nigerian as well as its imperial inventor England, shared a common allegiance to what he describes as postcolonial desires. That is, the aspiration to overcome the legacies of colonialism by imagining alternative universes anchored in democratic cultural pluralism. The plays and their histories serve as filters through which Ampka illustrates the operation of what he calls 'overlapping modernities' and reconfigures the notions of power and representation, citizenship and subjectivity, colonial and anticolonial nationalisms and postcoloniality. The dramatic works studied in this book embodied a version of postcolonial aspirations that the author conceptualises as transcending temporal locations to encompass varied moments of consciousness for progressive change, whether they happened during the hey day of English imperialism in early twentieth-century Nigeria, or in response to the exclusionary politics of the Conservative Party in Thatcherite England. Theatre and Postcolonial Desires will be essential reading for students and researchers in the areas of drama, postcolonial and cultural studies.

Introduction. Nigerian Connections -- Palm Wine, Amos Tutuola, and a Literary Gatekeeper -- Bahia-Lagos-Ouidah: Mariana's Story -- Igbo Life, Past and Present: Three Views -- Inland, Upriver with the Empire: Borrioboola-Gha -- The City, according to Ekwensi . . . and Onuzo -- Points of Cultural Geography: Ibadan . . . Enugu, Onitsha, Nsukka -- Been-To: Dreams, Disappointments, Departures, and Returns -- Dateline Lagos: Reporting on Nigeria to the World -- Death in Lagos -- Tai Solarin: On Colonial Power, Schools, Work Ethic, Religion, and the Press -- Wole Soyinka, Leo Frobenius, and the Ori Olokun -- A Voice from the Purdah: Baba of Karo -- Bauchi: The Academic and the Imam -- Railtown Writers -- Nigeria at War -- America Observed: With Nigerian Eyes -- Transatlantic Shuttle -- Sojourners from Black Britain -- Oyotunji Village, South Carolina: Reverse Afropolitanism.

The distinguished Nigerian playwright directed the first performance of this play at the Arts Theatre at the University of Ibadan. Osofisan's incisive vision is put at the service of oppressed humanity. His over-riding theme is that the machinery of oppression in human society is created by man, but man is also capable of demolishing it. The production includes Yoruba songs and incantations, and a glossary provides an English translation - as a guide for other directors to substitute appropriate dirges.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

From St. Augustine and early Ethiopian philosophers to the anti-colonialist movements of Pan-Africanism and Negritude, this encyclopedia offers a comprehensive view of African thought, covering the intellectual tradition both on the continent in its entirety and throughout the African Diaspora in the Americas and in Europe. The term "African thought" has been interpreted in the broadest sense to embrace all those forms of discourse - philosophy, political thought, religion, literature, important social movements - that contribute to the formulation of a distinctive vision of the world determined by or derived from the African experience. The Encyclopedia is a large-scale work of 350 entries covering major topics involved in the development of African Thought including historical figures and important social movements, producing a collection that is an essential resource for teaching, an invaluable companion to independent research, and a solid guide for further study.