Full-figured diva Desa Rae Jenkins and her lover boy, Roc Dawson, have finally agreed to make their way down the aisle for better or worse, richer or poorer, and no mess whatsoever shall keep them apart. Several weeks before the long-awaited wedding, however, Desa Rae is confronted by a woman from the past who makes her aware of Roc's naughty nights in a place known as Hell House. The betrayal sends them back to what Desa Rae considers square one, but then the unthinkable happens. Roc discovers that she's been keeping some secrets too. During a prior visit to her son's college, Desa Rae and her ex-husband, Reggie, dared to go where they never thought they'd venture again. As a result, Roc is ready to put his foot where the sun doesn't shine. He doesn't believe that Desa Rae would do him like that. Talk about the pot calling the kettle black. Each one continues to make a case for why the other is guilty as charged. Black love is, once again, on the chopping block. Can love survive, or will Desa Rae and Roc come to a difficult decision to put their ongoing madness to rest and settle for being long-distance friends?

When Mina Mooney betrays the clique's year-long virginity pact, she fears that her best friend Lizzie will never forgive her, while Kelly is only too happy to take things slow with Greg, and Jacinta has a pregnancy scare.

Got wit? We’ve all been in that situation where we need to say something clever, but innocuous; smart enough to show some intelligence, without showing off; something funny, but not a joke. What we need in that moment is wit—that sparkling combination of charm, humor, confidence, and most of all, the right words at the right time. Elements of Wit is an engaging book that brings together the greatest wits of our time, and previous ones from Oscar Wilde to Nora Ephron, Winston Churchill to Christopher Hitchens, Mae West to Louis CK, and many in between. With chapters covering the essential ingredients of wit, this primer sheds light on how anyone—introverts, extroverts, wallflowers, and bon vivants—can find the right zinger, quip, parry, or retort…or at least be a little bit more interesting.

Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award. Adapted to an Emmy Award-winning television movie, directed by Mike Nichols, starring Emma Thompson. Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

"America's irrepressible doyenne of domestic satire." THE BOSTON GLOBE Madcap, bittersweet humor in classic Erma Bombeck-style. You'll laugh until it hurts and love it! "Any mother with half a skull knows that when Daddy's little boy becomes Mommy's little boy, the kid is so wet, he's treading water. What do you mean you're a participle in the school play and you need a costume? Those rotten kids. If only they'd let me wake up in my own way. Why do they have to line up along my bed and stare at me like Moby Dick just washed up onto a beach somewhere?"

Did you know manatees swim using farts? Or that herrings communicate by passing gas? Butts are used for breathing, eating, swimming, talking, and even killing in the animal kingdom. Focusing on ten different animals and their derrières, and offering fun facts about their origin, habitat, and "posterior power," this hilarious book captures the wonder of our ecosystem. Which animal has the coolest butt power? That's up to you to decide! An MASL Dogwood Reader's Award Title Towner Award Winner 2024 Texas Topaz Nonfiction Reading List Selection

In a world where every word and gesture is copyrighted, patented or trademarked, one girl elects to remain silent rather than pay to speak, and her defiant and unexpected silence threatens to unravel the very fabric of society. Speth Jime is anxious to deliver her Last Day speech and celebrate her transition into adulthood. The moment she turns fifteen, Speth must pay for every word she speaks (“Sorry” is a flat ten dollars and a legal admission of guilt), for every nod ($0.99/sec), for every scream ($0.99/sec) and even every gesture of affection. She’s been raised to know the consequences of falling into debt, and can’t begin to imagine the pain of having her eyes shocked for speaking words that she’s unable to afford. But when Speth’s friend Beecher commits suicide rather than work off his family’s crippling debt, she can’t express her shock and dismay without breaking her Last Day contract and sending her family into Collection. Backed into a corner, Speth finds a loophole: rather than read her speech—rather than say anything at all—she closes her mouth and vows never to speak again. Speth’s unexpected defiance of tradition sparks a media frenzy, inspiring others to follow in her footsteps, and threatens to destroy her, her family and the entire city around them.

Perhaps the first book of Raps published by a rapper. Included in this 2nd edition is an essay commisioned & featured on acrossthemargin.com concerning the context of the raps within. These raps are a mix of monologues, memoirs, Op?ras, conjure-songs & plays written, recorded, transcribed & preformed by Malik Ameer Crumpler during 2000-2018. All of the raps & albums within are available for purchase, listening & watching via www.malikameer.com

A charming collection of quotes and anecdotes celebrating the late Queen Elizabeth II, the incomparable British monarch. When we think of a queen, we probably picture a serious, dignified personage complete with majestic hat and matching handbag. But The Wicked Wit of Queen Elizabeth II reveals a side of the monarch the public rarely saw, her healthy sense of humor: sometimes silly, sometimes sarcastic—and occasionally unintentional (to guitar legend Eric Clapton: “Have you been playing long?”)! This is a delightful celebration of Queen Elizabeth II's humor revealed through her own words on topics from family and travel to pets and hobbies, as well as stories from the royal household of Britain’s longest-serving monarch. In addition to the queen, other royals get in their two cents, including the famously filterless Prince Philip and the acerbic Princess Margaret, as well as Prince Charles and Princess Anne.