In 2013 when I published Who Murdered Elvis? I thought that would be the last word on the subject. I was wrong. In the five years since that publication more facts, witnesses, interviews, and incredible personal experiences followed. In one case my life was even threatened.

This well-researched probe into Elvis Presley's death includes interviews with Colonel Tom Parker, conclusive autopsy documents, and a thorough account of the autopsy and why its findings are so hotly debated

NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.

THE NEW YORK TIMES BESTSELLER Elvis Presley’s fiancée and last love tells her story and sets the record straight in this deeply personal memoir that reveals what really happened in the final years of the King of Rock n' Roll. Elvis Presley and Graceland were fixtures in Ginger Alden’s life; after all, she was born and raised in Memphis, Tennessee. But she had no idea that she would play a part in that enduring legacy. For more than three decades Ginger has held the truth of their relationship close to her heart. Now she shares her unique story… In her own words, Ginger details their whirlwind romance—from first kiss to his stunning proposal of marriage. And for the very first time, she talks about the devastating end of it all and the fifty thousand mourners and reporters who descended on Graceland in 1977, exposing Ginger to the reality of living in the spotlight of a short yet immortal life. Above it all, Ginger rescues Elvis from the hearsay, rumors, and tabloid speculations of his final year by shedding a frank yet personal light on a very public legend. From a unique and intimate perspective, she reveals the man—complicated, romantic, fallible, and human—behind the myth, a superstar worshipped by millions and loved by Ginger Alden. INCLUDES PHOTOS

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'" In When I Stop Talking, You'll Know I'm Dead, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen. Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever. And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come." As Weintraub says, "When I stop talking, you'll know I'm dead." With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.

From the creator of the popular rock 'n' roll true crime podcast, Disgraceland comes an off-kilter, hysterical, at times macabre book inspired by true stories from the highly entertaining underbelly of music history. You may know Jerry Lee Lewis married his thirteen-year-old cousin but did you know he shot his bass player in the chest with a shotgun or that a couple of his wives died under extremely mysterious circumstances? Or that Sam Cooke was shot dead in a seedy motel after barging into the manager's office naked to attack her? Maybe not. Would it change your view of him if you knew that, or would your love for his music triumph? Real rock stars do truly insane thing and invite truly insane things to happen to them; murder, drug trafficking, rape, cannibalism and the occult. We allow this behavior. We are complicit because a rock star behaving badly is what's expected. It's baked into the cake. Deep down, way down, past all of our self-righteous notions of justice and right and wrong, when it comes down to it, we want our rock stars to be bad. We know the music industry is full of demons, ones that drove Elvis Presley, Phil Spector, Sid Vicious and that consumed the Norwegian Black Metal scene. We want to believe in the myths because they're so damn entertaining. Disgraceland is a collection of the best of these stories about some of the music world's most beloved stars and their crimes. It will mix all-new, untold stories with expanded stories from the first two seasons of the Disgraceland podcast. Using figures we already recognize, Disgraceland shines a light into the dark corners of their fame revealing the fine line that separates heroes and villains as well as the danger Americans seek out in their news cycles, tabloids, reality shows and soap operas. At the center of this collection of stories is the ever-fascinating music industry--a glittery stage populated by gangsters, drug dealers, pimps, groupies with violence, scandal and pure unadulterated rock 'n' roll entertainment.

"How much history can be communicated by pressure on a guitar string?" Robert Palmer wondered in Deep Blues. Greil Marcus answers here: more than we will ever know. It is the history in the riff, in the movie or novel or photograph, in the actor's pose or critic's posturing--in short, the history in cultural happenstance--that Marcus reveals here, exposing along the way the distortions and denials that keep us oblivious if not immune to its lessons. Whether writing about the Beat Generation or Umberto Eco, Picasso's Guernica or the massacre in Tiananmen Square, The Manchurian Candidate or John Wayne's acting, Eric Ambler's antifascist thrillers or Camille Paglia, Marcus uncovers the histories embedded in our cultural moments and acts, and shows how, through our reading of the truths our culture tells and those it twists and conceals, we situate ourselves in that history and in the world. Rarely has a history lesson been so exhilarating. With the startling insights and electric style that have made him our foremost writer on American music, Marcus brings back to life the cultural events that have defined us and our time, the social milieu in which they took place, and the individuals engaged in them. As he does so, we see that these cultural instances--as lofty as The Book of J, as humble as a TV movie about Jan and Dean, as fleeting as a few words spoken at the height of the Berkeley Free Speech Movement, as enduring as a Paleolithic painting--often have more to tell us than the master-narratives so often passed off as faultless representations of the past. Again and again Marcus skewers the widespread assumption that history exists only in the past, that it is behind us, relegated to the dustbin. Here we see instead that history is very much with us, being made and unmade every day, and unless we recognize it our future will be as cramped and impoverished as our present sense of the past.

Will Lee, the courageous and uncompromising senator from Georgia, is back—now as President of the United States—in the fifth book in the New York Times bestselling series that began with Chiefs. When a prominent conservative politician is killed inside his lakeside cabin, authorities have no suspect in sight. And two more deaths—seemingly isolated incidents, achieved by very different means—might be linked to the same murderer. With the help of his CIA director wife, Kate Rule Lee, Will is facing a perilous challenge: catch the most clever and professional of killers before he can strike again. From a quiet D.C. suburb to the corridors of power to a deserted island hideaway in Maine, Will, Kate, and the FBI will track their man and set a trap with extreme caution and care—and await the most dangerous kind of quarry, a killer with a cause to die for...