Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.

Killer Verse: Poems of Murder and Mayhem is a spine-tingling collection of terrifically creepy poems about the deadly art of murder. The villains and victims who populate these pages range from Cain and Abel and Bluebeard and his wives to Lizzie Borden, Jack the Ripper, and Mafia hit men. The literary forms they inhabit are just as varied, from the colorful melodramas of old Scottish ballads to the hard-boiled poetry of twentieth-century noir, from lighthearted comic riffs to profound poetic musings on murder. Robert Browning, Thomas Hardy, W. H. Auden, Stevie Smith, Mark Doty, Frank Bidart, Toi Derricotte, Lynn Emanuel, and Cornelius Eady are only a few of the many poets, old and new, whose work is captured in this heart-stopping—and criminally entertaining—collection.

Digte. Addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity

A spirited defense of the vitality of contemporary poetry.

Anthology of poems by 20th century American poets.

Every year since 1988 a major poet has selected seventy-five poems for publication in The Best American Poetry. The series has quickly grown in both sales and prestige, as poetry itself has seen a remarkable resurgence in popularity and vitality, fueled by established poets at the peak of their powers and a new generation of daring voices. As we approach the millennium, now is the opportune moment to take stock of american poetry and choose the work that will stand the test of time. Harold Bloom, a commanding presence on the American literary state, has read all 750 poems in the series and has picked the "best of the best." He precedes his selections with a compelling and highly provocative essay on the state of American letters, in which he fiercely champions the endangered realm of the aesthetic over the politically correct. Diverse in style, method, and metaphor, the seventy-five poems Bloom has chosen go a long way toward defining a contemporary canon of American poetry. This exciting volume reflects not only the taste of the current editor, but the predilections of the all-star list of poets who have contributed their time and intellect to make this series what is today: a "valuable, invaluable, supervaluable" (Beloit Poetry Journal) record of an ever-changing, always exciting art.

Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.

A superb selection of poems from both sides of the American Civil War features more than 75 inspired works by Melville, Emerson, Longfellow, Whittier, Whitman, and many others.

Poetry. Native American Studies. ANOTHER ATTEMPT AT RESCUE is the first collection by M.L. Smoker whose work has garnered praise from Sherman Alexie and Jim Harrison. M.L. "M.L. Smoker's poems are tough, funny, magical, but not in a goofy way. This is blue-collar magic. Unemployed magic. Living on government cheese magic. I highly recommend this collection"

Redefines the great canon of American poetry from its origins in the 17th century right up to the present.