The ಜNew Atheistsಝ are pulling no punches. If the world of nature needs a designer, they ask, then why wouldn't the designer itself need a designer, too? Or if it can exist without any designer behind it, then why can't we just say the same for the universe and wash our hands of a designer altogether? Interweaving its pursuit of the First Cause with personal stories and humor, this ground-breaking book takes a fresh approach to ultimate questions. While attentive to empirical science, it builds its case not on authoritative pronouncements of experts that readers must take on faith, but instead on a nuanced understanding of universal principles implicit in everyone's experience. Here is essential reading for all people who care about contemplating God, not exclusively as a best-explanation for the findings of science, but also as the surprising-yet-inevitable implication of our commonsense contact with reality. Augros harnesses such intellects as Plato, Aristotle, and Aquinas, ushering into the light a wealth of powerful inferences that have hitherto received little or no public exposure. The result is an easygoing yet extraordinary journey, beginning from the world as we all encounter it and ending in the divine mind.

The “New Atheists” are pulling no punches. If the world of nature needs a designer, they ask, then why wouldn't the designer itself need a designer, too? Or if it can exist without any designer behind it, then why can't we just say the same for the universe and wash our hands of a designer altogether? Interweaving its pursuit of the First Cause with personal stories and humor, this ground-breaking book takes a fresh approach to ultimate questions. While attentive to empirical science, it builds its case not on authoritative pronouncements of experts that readers must take on faith, but instead on a nuanced understanding of universal principles implicit in everyone's experience. Here is essential reading for all people who care about contemplating God, not exclusively as a best-explanation for the findings of science, but also as the surprising-yet-inevitable implication of our commonsense contact with reality. Augros harnesses such intellects as Plato, Aristotle, and Aquinas, ushering into the light a wealth of powerful inferences that have hitherto received little or no public exposure. The result is an easygoing yet extraordinary journey, beginning from the world as we all encounter it and ending in the divine mind.

An exploration of how design might be led by marginalized communities, dismantle structural inequality, and advance collective liberation and ecological survival. What is the relationship between design, power, and social justice? “Design justice” is an approach to design that is led by marginalized communities and that aims expilcitly to challenge, rather than reproduce, structural inequalities. It has emerged from a growing community of designers in various fields who work closely with social movements and community-based organizations around the world. This book explores the theory and practice of design justice, demonstrates how universalist design principles and practices erase certain groups of people—specifically, those who are intersectionally disadvantaged or multiply burdened under the matrix of domination (white supremacist heteropatriarchy, ableism, capitalism, and settler colonialism)—and invites readers to “build a better world, a world where many worlds fit; linked worlds of collective liberation and ecological sustainability.” Along the way, the book documents a multitude of real-world community-led design practices, each grounded in a particular social movement. Design Justice goes beyond recent calls for design for good, user-centered design, and employment diversity in the technology and design professions; it connects design to larger struggles for collective liberation and ecological survival.

A compelling defense for the importance of design and how it shapes our behavior, our emotions, and our lives Design has always prided itself on being relevant to the world it serves, but interest in design was once limited to a small community of design professionals. Today, books on "design thinking" are best sellers, and computer and Web-based tools have expanded the definition of who practices design. Looking at objects, letterforms, experiences, and even theatrical performances, award-winning author Jessica Helfand asserts that understanding design's purpose is more crucial than ever. Design is meaningful not because it is pretty but because it is an intrinsically humanist discipline, tethered to the very core of why we exist. For example, as designers collaborate with developing nations on everything from more affordable lawn mowers to cleaner drinking water, they must take into consideration the full range of a given community's complex social needs. Advancing a conversation that is unfolding around the globe, Helfand offers an eye-opening look at how designed things make us feel as well as how--and why--they motivate our behavior.

The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.

Most design books focus on outcome rather than on process. Scott Stowell's Design for People is groundbreaking in its approach to design literature. Focusing on 12 design projects by Stowell's design firm, Open, the volume offers a sort of oral history as told by those involved with each project--designers, clients, interns, collaborators and those who interact with the finished product on a daily basis. In addition to the case studies, the book features texts from influential figures in the design world, including writer Karrie Jacobs, founding editor-in-chief of Dwell magazine; plus contributions from Pierre Bernard, revolutionary French graphic artist and designer; Charles Harrison, pioneering industrial designer; Maira Kalman, artist and writer; Wynton Marsalis, composer and musician; Emily Pilloton, design activist and author of Design Revolution; Michael Van Valkenburgh, landscape architect and professor at Harvard's Graduate School of Design; and Alissa Walker, design writer and urban advocate.

Written by a noted expert on and popular advocate of intelligent design, this book explores more than 60 of the toughest questions asked by experts and non-experts.

Before there was Steve Jobs, there was Norman Bel Geddes. A ninth-grade dropout who found himself at the center of the worlds of industry, advertising, theater, and even gaming, Bel Geddes designed everything from the first all-weather stadium, to Manhattan's most exclusive nightclub, to Futurama, the prescient 1939 exhibit that envisioned how America would look in the not-too-distant 60s. In The Man Who Designed the Future, B. Alexandra Szerlip reveals precisely how central Bel Geddes was to the history of American innovation. He presided over a moment in which theater became immersive, function merged with form, and people became consumers. A polymath with humble Midwestern origins, Bel Geddes’ visionary career would launch him into social circles with the Algonquin roundtable members, stars of stage and screen, and titans of industry. Light on its feet but absolutely authoritative, this first major biography is a must for anyone who wants to know how America came to look the way it did.